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Analysis of the Last Scene of Film Frankenstein by Kenneth Branagh
The monster that Victor Frankenstein created to stop death has
destroyed him emotionally. This monster has killed all that Victor
ever loved. He killed his little brother, his wife, his father, and
his housemaid. Wanting vengeance Victor follows the monster north in
an unwavering pursuit. All he wants to do is to destroy the monster.
But the monster soon kills him by torturing him while on the run.
Victor dies from exhaustion almost immediately after he finishes
telling Captain Walton his frightening tale. His final words are ''I'm
tired, so very tired.'' The monster appears on the scene and is
miserable at the death of his "father". The monster is visibly
miserable and he shows this by weeping over the corpse of Frankenstein
and then by vowing to commit suicide. This increases the drama of this
final scene.
This final scene of the film contrasts with the dramatic scene of the
death of Elizabeth where the fire and the fast and heavily scored
music increases the drama. The darkness of the building placed with
the orangey-yellow glare of the fire as Elizabeth runs through the
Frankenstein mansion towards the camera creates a commotion and
increases the excitement. The scene suddenly changes from this
dramatic scene to a lacklustre landscape of the Arctic; the light
change alters the mood as we come to the conclusion of this sad tragic
tale of an experiment gone wrong. The camera becomes static as we hear
a voice over of Frankenstein's voice as we reach a dramatic climax
with the death of Frankenstein. The music becomes slow and serious and
as the film reaches the...
... middle of paper ...
... hair" which
is a contrast to the hairless scalp that we see in the film. The film
doesn't have narration except at the beginning but in the book we can
read the ending chapter from the point of view of Captain Walton. I
believe that the film changes these thing to make us concentrate on it
rather than on the voice of the narrator because in the book we have
to read most of the text in order for us to understand the events of
the story, unlike in the film where we can watch the events and don't
need a narrator to explain them to us. The baldness of the monster
gives us a chance to see the scars of where his brain was inserted.
The film uses fast music and rapid editing sequences to make the story
of Frankenstein more dramatic. The film is shorter as we don't need
everything described to us as much as we do in the book.
Young Frankenstein has important visual effects that bring to this film a well-rounded sense of both frivolity and campy thrill. Satirically embodying the older films, Young Frankenstein includes overly dramatic scene transitions such as iris outs, wipes, and “fading to black”, like all classic Hollywood horror films. In classic Hollywood horror, there are lightening flashes, villagers carrying torches and monsters moving in slow motion. The black and white filming technique of Young Frankenstein is one of the most essential elements to creating the film's vintage horror mise-en-scene, providing an air of authenticity to connecting this film to the earlier Frankenstein movies. (Burke quote involving scene:act)
The horror genre of film captives the frightfulness of individual fear, horror is the only genre that is meant captive the terror of the audience. The horror- the genre has been around well over one hundred- years there has been an extension of different types of horror and how the audience perceives horror. Many would even argue that horror films often reflect the fear of society in that certain time period. The evolution of horror reflects the evolution of society’s fear.
Anyone who has had the chance to read Mary Shelly’s original Frankenstein and watch the movie Young Frankenstein is aware that there is quite a difference when it comes to the two of them. For one it is easy to point out that Young Frankenstein is set out to be a comedy while the original version of Frankenstein is made to be serious. Young Frankenstein is a 1977 film that tells the story of Victor Frankenstein’s grandson. The film adaptation is essentially a parody of the classic tale along with other versions of Frankenstein. It pointed out from the start of the movie that it would run directly parallel with the original tale when Fredrick Frankenstein was mentioned to be the grandson of the infamous Victor
by ice, a man in a bad way is found and taken aboard. He is later
In the story of Frankenstein, Viktor worked for two years on creating a life form in an inanimate body. After completing his experiment, he was highly dissatisfied with his results saying that “breathless horror and discuss filled my heart”. At this point in the story it would be ideal for Viktor to fix the imperfections of Frankenstein. However, he quickly abandons his creation after realizing that he failed to produce the vision of which he had dreamed. Frankenstein was left to learn by himself and find his way of living without the help of Viktor.
