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Analysis of Bronte s Wuthering heights
Victorian qualities in Emile Bronte's Wuthering Heights
Victorian qualities in Emile Bronte's Wuthering Heights
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1. In the opening stanza, Anne Bradstreet as the speaker in the poem addresses the concern that her largely male audience is likely to have is that they might think that she does not have the ability to write and that she might insult other poets or historians. She also claims that it is outside of her scope of work to express epic events and tales.
2. In the second stanza, when Bradstreet says, “I do grudge the Muses did not part / Twixt [Great Bartas] and me that overfluent store” (ll. 9-10), she is trying to say that she is jealous that the muses gave Bartas so much talent. In the third stanza, Bradstreet characterizes her own talents by more or less saying that her Muse is to blame for giving her “broken, blemished” words and makes comparisons
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I interpreted Bradstreet’s concluding lines in stanza 4: “Art can do much, but this maxim’s most sure:/ A weak or wounded brain admits no cure” (ll. 23-24) is that while someone may but a lot of effort into their work or art, that does not necessarily make it good.
4. In the fifth stanza, we are introduced into a shift in attitude. Unlike before, she is acknowledging that they might dislike her work from the fact that she is a woman. She gives examples of what they could possible say such as: “my hand a needle better fits”(ll.26) and “if what I do prove well, it won’t advance, they’ll say it’s stol’n, or else it was by chance.” (ll.29-30). Bradstreet in line 28, is referring to those who dislike her work because of her sex as “they.”
5. The point Bradstreet makes in stanzas 6 and 7 in her reference to “the antique Greeks” is that the Greeks while old fashioned had more respect for woman then the men in her time. However, she almost undermines her argument in line 40 where she writes, “Men can do best, and women know it well” but afterwards she asks if they can acknowledge the work of woman as well.
6. In the final stanza, Bradstreet asks for “thyme or parsley wreath” but “no bays” (ll.46) because she understands that she was able to have this opportunity by luck so she more or less is saying that she will take any praise that she can
Bradstreet was a Puritan and was therefore raised with a simplistic view of the world. This, combined with the fact that she was a woman, carried over into her way of writing. Her writing style was not eloquent but plain, humble, and pleasant to read. Her poems dealt with topics such as faith, family, and adversity and were easy to understand. Bradstreet had great faith which she gained through the experiences she encountered in life.
The first part in this poem, "If ever two were one" (1) sets us with expectations to continue with the reading. These words show that Bradstreet and her husband were really in love, that this love could unite two persons and make them one. Bradstreet and her husband think, act, and feel much like they are part of each other. The tone of this poem tells us that she is a very religious, because she speaks of praying and the heavens. We get the impression that she is a very dedicated person, to her family and to God. She...
She writes a letter to husband, almost instructing him on what to do after her death. Unlike other demure housewives of her time, she acknowledges the risk birthing her child brings by saying, “And when thy loss shall be repaid with gains / Look to my little babes, my dear remains” (107). Bradstreet also approaches a taboo subject by acknowledging that her husband might remarry. Bradstreet does not tread lightly on this subject either by writing, “And if thou love thyself, or loved’st me, / These o protect from step Dames injury” (107). In this poem, Bradstreet faces the possibility of not only the loss of her life but the loss of her husband’s love. Bradstreet challenges Puritan beliefs by showing that she will still be concerned with her earthly life after her
She questions “why should I be my aunt / or me, or anyone?” (75-76), perhaps highlighting the notion that women were not as likely to be seen as an induvial at this time in history. Additionally, she questions, almost rhetorically so, if “those awful hanging breasts -- / held us all together / or made us all just one?” (81-83). This conveys the questions of what it means to be a woman: are we simply similar because of “awful hanging breasts” as the speaker of the poem questions, or are we held together by something else, and what is society’s perception on this? It is also interesting to note Bishop’s use of parenthesis around the line “I could read” (15). It may function as an aside for the reader to realize that the six year old girl can in fact read, but also might function as a wink to the misconstrued notion throughout history that women were less educated and didn’t
In all of Bradstreet’s works she is constantly expressing herself through her figurative language that whoever reads the poetry can’t help but sense the feelings through any piece. An...
