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Recommended: Rise of pop art
Andy Warhol was born in Pittsburgh, Pennsylvania on August 6, 1928. He was one of the leaders of the Pop art movement of the 1950s and 1960s. Through his work, Warhol broke down the barrier between fine art, celebrity culture and American commercialism. Many of his works feature culture icons and name brand products. Some of his most famous works include his Marilyn Diptych and his Campbell’s Soup Cans and his Shot Marilyns. The artwork that I emulated in my painting was Warhol’s collection of prints titled Marilyn Monroe. Warhol used screen printing to create this collection. The prints in this collection vary in color and scale but all bare the same iconic photograph of actress Marilyn Monroe. Warhol created a stencil and then pushed ink through the stencil to create an image. Warhol repeated this process with various colors on each print, with each color being a layer on the print. This created a layering effect in his prints. Because of the repeatability of the silkscreen, Warhol was able to make multiple prints of the …show more content…
same picture using different colors. This allowed him to make many portfolios full of prints. I did not have the time to make screen prints so I used acrylic paint to create my artwork, Harry Styles.
I used his iconic color-blocked look as a model for my painting. His prints also feature a culture icon at that time so I used a culture icon of our time: Harry Styles, former member of the British boy band, One Direction. Each portrait in my painting consists of either five or six colors as was similar to Warhol’s prints. I created portrait as a mini painting within a larger one. I traced a photograph of Harry Styles from his cover shoot of Vanity Fair magazine. I traced this photograph divided it into areas of similar colors and created a sort of color-by-number puzzle. I then traced this tracing onto the canvas on top of a piece of carbon paper. I traced over the carbon paper six times to fill up the area of the canvas. Once I had gotten the simplified tracing of the photograph, I began painting, using a different color for each
number. An obvious difference is that my artwork is an acrylic painting, whereas Warhol’s were screen prints. I think most of the portraits on my painting capture the pop art look of a Warhol print. But they certainly do not look the same as Warhol’s. The portraits in my painting do not contain quite as much detail as Warhol’s screen prints, and Harry Styles is not wearing bright eyeshadow. Overall, this is one of my favorite works I’ve ever done. I think the idea was solid and this result was also pretty solid. My favorite one is the top center with the pink background. I think this is the neatest one and the black highlights in the hair look really good with the rest of his purple hair. My only problem with the painting is that the ones I did later are noticeably sloppier than the earlier ones. Also, If Harry Styles bears any resemblance to Rosie the Riveter in the bottom right one, that was 100% unintentional. Overall, 9/10 would paint again.
If one came close to the figure’s stomach where there’s the seafoam green, one can see the strong mark makings of the paint brushes and knife strokes, making the paint come out of the canvas. Similarly, Brown also uses big paint strokes of different colors to direct viewer’s eyes around the artwork. For instance, on the left side of the figure, there is a big vertical downward motion of a brush stroke in maroon, that connects to a green streak that goes up and encompasses the figure’s head and then downward to the body of the figure, which outlines and pushes the figure to stand out. And to make our eyes go back to the figure, Brown paints a blue triangle on the chest, making it a focal point due to it’s dark color that stands out of the light colors. And if someone stood facing the side of the painting, one can see the thick globs of paint that would make the viewer take a double glance to see if it was either a painting or a sculpture, which reinforces the idea that the painting is coming alive and making one feel
Andy Warhol was a graphic artist, painter, and film maker, amoung other things, also associated with Pop Art. He moved to New York, around 1950, where he did his first advertisements as a comercial artist and, later, began showing in expositions. One technique employed by Warhol involved repeditive silk screen prints on canvas. He used this method to produce many series of prints with various, easily reconizable images. Between 1962 and 1964 in his self titled studio “The Factory”(Phaidon 484), Warhol produced over two thousand pictures. One of these, Lavender Disaster, was made in 1963 and belonged to a series of pictures all including the same image of an electric chair.