Mary W. Shelly’s classic book, Frankenstein, was written in the early nineteenth century. The setting that is taken place within the story has multiple locations. Amongst these multiple locations are Switzerland, Geneva, the home of Dr. Frankenstein, unknown villages/cottages, and the North Pole which was the exposition of the story to begin with. The style of the classic, Frankenstein, has a different style of writing due to not being written in the proper chronological nature. When Frankenstein, is adapted to motion picture film, the film focuses on the horror of Frankenstein’s monster, however the book is really about romanticism. Stephen Gould intertwines his opinion on the book Frankenstein. His opinion is
An Analysis of Chapter Five of Mary Shelley's Frankenstein Mary Shelley's 'Frankenstein' is an important novel in the history of English literature, and the warning it poses is still relevant, with science making many fictions become fact. This novel is about the struggle of Dr. Frankenstein to create the perfect person and his anguish when he realises he has created a monster. Chapter Five is a pivotal point in the novel: all the chapters before were leading up to the creation, and all the chapters after are as a result of the creation. It is also a key chapter in the novel as it encapsulates many of the features, characteristics and themes of the novel. In Chapter Five the characters are described in detail giving an accurate reflection of their personality.
Analysis of Mary Shelley's Frankenstein. Analyzing a book can be a killer. Especially when it contains tons of subtle little messages and hints that are not picked up unless one really dissects the material. Mary Shelley's Frankenstein is a prime example.
Mary Shelley wrote Frankenstein as a response to a contest put forth by Lord Byron and her husband, Percy Shelley. The challenge was to write a horror story. Fittingly, her novel was influenced by the discussion they were having regarding the nature of life, referring to Darwin’s theory of Evolution, and the possibility of creating a creature. As a result, she wrote about a curious minded individual, Victor Frankenstein, assembling a creature with human parts and giving it life. The creature is neglected and abandoned, eventually became a monster. Despite his essential goodness, he is hated, and so he can only hate mankind in return.
This philosophical analysis focuses on the main character of Mary Shelley’s Frankenstein, the Monster, and how his crime of killing a young boy and framing an innocent bystander is explained through the arguments made by Mengzi concerning evil natures. This parallel will be made by showing the progression of the Monster from good to evil nature and how his motivation to ruin his creator’s life tainted his fundamental heart. I will first briefly address the action as portrayed in Frankenstein and then discuss how Mengzi’s ideas explain the change in the Monster’s nature.
The monster took his first breath and opened his eyes. Victor stood paralyzed in fear of his creature. The creature was not what Victor had expected at all; He was absolutely hideous. Victor felt a sense of responsibility as the creature’s creator and decided to treat the creature as if it were a newborn baby. Victor helped the creature take his first steps and brought him to a chair to sit down. “I’ll be right back” Victor told the creature as he went to get the creature a drink. He showed the creature how to drink and told him it was called water. Victor kept pointing at the cup of water and saying “water” until the creature finally repeated him. Victor spent the rest of the day teaching the creature basic words. Victor was amazed that his creature was capable of learning, let alone learning as quickly as the creature was.
I awaken to a throbbing pain in the back of my neck. All dazed and confused, I crawl among the remains of what use to be my only source of land in this vast open sea. Drifting abyss for possibly days, my throat screeching like an aged wooden door and my stomach contracting like it's trying to consume itself, I scramble among the rubble in search of any clean source of water, constantly reminding myself not to lose sanity and drink the water by which I am surrounded by. I came across a small hole in the deck, probably a foot by foot long, full of fresh yet slightly salty water which might have been collected by passing showers. I indulged myself into these heavenly tears without any hesitation. My throat sizzling as the water streams down my esophagus and
Chubby fingers grasp the brightly colored surface of the unfamiliar “thing”. You stare, eyes filled with innocence and delight. The material crinkles emitting a noise you somehow find funny… but then, you find everything funny. Everything in this mysterious place is so strange, but at the same time, so fascinating. You press the “toy” to your nose and rub the soft fabric against it. Toy, that’s a new word you learned. The creature with the large hands that give you everything in life, has taught you this.
In Mary Shelley 's novel "Frankenstein" to no fault of his own, but the flaws of humanity, the creatures inevitable journey to becoming a monster starts upon his awakening. There are many events that turn this novel into a story full of hate and fear. The key points to mirror in this essay are the events that truly grabbed at my attention. The events that cause someone to turn into a monster. Monsters aren 't born evil they 're made from being treated badly. Frankenstein should have been given the opportunity to prove he was not something that needed to be feared. However, people should understand why Frankenstein emerged into the monster of this novel considering how others reacted, showed hate, violence, and constantly let him down.
In Mary Shelley’s novel, Frankenstein, the protagonist, Victor Frankenstein, arrogantly attempts to play God by bringing the Creature into a miserable and painfully lonely existence. Victor had a choice and a part in his own anguish, it was completely his own doing, whereas the creature had no say whatsoever. The Creature was merely born, having no choice but to suffer due to his creator’s misplaced and selfish ambition. We gain sympathy for the Creature as we venture into his life and we see him adapt a benevolent nature, only exhibiting compassion, only to be rejected and detested not only by his creator, but the entirity of humanity.