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Andy Warhol and the pop art movement
Andy Warhol's influence on pop art movement
Andy Warhol and the pop art movement
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As a profound influence on the twentieth century pop art movement, Andy Warhol ascended to become a cornerstone in the modern art world. After taking cues from society in the mid-twentieth century, as well as conversing with Muriel Latow, Warhol did what many artists strived to do but failed. Andy also extracted many of his ideas from other artists and built on them. He put a culture on canvas and revolutionized pop art for a life time.
The nineteen sixties, seventies, and eighties were periods of self righteousness and discovery. With many new styles and beliefs arising during those eras, Warhol’s imagination would begin to produce ideas that were unheard of but revolutionary at the same time. American values were altered and so Warhol saw a chance to highlight how easily people are influenced by the media and pop culture. He used many aspects of the new cultural society to create his artwork.
Warhol created his pieces by discovering what was popular, what stood out in modern art, and also something with standard American values. Warhol also took everyday objects and turned them into pop art sensations. He realized that the majority of the United States went food shopping and decided to create a line of supermarket products. This line of Warhol’s included the very popular Brillo boxes, price tags, the banana, and Coca-Cola bottles (Wrbican). His creation of Coca Cola Bottles in 1962 became very popular. The bottles are in the everyday life of an American which made them very familiar with practically everyone. “Warhol used to identify the nature of the great American society, anonymous and consumerist, devoted to conformism and with a pride in unanimity, was the ubiquitous Coca Cola bottle- “(Copplestone 12). To Warhol...
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...l wrote Capote fan mail, called him, and even went as far as to waiting outside his apartment everyday (Bourdon 31). Warhol invested much of his time in reading and recreating Truman’s stories through art. Although very few people enjoyed his drawings of Truman Capote’s short stories, Warhol admired him very much.
To create a new type of art during a time of discovery and trends in such a diverse country is a very big deal. But, to further create a lasting impact on society forty years from then is amazing. Andy Warhol has been called the “Prince of Pop” mostly for his profound achievements as a pop artist of the 20th century. His artwork is based off of the American society during the nineteen fifties to the seventies. Warhol sparked a revolution in art by developing Latow’s and Capote’s ideas. He will forever be remembered as an engineer for the basis of pop art.
Andy Warhol was a graphic artist, painter, and film maker, amoung other things, also associated with Pop Art. He moved to New York, around 1950, where he did his first advertisements as a comercial artist and, later, began showing in expositions. One technique employed by Warhol involved repeditive silk screen prints on canvas. He used this method to produce many series of prints with various, easily reconizable images. Between 1962 and 1964 in his self titled studio “The Factory”(Phaidon 484), Warhol produced over two thousand pictures. One of these, Lavender Disaster, was made in 1963 and belonged to a series of pictures all including the same image of an electric chair.
Known for being the father of Pop Art, and a giant in pop culture, Warhol dominated the art scene from the late fifties up until his untimely death in 1987. However Warhol’s influence spread further then the art world, he also was a major player in the LGBT, avant-garde and experimental cinema movements. Born in 1928 in Pittsburgh, Pennsylvania to Slovakian immigrant parents, Warhol came from humble beginnings. Becoming widely known for debuting the concept of ‘pop art’ in 1962. Warhol’s reach grew further when he started experimenting with film, becoming a major player in the LGBT, avant-garde and experimental cinema movements. Warhol’s artist studio, known famously as ‘The Factory’ became a hub for experimentation, and a go-to point for celebrities, musicians and trans folk. During this time, Warhol came out as an openly gay man, challenging the status quo of the day, a time when being homosexual was illegal. While also producing highly experiential films such as ‘Blow Job’ (1964) and ‘Sleep’ (1964) which were highly political and provocative, at the time. As art critic Dave Hickey asserts, “Art has political consequences, which is to say, it reorganized society and creates constituencies of people around it” (Hickey, 2007), Andy Warhol’s art and lived experience created a political constituency which can be best recognised in the function of the “Silver Factory” on
Hailed as the founding father of the Pop Art movement in the late 1950's and early 1960's, Andy Warhol, through his endeavors, brought forward society's obsession with mass culture and allowed it to become the subject of his art. He produced works that defied and challenged the popular notion of what art should be by disputing the "traditional conventions pertaining to the uniqueness, authenticity, and authorship" of art (Faerna 28). However, it is an injustice to say that Warhol's goals primarily included the desire to create such a ground-breaking and salient style of American art or to entertain the public by making his own artistic contributions. Rather, Andy Warhol's interests were more entwined in his own self-interest and greed. Although a fraction of Andy Warhol's inspiration resided in his ambition to create a "unique" and exotic style of American art, his main motivation was purely materialistic and involved acquiring large sums of money and publicity to fuel his obsession with wealth and fame.
