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History of comics essay
Misogyny in comics
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The first widely recognizable female superhero is Wonder Woman, from the All- American Publications, which was one of the three companies that merged to form DC Comics. Wonder Woman was presented in a way that was typical of most women in comics, although her Character portrays a strong independent heroine; the comic series still nevertheless caters to the promiscuous fantasies of young male readers. Wonder Woman is depicted in a hyper sexualized fashion and an object of consumption for males. Recurring scenes of wonder women in skimpy outfits accentuating her melon sized breasts and small waistline emphasize the idealized female body and how it was used to draw the gazes of males in visual media. Wonder Woman serves as an example of many of the major changes in representations of women in comic books from the beginning of the 20th century to today. Wonder Woman is an ideal example of one of the major themes in Comic books, that being American feminism. Although wonder woman is a dominant female character with a great deal of power and independence, her character exposed storylines that focus on fitting her into traditional gender roles with regards to romance, and is also consistently presented as a sexualized object for a male audience. Although there are notable exceptions, women in mainstream comics are often represented in the same way. According to Kelli E. Stanley, Wonder Woman emerged at a time when women were being encouraged to join the workforce as part of the war effort (149). Early publications of Wonder Woman comics present her as strong, powerful, and independent from men. In the post-war period, however, Wonder Woman’s storylines, focus more on domestic virtues and romance, as women were being urged to leave the w... ... middle of paper ... ... equally when they're on the good side' of it”. The beauty of comics is there force as a medium. following on directly from that shared culture with political cartooning, is that you can let your work do the speaking for you. When comic series choose to depict women with J-Lo butts, undistorted size hips and include scenes in which women do not take their clothes off to fight crime will be a real breakthrough in the comic book industry. That day will be the deciding factor on sexism, not characters with "normal" bodies but ones that break the mold from the cookie-cutter female bodies male comic book artists obsessively use to depict so called powerful women. In conclusion the day this boys club mentality loosens its grip on the comic book industry and starts letting women do what they want, will be the day the comic book industry will be considerably more balanced.
Wonder Woman choose to save people's lives. They both did what they had to do to save many people's life. In the same same way Helen was taken away from her husband and the imbalance or injustice in the hero’s life would be when Odysseus needed to control his ego example “Odysseus, raider of cities” (9:418) he's bragging about what he can do. In the beginning of the story so he wasn't all about him and what he can all do for himself to show off he says, “I would not need them in my way glorying spirit/but let my anger flare and yelled” (9:414-415). The imbalance or injustice for Wonder Woman would be she could choose to help people but many people thought she was a big thing “Go in peace my daughter. And remember that, in
With reference to “Superman 1”, the leading lady, Lois Lane, is often placed in the face of danger and needs to be rescued. In the year in which “Superman 1” was created, woman were not yet seen as equal to men as they are in the present. With that in mind, Lois Lane would have been seen as a more independent woman as she was living alone in an apartment, working in a career field often dominated by men at the time of the movies creation, but never the less, Lois is still a passive woman who often is not able to escape from danger by herself. In “Superman 1”, the criminal Clark Kent and Lois Lane encounter, is a male who in actual fact
In the first paragraph of Laurie Penny’s essay “What to do when you’re not the hero anymore” she tells the reader how she recently went to see the new Star Wars movie. To her surprise a female character, Rey, fought off a bad guy as an equal. Hollywood has incredible power in how messages are portrayed in books, TV shows, and movies. It is no secret that media representation normalizes the reality of white male power. Penny explores how it is becoming more common to see a women lead in books, movies, and TV shows, rather than the stereotypical male.
Like in Gilgamesh and the Iliad, women help encourage and influence the protagonists to be the heroes and protectors they are meant to be. Adventures and wars
“Born of clay, Galatae-like, to the Amazon Queen Hippolyta and given life by Aphrodite, the Amazon Princess abandons the all woman “Paradise Island” in her debut story, in order to become the savior of ‘Man’s World’” (Stanley 144). Among the popular American culture, Wonder Woman has changed more frequently then any other comic book character. Her ever changing figure comes from the the root of society, cultural, and economic circumstances of the time period but she has always held her position of being an Inspiration to women young and old.
The purpose of the essay is to answer the question: How has Archie Comics reflected changing gender norms in the United States of America from World War II to the present of women in contemporary American society, in its eventual challenge of the position of men as the dominant sex, and in its inclusion of previously marginalized sexual orientations? As entertainment primarily targeted to middle-class America, Archie is a helpful avenue by which to understand acceptable views. This paper will present gender roles portrayed in Archie Comics in three different time frames: the Forties, the Sixties, and the new millennium. It will analyze the establishment of traditional gender roles set forth in the earliest Archie Comic strips. Next it will critique the ways in which it responded to the challenges to these traditional norms and assess whether the comic incorporated these challenges or rebuffed them. Finally, this paper will evaluate the role of modern-day Archie Comics as a vanguard in the new discussion of gender roles and sexual orientation in America. For the purpose of analysis, issues of Archie representative of the era will be examined in conjunction with larger historical developments. These include: the sexual revolution of the 1960s, the post-feminist world following the 1970s, and the rise of LGBT acceptance.
