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Analysis of the Women in The Picture of Dorian Gray
Sibyl falls head over heels in love with Dorian Gray, willing to commit her life to him after only two weeks. Lady Henry hardly knows her husband, to whom she has been married for some time. Because neither woman is in a stable and comfortable situation, both eventually take drastic measures to move on. Therefore, in The Picture of Dorian Gray, both Sibyl Vane and Lady Henry are weak, flighty, and naive.
The weakness of women is found in various forms throughout the text. Henry refers to women as “a decorative sex” and that “they never have anything to say, but they say it charmingly.” (Wilde 43) Nowhere is this better supported than during Lady Henry’s conversation with Dorian Gray. Speaking blatantly about nothing in particular, the young woman rambles from her husband’s views to parties and flowers. Without even so much as a pause to breathe, the young woman continues to talk down herself, probably not consciously, explaining that though she loves music, she is afraid of how it makes her feel, as if it is a crime to enjoy and feel passion for the arts. She then stumbles into admitting her love for the musicians themselves, leading to question how much she actually enjoys music. It is as if she meets or learns of a stunning new artist and then chooses her fascination with the sound. Following her rant on musicians, Lady Henry finds herself on the topic of foreigners. She uses this opportunity to point out that her husband’s guest has not attended any of her parties.
It is during this conversation with Dorian, that Lady Henry’s character is completely revealed. She admits to Dorian that she “always hear[s] Harry’s views from his friends.” (42) Not only does Lady Henry act as a naive wife, but also a submissive one. She tells Dorian how much she worships pianists, “sometimes two at a time, Harry tells me.” (42) Therefore, the woman has now admitted that she can not think for herself. It does not appear to disturb her, though, that she lacks knowledge of her husband’s views and does not have a mind of her own.
Lady Henry, unfathomly dull and stupid, later files for divorce from her husband, putting her family in a scandalous situation. A smarter woman would not have risked so much to leave her only means of support. In addition, a scandal in Victorian times meant tha...
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... wants to believe he is acting. After Dorian tortures her with his words, she cries out, “Don’t go away from me. I couldn’t bear it.” (78) Even after seeing the cruel side of her true love, she blindly begs for him to return to her. “A low moan broke from her, and she flung herself at his feet, and lay there like a trampled flower.” (78) The young, insignificant woman had her heart broken by a man she barely knew.
Proving how pitiful she was, Sibyl Vane, martyr of love, commits suicide over a man she hardly knows simply because he ends their relationship. In the same manner as the Shakespearian plays she acted in, she downed a poison. “It was prussic acid, as she seems to have died instantly,” Henry explains.
Both Lady Henry and young Sibyl Vane were beyond naive and stupid. They both took to extreme measures to deal with situations that could have been more appropriately handled. Both women were self-centered and had no clue what their men were really like. Neither one of these women had any substance. It is a sad fact to note, that neither Sybil, nor Lady Henry, had a happy fairy tale ending.
Wilde, Oscar. The Picture of Dorian Gray. Oxford: Oxford UP, 2008
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Chopin sets the context for her argument by Placing Désirée in an environment where she can be made black easily, but with significant consequences. Despite Désirée’s ability to effortlessly assimilate into southern society, taking on the role of the “beautiful, gentle, affectionate and sincere” southern belle, the story never loses sight of her “obscure origin” (#). As a result, Désirée is not given the opportunity to prove h...
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In his search for hedonistic pleasure, Dorian Gray ruins many reputations and is the cause of a few deaths. Even Basil points out that Dorian is linked to destroyed lives, realizing that “One has a right to judge of a man by the effect he has over his friends. Yours [Dorian’s] seem to lose all sense of honor, of goodness, of purity. You have filled them with a madness for pleasure. They have gone down into the depths. You led them there” (143). This is why Sibyl kills herself because after being introduced to pleasure, she cannot act anymore and Dorian unreasonably rejects her. Consequently, after hearing of Sibyl’s death, Dorian is grief-stricken, but quickly recovers and becomes an insensitive Lord Henry clone again: “You [Dorian] were the most unspoiled creature in the whole word. Now, I [Basil] don’t know what has come over you. You talk as if you had no heart, no pity in you. It is all Harry’s influence” (104). Instead of truly acce...
Dorian Gray inflicts his first and most important act of evil upon Sibyl Vane, a third rate actress he falls in love with, when he confronts her about the performance. His reaction towards Sibyl demonstrates his the lack of care towards what women have to say and their opinions. Dorian claims of Sibyl to be shallow and stupid as regards to her feelings towards him and her reason for the careless performance. The realization of Dorian finally recognizing his love for her acting rather than her as a person reveals the frequent ill treatment of women in the Victorian Era. Due to his first real infliction of evil towards another person, his soul alters and reflects in the painting. As Davis recalls, “His rejection of Sibyl is cruel, and it is this cruelty that he first notices on the alerting portrait,” (Davis 214). Because he did not care about how Sibyl felt at the moment, he becomes selfish and would later become evil. The treatment of Sibyl results in her committing suicide but rather than Dorian grieving, Lord Henry teaches him ...
Dorian Gray is a grand Gothic experiment from the moment in Basil Hallward’s studio when he desperately swears that he “would give [his] soul” if only he “was to be always young, and the picture … was to grow old” in his stead (Wilde 28). Even before this moment, Dorian was a test subject of Lord Henry’s, who wanted to see how many of his own ideas he could inject into the boy. This influence rapidly planted in Dorian the ideas of eternal youth and beauty and led to the encasement of his soul in the portrait. After the switch, Dorian not only is under Lord Henry’s influence, but he is also Oscar Wilde’s subject. In his novel The Picture of Dorian Gray, Wilde manipulates Dorian, his surroundings, and his circumstances to capture a realistic portrayal of the character’s downfall by depicting the nature of the body, mind, and soul, and the relationship they share.
With the fateful encounter with Lord Henry, Dorian is ushered into a world of idealistic art and beauty. Lord Henry plays a key role in introducing a new world in which beauty, youth and sensations dominate. First, Lord Henry employs a powerful strategy of developing Dorian's self-consciousness of his ow...
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
Isolation is bad(Haven’t found a quote yet” This concept is especially true in Nathaniel Hawthorne’s The Scarlet Letter, isolation is thoroughly utilized, in order to portray the lingering physical, social, and emotional consequences of a poor decision.