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Music and its impact on our culture
Music and its impact on our culture
The impact of music on culture
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Mesopotamian Music
When we study ancient cultures, it is necessary to examine as many aspects of that culture as is possible, though sometimes, there are aspects which are considerably more difficult to study than others. One such aspect is music. Music is difficult because it leaves no physical remains once it s no longer being played, so we must infer what it may have sounded like based entirely on the rare remains of instruments which we find, or the even rarer inscriptions about the playing of music. Music is one of those aspects of a culture which can tell us a great deal. In studying the music of the ancient Mesopotamians, in all its facets, we can come to understand a great deal about their society and culture. In particular, how they thought about music, and the manner in which it was used and performed. By examining the way the Mesopotamians thought about music, and their ideas of what it was for and where it came from, we can better understand their views of different forms of communication, the gods, and of the world.
Assyrian Reliefs of instruments
In order to understand the way the Mesopotamian people and society understood and used music, we must first examine the instruments that they used, as these were the basic structure which allowed their music to come into being, and to become an ingrained part of the culture. Much of the evidence for musical instruments comes to us from Assyrian Reliefs of Musicians and instruments, as well as the environments in which their music would have been present, in particular, one well-known Assyrian relief, the garden party relief, from the North Palace of Ashurbanipal, shows musicians playing for Ashurbanipal and his wife, soon after he has returned from battle, and is hosting a g...
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Foreign Musicians in Neo-Assyrian Royal courts. Strings and Threads. Edited by Wolfgang Heimpel and Gabriella Frantz-Szabo. Winona Lake, Indiana: Eisenbrauns, 2011
Gabbay, Uri and Sam Mirelman. "Two Summary Tablets of Bala Compositions with Performative Indications from Late-Babylonian Ur." Zeitschrift Für Assyriologie Und Vorderasiatische Archäologie 101, no. 2 (2011): 274-93,
Jones, Philip. "Embracing Inana: legitimation and mediation inthe ancient Mesopotamian sacred marriagehymn Iddin-Dagan A." The Journal of the American Oriental Society.. no. 2 (2003): 291
Rubin, Norman A. "The sounds of ancient music." World and I (2010), http://go.galegroup.com.libproxy.wlu.ca/ps/i.do?&id=GALE|A240098743&v=2.1&u=wate18005&it=r&p=AONE&sw=w
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"Sumerian/Babylonian When on HIgh (Enuma Elish) "Creation and Marduk." [Dennis Bratcher, Tr. Http://www.cresourcei.org/enumaelish.html]." Ancient Mythology East and West. Comp. David Branscome. Print.
ABSTRACT: Humanity requires for its satisfaction Beauty and Good, that is, love, wisdom, and courage. Put differently, the necessity of order, equilibrium, and harmony. These values ground one of the most elevated planes of the spiritual life: music. Its moral force in the education of the mind, soul, and behavior of the human person has been emphasized by the ancient Greek philosophers. This important message exists as a pattern crossing the centuries. I will try to reveal the unity ¡¥ethics¡¦/ethike - ¡¥music¡¦/melos by using the semiotic organon.
Ch'ien, Ssuma and Burton Watson. "Pu-Shih." Ch'ien, Ssuma. Records of the Grand Historian. 6th Centuray BCE. Volume II.
The powers of Mesopotamian deities are seen in the various ways affecting lives of people in that era. These powers can be observed in the art, culture, traditions, religious activities, civilization and many more. Mesopotamian culture and their civilization started upon the development of the first cities on the end of the fourth millennium up to the near beginning of the years of the Roman Empire. In this era, Mesopotamian religion, which pertains to the religious practices and principles pursued by the Sumerian and Akkadian had a great influence in the different aspects of Mesopotamia, such as in their behavior, political planning and decision making and ways of living. Akkadian is also known as Assyrian or the Babylonian. They were the group of people that governed Mesopotamia for 4200 years from the era of fourth BC up to around third century. Polytheistic was the religion in Mesopotamia wherein people in this place worship more than 2100 different Gods and Goddesses, These Goddesses were adored in connection with the particular city or state they were just like for instance, Akkad, Assyria, Nineveh, Ur, Uruk, Mari and Babylon. Many deities have the same characteristics with that of the Sumerian and Babylonian Goddesses. Babylonians accepted most of the Sumerian great people when they held them in control. Deities were given another name as their nicknames. Of all those 2100 various kinds of deities, most of the major Goddesses are Anu, Ea, Enlil, Ishtar,(Astarte) Ashur, Shamash, Tammuzz, Adad/ Hadad, Sin (Nanna), Dagan, Ninurta, Niscorch, Nergal, Tiamat Bel and Marduk. What are these female deities’ prominent characteristics that affect the lives of Mesopotamian? What are the importance of their style and the connections t...
