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Analyzing Love in Ovid's Metamorphoses
There are many differences in the behavior of the lover and the rapist characters of the Metamorphoses. " The standard markers of a love relationship include the initial 'love at first sight' scene, often followed by a personal elegy of the loved one's heightened qualities." (Chen) When one falls in love, everything about that person is wonderful and beautiful, including their inner being as well. The admirer uses frequent and excessive metaphors and compliments to describe the favorite:
" He looks at Daphne's hair as,unadorned, it hangs down her fair neck, and says: "Just think,if she should comb her locks!" He sees her lips and never tries of them; her fingers' hands' and wrists are unsurpassed; her arms-more than half-bare- cannot be matched; whatever he can't see he can imagine." (Ovid p.900)
Daphnes 'unadorned' hair already enchants Apollo, and dreaming it all made up would simply be breathtaking. " Certainly, the next detail, that Daphne's eyes sparkle like stars,clues us into the fact that Apollo is in love.
The difference between love and lust, however, is that to the one in love, that person is truly beautiful both physically and on the inside, but the to the one that is lustful, that person is just a mere sex object. For example, in the myth of Io and Jove, Jupiter never comments about Io's beauty, but only that she would make some lucky male happy in bed.
" Another defining attribute among many of Ovid's love-struck protagonists is their loss of rational control,as believably characteristic of a person in the heights of love." (Chen) For example, while Dapne is fleeing from him, Apollo asks her to slow down before she hurts herself. He even suggest that he will slow down too, so that she doesn't need to go so fast. But when she doesn't, all he does is speed up.
In trying to talked to the loved one, the shunned lover uses any rhetoric available, whether rational or irrational, because often the lover is so overtaked by love that reason fails him. "Such irrationalities in thought lead to special pleading, inconsistency in bargaining, and ultimately failure to convince the adored one.
Lust is an incredibly strong feeling that can prove to be almost uncontrollable, leading it to commonly be mistaken for love. Due to the relative closeness of these emotions, both are often confused, and even when one is in love he or she does not recognize it. Many think that love just comes knocking on one's door and one will know when it does, but they don't realize that for love to occur a relationship has must be worked out. Love is described by some as fireworks, tingles, and butterflies in the stomach; but it is lust that can cause these things to happen, and it is these that mark only the beginning of a relationship. After a while, these feelings die out, and this is when the honeymoon period is over; it is from this point on that the relationship will either end or get stronger and eventually lead to true love.
Douglass’ speech, while riddled with rhetoric and effluent irony, generates a remarkably effective montage demonstrating the ills of a severely oppressed race. Amongst the plethora of goading ridicule, Douglass’ appears to concentrate on the bitter irony concerning America’s independence and their decision to uphold slavery, as well as the extreme prejudice and mistreatment of slaves, and the hypocrisy of a nation that allegedly values Christianity and the freedoms conveyed in the Declaration of Independence.
I have always thought that there was only one type of love, which was that feeling of overwhelming liking to someone else. I am aware that Lust does exist and that it is separate from Love, being that the desire for someone's body rather their mind. In Plato's Symposium, Plato speaks of many different types of love, loves that can be taken as lust as well. He writes about seven different points of view on love coming from the speakers that attend the symposium in honor of Agathon. Although all these men bring up excellent points on their definitions on love, it is a woman that makes the best definition be known. I will concentrate on the difference between the theory of Common and Heavenly love brought up by Pausanias and the important role that Diotima plays in the symposium.
Spielvogel, Jackson J. "The Muslim Empires: The Ottoman Empire.” Glencoe World History. New York, NY: Glencoe/McGraw-Hill, 2005. p.484-489. Print.
...eir actions. Either this was the incorrect way Christianity was practiced or humanity was presented in an ambiguous way. The presence of religion goes on further when Douglass introduces Mr. Covey, another master he was assign too. Mr. Covey was a professor of religion and a religious class-leader at the local Methodist church. He also had a reputation of breaking apart young slaves in which Douglass refers to him as a “nigger-breaker.” As young as Douglass was when he moved in with Mr. Covey, he remembers when Mr. Covey gave him “a sever whipping, cutting my back, causing the blood to run, and raising ridges on my flesh as large as my little fingers.” This is puzzling to hear of a man who is committed to faith but his actions seemed to be contradicting.