The subject of Andy Warhol 's art is not blatant it 's very subjective, his art was a look not only to himself but into the world of culture. The subject of Warhol 's Art ranged from celebrities to car crashes to even a can of soup, though this may seem unappealing Andy Warhol had a way of turning these basic things into Master works of art. However Leonardo da Vinci 's artwork is vastly superior and was based on a vast array of multiple subjects including not only humans but animals even inventions he made himself. Because of lack of modern technology at the time you know the Vinci subjects had to be special they had to sit in a certain spot looking a certain way for weeks at a time for one piece of work just to be made. The subject of the piece of art that 's trying to be collected is important when they are just put enough time into it its collectability is value just skyrockets at an unprecedented
In Andy Warhol’s “Campbell’s Soup Cans”(1962), Warhol creates the artwork by tracing each can onto a canvas with pencil. Next he would hand paint each can and label, using a light projector to overlay the letters directly onto the canvas. He would repeat this process, so that there would be thirty-two of the cans all together, which would create “Campbell’s Soup Cans”. From looking at the frames, the structural frame emphasises the time and place within the artwork. This art piece has a constant repetition of the cans, which industrialised the mass production of the 1960s.
Campbell's Soup Cans work suggests a mechanical uniformity that is repeated in the thousands of homes that have a similar object, a banal and common representation of the spirit of our time. Warhol continued to express his ideas about consumerism and kept using repetition in his work. He created several works that involved the same theme of Campbell’s Soup Cans throughout the years.
Pop art is a movement that started in the 1950’s throughout the 60’s. In the early parts the pop art movement was very popular because everybody wanted to dance. One of the famous person in pop art was Roy lichtenstein. He was famous because his work had used a lot of parody and defines what kind of person he is. Also during the 20’s a lot of American artists trying to make music and money to take care of their family. Pop art is almost everywhere such as logos and labeling it was chosen by pop art also.
The Pop Art movement has always been scrutinised for its legitimacy in the traditional art world. The notion of Pop Art, in the 1960’s, seemed to some critics to be simple appropriation, taking an idea from someone else and then making it their own by altering or decontextualizing it. Traditional artists, art collectors and appreciators, found this new challenge of separating High Art from Low Culture difficult with the avant-garde approach taken by Pop Artists like Claes Oldenburg, Andy Warhol and Roy Lichtenstein. This essay will explore the origins of Pop Art and its clashes with High Art and its stereotypes. Looking at the pioneers of Pop Art, Andy Warhol with his works “Campbell’s Soup Cans” and “Untitled from Marilyn Monroe (Marilyn)” and Claes Oldenburg with his exaggerated fabrications of everyday objects.
Moffat, Charles. A. http://arthistoryarchive.com/arthistory/popart/Andy-Warhol.html. November 2007. Web. 22 November 2013. The Art Story Foundation.
Andy Warhol is the god father of Pop Art. His window commercials were the start of a time where workmanship would be found in a variety of structures far from the conventional artworks and models of the old world. His adoration for splendid hues and intense patters alongside his peculiar identity prepared for his fruitful profession as a noteworthy figure in the pop craftsmanship development.
In the 1950's, society's prudish view on art was drastically altered. If not for this era, art (literature, music, and fashion) would not be as exceptional as it is today. Prior to the beat generation, the conformists of America censored everything; freedom of expression was unheard of. The Beat Generation, blooming in the 1950's, inspired a group of people whose unparalleled creativity shaped the worlds definition of art today. It sparked an interest in people and encouraged uniqueness and the idea of being open to new experiences. The Beat Generation stimulated the minds of Americans, inspiring people to think beyond the nation's conformity. This cultural phenomena pushed people to their limits and outside their comfort zones to create literary and musical masterpieces that would later change the world by expanding the boundaries of free speech.
He elaborates how Andy Warhol effectively used and encouraged other pop-cultural idol images. However, it is also evident that Warhol’s pop art can be interpreted more than just fame-seeking, celebrity related works. Warhol’s artworks imply communicative and societal messages, interest in dynamic mass culture at that time, and double language about homosexuality. These complex interpretations of Warhol’s pop art are too simplified as works of, and for celebrity. Although Warhol contributed a lot for the topic, Cottington’s thematic interpretation restricts diverse approaches on Warhol’s artworks, and even the artist
Andy Warhol was born in Pittsburgh, Pennsylvania on August 6, 1928. He was one of the leaders of the Pop art movement of the 1950s and 1960s. Through his work, Warhol broke down the barrier between fine art, celebrity culture and American commercialism. Many of his works feature culture icons and name brand products. Some of his most famous works include his Marilyn Diptych and his Campbell’s Soup Cans and his Shot Marilyns.
The article “How Andy Warhol Predicted the Rise of Donald Trump” by GQ, recognizes Andy Warhol as an augur and far-reaching visual expert. Commending his work, the author analyzes Warhol’s meanings and interprets in relations to current events. The author claims that Andy Warhol and few others predicted the rise of Donald Trump.
In the late 1950s the appearance of the pop art movement took its style from popular culture such as comics, advertisements, movies, and television, but in Andy Warhol’s case he focused on celebrities. Warhol’s recognized use of celebrities as artistic subject matter had inspired pop artists to focus on important icons or figures. During this time pop art was heavily accompanied with the media, allowing these figures to be artistic sources and reflections of the current period. The use of identifiable figures in pop art questions whether people are being true to their character, or altering their actions in order to promote themselves from the public eye; the power of knowing they are under surveillance by the media. Elvis I and II –made in