God; whereas Taylor wrote solely on his love for God. Bradstreet was a pioneer in the idea of writing about loving your husband and self. This was one of her greatest achievements and also greatest gifts to the world, even though it was not appropriate to write about such subjects she did anyway. The combination of Bradstreet and Taylors poetry about love prove to the world that love can exist in any part of life and should be appreciated and
Anne Bradstreet is seen as a true poetic writer for the seventeenth century. She exhibits a strong Puritan voice and is one of the first notable poets to write English verse in the American colonies. Bradstreet’s work symbolizes both her Puritan and feminine ideals and appeals to a wide audience of readers. American Puritan culture was basically unstable, with various inchoate formations of social, political, and religious powers competing publicly. Her thoughts are usually on the reality surrounding her or images from the Bible. Bradstreet’s writing is that of her personal and Puritan life. Anne Bradstreet’s individualism lies in her choice of material rather than in her style.
...e from her love to the world. Perhaps, she believed that in this love of her, she became God-like and God thus punishes her. Nevertheless, the presence of God in her poems is more than clear. Perhaps, it was due to religious beliefs that she though that it was wrong to feel too strong feelings to world and she considered herself to be a sinner who deserves punishment. Today, there are few followers of Bradstreet, but she, her ideas and her thoughts about sufferings still remain in modern books.
”The Prologue,” Bradstreet conveys knowledge of recognizing the kind of patriarchy she lives in, in the fifth and sixth stanza.
I believe that Anne Bradstreet’s main purpose in writing this poem was not for the entertainment of readers, but for her to escape the oppression of women in the Puritan times. My reasoning behind this hypothesis being that this whole poem is just a prayer to God to rid her of the sickness, which ailed her. Why would Anne Bradstreet write this poem? I believe that Anne was writing this poetry as a rebellious effort to illustrate that women are just as talented as men, if not more talented. Every other line of this poem is a rhyme, if Anne was just writing her prayer down for her pleasure I believe she would have not put so much time and effort into finding the “perfect word” to rhyme with the previous line, if she had not meant this poem to be a demonstration that women can and will become un-oppressed one day. I believe one main purpose of this poem to show women that they should be able to express their ideas and feelings.
...is clear that she is desperately struggling to balance her religious Puritan values of chastity and sexual repression with a sexualized self. She resolves this struggle between sex and religion by contextualizing her thoughts about sexuality in powerful religious language and by attributing her desire for earthly things to God’s magnificence in creating them so wonderfully. This manner of attributing all of her sexual feelings to the glorification of God and a desire to achieve eternal life is a way to reconcile her spirituality and sexuality. In the end, her ability to achieve this reconciliation is central to Bradstreet’s poetry. Since an open expression of sexuality would be against her Puritan values and the values of society, finding a way to show that her sexuality is not sinful but Godly saves her from persecution both from others and from within herself.
Watching her children grow and go on with their own lives, when the time is right. She also is saying she does not want them to grow up so fast. Bradstreet wants her children to remember her love for them, and the lessons taught throughout their lives, even after she is gone. She also writes of what she wishes if she is to pass, on how she wants to be remembered and her children cared for in her poem:
In the second stanza, the poet says that women are the cause that make her write poems because of the stereotypes against them, which give her a strong desire to challenge. Therefore, she takes women’s stories and writes them in poetry. She describes herself as a “seamstress” and without the dresses of women, she would be a seamstress without work, but her friends give her their dresses (their stori...
By reading Bradstreet’s work, a fair sense of what Mrs. Bradstreet was like can be grasped. She clearly stated her opinion of those who objected to her writing: “I am obnoxious to each carping tongue, / Who says my hand a needle better fits.” (Bradstreet,“ The Prologue”155). Bradstreet refused to give up her passion for writing even if it meant going against the opinions of anyone in her colony, including religious leaders. Although Bradstreet referred to herself as being obnoxious, her written works portray an entirely different Bradstreet. She seeks no reward or fame for her writing: “Give thyme or parsley wreath, I ask no bays” (155). Bradstreet seeks no reward for her writing because she doesn’t think her work is very good: “My foolish, broken, blemished Muse so sings” (154). She refers to her writing as her: “ill-formed offspring” (“The Author To Her Book”165). Even after her work is published she is ...
the poem. The poem seems to be stating to a woman that she should not