The William Shakespeare tragedy Othello features various types of love, but none compare to the love we find between the protagonist and his wife. In this essay let us examine “love” as found in the play.
The Range of Feelings Associated with Love in Catullus and Lesbia' Poems Of Catullus’s poems, the Lesbia poems are the most memorable, particularly as they contain such a wide range of feelings and emotions. Whilst we do not know what order the poems were written in, it is tempting to arrange them in a progression from constant love, to confusion and despair and finally hatred. Poem 87 appears to be at the beginning of the relationship between Catullus and Lesbia. The symmetry of the couplets beginning “nulla” and ending with “mea est” emphasizes the idea that no one loves Lesbia as much as Catullus. The placement of “nulla” at the beginning of the
This passage marks the first of several types of love, and gives us an intuitive
Love causes people to change. In this play, Shakespeare gives us a negative interpretation of the effects of love. His interpretation is that love causes people to become crazy. His interpretation is visible in his play, “ A Midsummer’s Night Dream”. In this play, we see many examples of love making people crazy. These examples can be seen in Hermia, Helena, and Titania. Each character has their own change, depending on the person and the beloved. The
Love is often misconstrued as an overwhelming force that characters have very little control over, but only because it is often mistaken for the sum of infatuation and greed. Love and greed tread a blurred line, with grey areas such as lust. In simplest terms, love is selfless and greed is selfish. From the agglomeration of mythological tales, people deduce that love overpowers characters, even that it drives them mad. However, they would be wrong as they would not have analyzed the instances in depth to discern whether or not the said instance revolves around true love. Alone, true love help characters to act with sound reasoning and logic, as shown by the tales of Zeus with his lovers Io and Europa in Edith Hamilton’s Mythology.
In Ovid's Metamorphoses, the concept of love seems to vary from character to character. In one case, a god in the form of a man desperately seeks a particular woman and refuses to relent until he has her. In another instance, a female goddess cares deeply for a man and goes to great lengths to protect him from danger. In yet another case, both who are arranged to be married seem indifferent about the matter.
There is a connection between two people, in which they can make compromises and make smart decisions. Love grows stronger with time and is not instant. On the other hand, infatuation occurs almost instantaneously and progresses quickly. Infatuation relies on lust and physical attraction. It can cause an individual to only see the perfection in a person and not their flaws.
Imagine being ripped apart from your mother as a child. Imagine watching family and friends receiving the stinging blow of a whip. Imagine religious men telling you that this is the will of god as they work you as close to death as they can. While difficult to imagine, this occurred to some of those who were enslaved in the early United States of America. One of the most heart wrenching of these accounts comes from a man born as a slave, Frederick Douglass. The Narrative of the Life of Frederick Douglass is an example of how some early Americans dehumanized slaves and how Fredrick Douglass’ viewed this atrocity. Despite this, Douglass found mental and physical means to fight this treatment.
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
...ses may be read and interpreted separately, taken together rather than apart, the stories can be more effectively linked. The use of repetition throughout the work and constant symbolism in each tale help connect the stories. The entire work is in poetic form, and the literary techniques used are consistent with the time period. Common symbols are used throughout. A common motif is the stretching out of arms preceding metamorphosis. Also, the imagery of hunting coincides with that of sexual passion. Daphne is a huntress and is associated strongly with the forest and nature. It is fitting then that she is the character pursued by Apollo. The vocabulary of hunger and thirst, or devouring and drinking are associated with acts of violence. The constant repetition and the imagery in Metamorphoses are key to interpreting what Ovid is trying to convey to the reader. The power of change is the central issue in each story and in all the stories combined. Change as a vehicle of escape, punishment, or any means to an end is apparent in virtually every story in the book.