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Dani Colman talks about many ideas in her article that show how the new movie Frozen does not show realistic feminist ideals as everyone may think it might. Her article is very opinionated, and seemingly biased or exaggerated. Instead of embracing how Disney has taken a step in the right direction with the movie when trying to embrace new societal ways of thinking, she attacks how it does not affectively show all of values held by feminists; what she fails to overlook, however, is the idea that the movie was not meant to be a feminist movie, but rather was made to entertain young children—it just included aspects that Disney thought was progressive and compliant to today’s society. Colman does not seem to be validated with her ideas on Frozen; however, her opinions and issues about how Frozen may not be that great of a movie are easily arguable, and even comparable to other movies. One movie in particular that comes to mind would be the Harry Potter series, which was also meant for entertainment purposes, but could be taken both positively and negatively in regards to feminism.
To begin, the article is definitely long enough to take multiple ideas from, but one of the ideas that Colman discusses that seem to encompass the overall meaning of her article would be the description of the two main characters in the movie, Anna and Elsa. The main argument that Colman has is that the two characters really are not as strong as people make them out to be. Colman focuses mostly on the protagonist, Anna, for most of the article, and barely discusses Elsa, though the concepts that she thinks of the two sisters are quite similar. She describes Anna as being beautiful, though not in a positive way, clumsy, unintelligent, self-absorbed, vain, u...
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... that may be controversial in comparison to older Disney films, any viewer should be proud of the fact that Disney is willing and able to not conform to the same themes as before, and actually pursue a new concept. It is because of this that Colman’s article seems to be just opinionated without many facts to actually prove her points.
Works Cited
Buck, C. (Director), Lee, J. (Director), Andersen, H. A. (Writer), & Morris, S. (Writer) (2013). Frozen[Theater].
Colman, D. (2014, February 7). The problem with false feminism (or why “frozen” left me cold). Retrieved from https://medium.com/disney-and-animation/7c0bbc7252ef
TV Tropes Foundation, LLC Staff. (n.d.). Useful notes: The bechdel test. Retrieved from http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/TheBechdelTest
Wikia Staff & Helpers. (2014). Disneywiki: Anna. Retrieved from http://disney.wikia.com/wiki/Anna
John G. Avildsen directed while a major Hollywood studio, Columbia Pictures produced The Karate Kid in 1984 (Avildsen, “The Karate Kid”). On the other hand, Courtney Hunt directed while an independent studio, Harwood Hunt Productions produced the film Frozen River in 2008 (Hunt, “Frozen River”). Ideally, the two productions companies manifested differences in the plot and cinematography of the two American drama films. The setting of the film Frozen River took place in North Country of Upstate New York and focused on two working-class women smuggling immigrants from Canada to the Regis Mohawk Reservation in America. The film manifests the physical beauty and social deprivation
In Precious (2009), directed by Lee Daniels, we meet 17-year-old Claireece “Precious” Jones, experiencing the unfortunate circumstances of her impoverished living with a physically and verbally abuse mother, her inability has to read or write, all while having to go through a pregnancy committed by her own father for the second time. Through the movie we find physical, psychological, and educational consequences it has left on her, but also see the willpower she gains to overcome the oppression of her living condition towards something better.
For several years now, Disney seems to be determined not to offend anyone in order to keep its audience; indeed we are confronted with animation films full of compromises; they are not as degrading for women as Snow-White and the Seven Dwarves (1937), but they are nonetheless still filled with clichés. Films such as The Princess and The Frog (2009), Tangled (2010), Wreck-it Ralph (2012), have in common the sense of being progressive and however we can notice the resurgence of harmful gendered stereotypes on the subjects of the social scale, women’s role in society, or the status quo. Frozen comes in and turns out to be no exception. Though it includes several encouraging and gratifying elements, it contributes insidiously to spread numerous
Clark, Charles S. "Feminism's Future." CQ Researcher 28 Feb. 1997: 169-92. Web. 27 Mar. 2014.
Stover, Cassandra (2013) "Damsels and Heroines: The Conundrum of the Post-Feminist Disney Princess," LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University: Vol. 2: Iss. 1, Article 29.
Westford, Massachusetts: The Murray Printing Company. Company, 1978 Kulik, Sheila F. Home Page. 17 Feb. 2000 http://www.feminist.com/femfilm.html. Rosenberg, Jan. “Feminism in Film.”
Your sparkling eyes gazed at the television, reading the word “Cinderella” by Disney. You had all your Cinderella toys lined up, ready to grab whenever necessary. Your Cinderella pajamas on, and your tea set is all prepared.Your mom adored your love for princesses. Didn’t we all love to sing along to the Disney movies about princesses and true love? Peggy Orenstein sure didn’t. Peggy Orenstein, the author of Cinderella Ate My Daughter has a sharp opinion about how a “pretty and pink” culture is influencing girls in a negative way. The author proves this argument by discussing gender colorization, dolls, and princesses.
This study intended to observe the behavior of characters in Disney movies in order to examine their potential influence on the development of gender roles in society’s youth. First, we were interested in determining whether or not, Disney products do in fact contain characters that portray gender stereotypical behaviors as has been discovered in previous studies. If we were able to determine that stereotypical gender behaviors are present in Disney tales, then we would like to build off of previous studies. Therefore, next we attempted to analyze whether the characters in these movies have any fluidity in their behavior in that is either gender more likely to cross over and exhibit
Putnam, A. (2013). Mean ladies: Transgendered villains in Disney films. In J. Cheu (Ed.), Diversity in
My childhood has been just like every kid growing up in the 20th century. It revolved around the Disney story’s that were filled with magic and dreams. From Cinderella to Sleeping Beauty, my beloved children 's stories were controlled by male characters. At a young age this taught me that women are not as useful as men. These stories made me learn what it means to be a boy, girl, man, or woman. The ratio of males to females as main characters was so outstanding it lead me to question how these stories impacted how I view men and women.
We can see that throughout the making of Disney movies the gender images have not evolved to match the changes in our society now, they have stayed stereotypical and similar to when Disney movies were first made in 1937 (Towbin et al 2003). In studies of 16 different Disney movies Mia Towbin (2003) and others
The movie Warm Bodies is undoubtedly a movie that has its own interesting take. It is ideally a zombie - romantic movie whose script is based on a novel of the same title authored by Isaac Marion (2010). The main character leads are R; played by Nicholas Hoult, Julie; played by Teresa Palmer, Nora; played by Analeigh Tipton, and M; played by Rob Corddry. Warm Bodies is not particularly a comic movie, but is instead a carefully woven film that brings into perspective what a kind heart can achieve, and generally, the power of human beings over that which is thought of as evil.
From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Indianapolis: Indiana University Press, 1995. 224. The s. 224-35. Print.
Since 1937, when Snow White was created, Disney princesses have been falsely portraying women. While their personalities have changed to keep up with society’s standards, their unrealistic body
The purpose of this essay is to apply the feminist framework to the film The Little Mermaid (1989) in order to deconstruct Disney. First, I will provide a textual description of The Little Mermaid (1989), explaining the film's plot line. Then, I will describe my analytical framework, the feminist framework, using Ott and Mack (2010) and additional media related studies. Next, I will give an in depth analysis of The Little Mermaid (1989), using the feminist framework and several additional sources. Finally, I will give a brief conclusion, providing an...