When one first looks at Ray II they see a ray of bright colors that are arranged in no particular order. It was as if he was just having a good day and he through some paint on a canvas. I am no artist so that is definitely a method that I would use. When one looks at the painting more closely though, they see that the color paint comes from one focal point that is not present on the canvas. The pattern of the paint makes it look like the canvas is part of a bigger circle that has a centralized point with white splatters around the circle. The white is mainly on the bottom of the canvas.
The paint is spread thinly along the surface showing no raised areas for texture. The objects within the painting have similar line weights. There are different directional lines as well
“Silver Liz as Cleopatra” is a piece completed by Warhol in 1963 and is currently on display at the Art Gallery of Ontario in Toronto. This specific painting portrays actress Elizabeth Taylor as the lead role of Cleopatra, the highest grossing film of 1963. Silver paint, and silkscreen ink and pencil on linen were all used in union to achieve the final result. Here the recurring images of the queen of the silver screen resemble a strip of film or a number of inexpensive and quick snap shots from a photo booth. The representation of Hollywood stars in his works were not an uncommon subject for Warhol as he was infatuated with the world of celebrities. His ability to utilize the methods and techniques...
Andrew Warhola was born August Sixth, 1928, in Pittsburgh Pennsylvania. He was the youngest son of Julie and Andrej Warhola, both immigrants from Czechoslovakia. After a quiet childhood spent alternately alone and in art classes, Andrew went to college. He then got a job doing commercial art, largely advertisements for large companies. Over time his name was shortened and Andy Warhol changed the face of modern art. Through his silver lined Factory and the many people who frequented it a revolution was born. This paper will discuss some of these people and examine the impact they all made on modern art.
Severe mood swings, violent rages, memory loss—each of these problems were a part of my family life during the past two or three years. These problems are the result of alcoholism. Recently, a member of my family realized his abuse of alcohol was a major problem to not only himself, but also to those around him. He would lose control of his temper and often would not even remember doing it the next day. Alcohol became a part of his daily life including work, home, and any other activities. His problem was that of a "hidden" and "high-society" alcoholism. When he was threatened with the loss of his job and the possibility of losing his family, this man knew it was time to get help. After he reached his lowest point, he took the first step towards recovery—admitting his problem.
Although Andy Warhol was never never one of my true favorites, I respect him both for his talent and what he did to change our culture and the way we view art today. Andy Warhol’s Campbell’s Soup series was a string of important pieces that I believe caused these positive changes within our society.
The composition of the painting takes place with the square of the canvas. The square is approximately 5' x 5'. A black frame surrounding the painting protrudes approximately 4" off the canvas. There is a 1" inlay between the canvas and frame. From this square, Reinhardt breaks the composition into six equal squares in three even rows. Texture is no where to be found in the painting. No visual indication of the artist's brush stroke is present. No varnished glare is given off by the piece. The entire work, including the frame, is completely matte. The squares take up the entire canvas in a checkerboard type arrangement. Each square is a slightly different shade of blue-black. It almost becomes impossible to see the difference between each square. The middle squares in the top and bottom rows shift more towards blue than the rest of the squares. The division of these middle squares become more obvious than the others. When the painting is looked at from a distance, it is almost impossible to see any of the squares at all. When looking from a far, all a viewer can see is a blackish blue canvas. As you stare longer into the painting, a halo begins to form around the corners of the canvas, creating a circle inside the square. Once you look away from the canvas, the circle is gone. With this observation in mind, we could say that the painting most definitely relies on the viewer. A viewer is required to look at the piece for its full affect. We could say that the squares in the painting are self-contained.
When society thinks about people drinking alcohol, the first assumption is that there is a drinking disorder occurring. There are thousands of ways to get help and for one to learn the correct way to drink alcohol. Society, however, doesn’t realize that there are steps and reasons alcoholism occurs within society.