New York: DC Comics, 1998, 8-16. “The New, Original Wonder Woman” Wonder Woman, ABC: November 7, 1975
In multiple instances throughout the film, female characters violate gender norms by acting as both warriors and leaders because they are adapting typically masculine traits. In the film, women are the majority of the labor force at iron town. The men are merely there to do the labor that needs the most physical power. “Americans oversimplify Japanese women as demure, submissive, and oppressed” (Kyu Hyun, 2002, 38). This quote shows that the stereotype of women in Japanese culture had been just like the western perspective where they were below men. This quote also shows that Princess Mononoke reverses the gender role from being submissive to being above men. Another quote that supports that women were not submissive says that “the young unmarried women in Japan have become a powerful group, demographically and economically” (Kyu Hyun, 2002, 39). The women who were in the upper class society of Japan had time on their hands and we know this because they had time to write literature. “Most of the canonical work from this period was produced by women of the upper social class” (Varner, 2005,
There is a long history of gender roles in society. The expectations of gender roles continually shift; however, there is not a time when women and men share the same equalities simultaneously. The idea of how men and women should act is instilled in us at a young age. I think it starts really young with girls and boys being told what they can be and when they see what they are expected to be, they abandon parts of them which society deems as undesirable. We don’t acknowledge how much pressure we put on men and women to conform to the ideas of gender roles but it is apparent in our media and in the history of our art. One of the most influential things about figurative art is that it has the ability to capture society’s concepts of how men and women are expected to be during that time period. One thing for certain about gender equality is that it has historically and predominantly been a women’s movement. This sculpture, entitled Portrait Bust of a Woman with a Scroll, stood out to me in particular. It is is made of pentelic marble and dates back to the early 5th century. The sculpture shows a woman with a restless face, clothed in a mantle and head piece while holding a scroll. This sculpture reflects the women’s intelligence and capabilities being overshadowed by her gender and
Tough women are always attractive, scantily dressed, with plunging necklines, and extremely tight leather and spandex. Such is shown in marvel’s Avengers, Black widow is among all male counterparts, she is a russian assassin with a troubled past. She wears a black skin-tight jumpsuit with a low neckline, her physical capabilities and prowess isn’t enough she has to appeal to the male view. Black Widows strength and performance as a strong fearless woman, cannot be seen as progress. Such performance portrays a deep doubt towards female struggle for equality. “The tough woman is testament to a still male-dominant society’s own contradictory responses to women’s demands for equal treatment, equal pay, and equal status. The tough girl is nearly always stripped down (often literally) to what lies at her core, her essential, biological womanliness, her essential subordinate position to man.” (Byerly, Carolyn, Ross
Women have not always had a rightful place in society, but have always left a mark in history. Take Beatrix Kiddo from Kill Bill for example, also known as the Bride/Black Mamba. Her assassin friends turned on her for betraying their boss Bill, in return she sets out on a quest to find them regardless of where they are in the world. She seeks her revenge for their attempt to kill her and her unborn baby, this journey ties in with the female heroic concepts because anyone would want to execute the person who did that to them. In turn, the audience is rooting for her successful massacre. At the end of volume two, The Bride finds the main man she was setting out to kill in the first place, Bill. He decides to give her an equal, fair chance to
I for one think that this representation of women is harmless, partly because it is only a fictional character. It is a representation to be regarded only in entertainment.
Media representations of women remain wrong. However, the status of women has changed significantly. Representations of women across all media tend to highlight the following: beauty (within narrow conventions), size/physique, sexuality, emotional (as opposed to intellectual) dealings and relationships (as opposed to independence/freedom).
The Golden Age of Comics was perhaps the greatest era in comic book history. Many people loved the comics during this time period because they were all stories about good triumphing over evil. Many of these stories reflected over historical events over the time period. “Pro-American characters were popular due to the time period occuring mostly during World War II.” (PBS)
Things only get more complicated when you consider the frame narrative that explains Wonder Woman’s existence. She was born as Princess Diana (interestingly paralleling another icon of womanhood) in an Amazon community that seems pretty clearly grounded in lesbianism. Although the women in this harmonious and idyllic Amazon community have gone to great lengths to hide and protect their island from incursions by men, they are nonetheless delighted when a male American army officer inadvertently crash-lands in their utopia. So smitten with him are they, in fact, that they stage a ruthless physical competition to decide who will get to pair off with him. When Diana (later Wonder Woman) wins, she happily abandons her position as a royal ruler of the Amazons to accompany him back to the United States and take a boring desk job as a lowly secretary in the army. She even trades in her cool Amazon garb for a pair of gl...