One important feature found in ancient Greek culture is the music. Music is considered to be important as it created an atmosphere during events such as wars, festivals, and other occasions. This element stands for sophistication, wealth, and power to a kingdom. When music is played during wars, it gives a type of tense feeling where it conveys a message reporting that both sides will never admit defeat until there is no more mercy to be held. During festivals, the music provides a light, and happy atmosphere where all people enjoy of activities and food.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
Assyrian art is usually recognizable in its proliferation on carved stone that adorn imperial monuments. On this particular fragment, it’s clear that human figures are unique stylistically detailed, usually in triumphal scenes of conquests and battles. This artifact depicts the stone head of an Assyrian man, and there are still visible traces of the pigments that typically covered all Assyrian reliefs. It is clearly a very delicate artifact with slightly visible traces of faded red (on the man’s head). The texture of the man’s features embedded in the stone is also quite evident, especially the spherical bumps that enhance his hair. The traditional physical characteristics of the Assyrian man is evidenced in the shape of the long beard, and
"Music is a common experience and a large part of societies. In fact, anthropologists note that all human communities at all times and in all places, have engaged in musical behaviours. Music as a mode of human activity is a cultural phenomenon constituting a fundamental social entity as humans create music and create their relationship to music. As cultural phenomeno...
Damrosch, David, and David Pike. The Longman Anthology of World Literature. The Ancient World. Volume A. Second Edition. New York: Pearson/Longman, 2009. Pgs. .656-691. Print.
intriguing area in the middle east known as Mesopotamia has provided modern civilization with more than we may know. From material inventions like the wheel or the tank, to moresubstantial influences such as Hammurabi’s Law Code, Mesopotamian civilization is responsible for many ‘firsts’ in human pre-history. In this essay I will focus on two of themost important influential aspects of Mesopotamian culture one being the development of the State, and secondly the invention of written language.
Music is found in every know culture, past and present. It is also, already being composed for the future. It is widely varied between all times and places. Since scientists believe that the modern humans arrived in the African culture more than 160,000 years ago, around 50,000 years ago, it is believed that the dispersal of music has been being developed between all cultures in the world. Even the most isolated tribal groups are thought to have had a form of music.
3. 1500 years ago, a young man was born in the empire of Aksum, a major trading center of the ancient world. His name was Yared. When Yared was 7 years old his father died, and his mother sent him to go live with uncle, who was a priest of the Empire Orthodox tradition, one of the oldest churches in the world. Yared had to study and study and study and one day he was studying under a tree, when three birds came to him. One by one, these birds became his teachers. They taught him music scales, in fact and Yared, eventually recognized as Saint Yared, used these scales to compose five volumes of chants and hymns for worship and celebration. Thriving and still evolving in Ethiopia today.
Music plays a huge role in the structure of a society. It can have both negative and positive influence on cultures and communities. First, musical sounds and instruments can be a dividing factor between the people within the same culture. These opposing social and economic identities within these cultures can lead unnecessary animosity between the members. However, music can also be one of the forces that unite members of a culture and provide a sense pride for everyone. This makes it easier for people to display their identification to that culture.
In 600 BC the famed mathematician Pythagoras dissected music and developed the keystone of modern music: the octave scale. The importance of this event to humanities is obvious. Music was a passion for the Greeks. With their surplus of leisure time they were able to cultivate great artistic skills that would help composers
When talking about human beings developing and music, music is one of the areas of organization arranging stimulli in patterns of deep meaning and influence, that stands at or very near the apex of humanness. Music is an evolutionary contributer to human beings. For example, crude tools have been found and evidence indicates that the Zinjanthropus ( an early progenitor of man) used them in Eastern Africa about 1.7 million years ago. Part of any human being's culture is music. Music has a biological basis as well as a cultural basis. Einstein stated, " The most incomprehensible thing about the world is that it is comprehensible." In other words, without the comprehensibily of the outside world there would be no music. The full fruit on our potential for humaness can never be attained unless we grow and develop within a rich musical environment. Music is simply innate, humans cannot escape the formation of esthetic constructs. Music is a need for expression and communication.