Alcoholism, chronic and usually progressive illness,. Alcoholism is thought to arise from a combination of a wide range of physiological, psychological, social, and genetic factors. It is characterized by an emotional and often physical dependence on alcohol, and it frequently leads to brain damage or early death.
The problem of alcohol abuse has been recognized for thousands of years, but only more recently have we begun to see alcohol addiction as a treatable disorder. According to the Classical Disease Model of `Alcoholism,' habitual use of alcohol can be identified as a disease. Webster's Dictionary defines the concept of `disease' as follows: "Any departure from health presenting marked symptoms; malady; illness; disorder." Therefore, as many occurrences of alcohol excess provoke such symptoms, it is somewhat understandable that `alcoholism' is classified as a disease. The Classical Disease Model appears to offer a hopeful option. Treatment and sobriety can allow people to lead fulfilling lives. Adjacent to the notion of alcoholism as personal failure or moral deterioration, the Classical Disease Model appears to be a more desirable concept as it provides a motive for the alcoholic to seek treatment and gain sympathy, minimizing personal guilt. As alcoholism is seen as a progressive and, to an extent, hereditary illness for which those afflicted are not accountable, victims avoid being ostracized from society (Jellinek, 1960). Labeling the problem as a `disease' allows the medical profession to take responsibility for the treatment of alcoholism, which puts the problem in a more favourable light than if it were in the hands of psychologists or social workers, thus detaching the stigma connected with the problem while it is put on a par with other diseases such as diabetes or cancer. However, critics of the Classical Disease Model believe stigma helps reduce alcohol problems and aids the alcoholic. Any effort to reduce the stigma which is faced by the alcoholic will reduce pressures to moderate consumption and could have the additional ...
Moffat, Charles. A. http://arthistoryarchive.com/arthistory/popart/Andy-Warhol.html. November 2007. Web. 22 November 2013. The Art Story Foundation.
Andy Warhol, another appropriating artist used the image of the Mona Lisa in his work. Andy Warhol, a pop artist of the sixties brought American life and culture back to art. This was after the abstract expressionists destroyed the notion and produced very personal and internal works....
Alcohol and drug abuse is one of biggest problems in United States today. It is not only a personal problem that dramatically affects individuals' lives, but is a major social problem that affects society as whole. "Drug and alcohol abuse", these phrases we hear daily on the radio, television or in discussions of social problem. But what do they mean or what do we think and understand by it? Most of us don't really view drug or alcohol use as a problem, if that includes your grandmother taking two aspirins when she has a headache or your friends having few beers or drinks on Saturday night. What we really mean is that some drugs or alcohol are being used by some people or in some situations constitute problem with which our society must deal. It becomes a real problem when using or I should say abusing drugs cause accidents, antisocial behavior, broken relationships, family instability, crime and violence, poverty, unsafe streets and highways, worker absenteeism and nonproductivity, and the most tragic one death. The situation in which the drug or alcohol uses accurse often makes all the difference. The clearest example is the drinking of alcohol, when individual begins to drink during the job, at school, or in the morning, we have evidence that indicates a potential drinking problem. If a person takes narcotic drug because he just wrecked his knee while his physician prescribed playing football and the drug, most of us would be not concerned. If, on the other hand, he took the same drug on his own just because he likes the way it makes him feel, then we should begin to worry about him developing dependence. Even use of illegal drugs are sometimes acceptable, but it also depends on situation, for example in some countries smoking marijuana is legal just like drinking alcohol in United States. Some subcultures even in United States that accept the use of illegal drugs may distinguish between acceptable and unacceptable situation, some college age groups might accept marijuana smoking at a party on weekends, but not just before going to a calculus class. Most of people would accept a fact that a bartender or a waiter who is working at a night club is having a beer or a drink on his break or that a landscape worker is having a cold beer with his lunch on a hot summer day. I'm not saying that it is "OK" but we wouldn't complain a...