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Thelma and louise film analysis
Thelma and louise film analysis
Thelma and louise film analysis
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1. Definition of the catalyst of the film “Thelma and Louise”
The catalyst moment in the screenplay is when Louise shoots Harlan. The incident, when Harlan is assaulting Thelma, set the first dramatic moment. This major event is the twist that provokes the action to escalate to the next act. In outrageous behavior, with suppressed feelings about her past, Louise relapses. She defends her friend, and at the same time, reacts to the memories of abuse she suffered, consequently, making justice for both.
2. Why is this the catalyst, and how does it serve the story?
This catalyst is set up to promote tension, which shows Louise’s behavior, while awakening Thelma is from her ordinary reality as a housewife. At that moment that Louise shoots Harlan, in self-defense, in self-protection and revenge, she automatically changes their destiny. The crime committed is the key that holds them together in search of freedom from their past, their identity, and their actions. This dramatic event also serves the story, first to address the issue of rape, abusive relationships, and its aftermaths. Secondly, it serves to point out the characters’ acceptance of their fate. Furthermore, the narrative can be viewed as a catalyst for more female roles in road movies.
3. Description of Act One and the dramatic event of point of no return.
Act One ends, when Harlan attacks Thelma, at the parking lot, she resists his advances. Next Louise shows up and stops him at a gunpoint, walks away with Louise, then when Harlan makes some remarks; she turns around and shoots him. Killing Harlan was the dramatic point of act one. His death leads Thelma and Louise’s actions directly to the climax of Act three, and there is when no other solution can be reached.
Their ...
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...max when they drive over the cliff.
Comments:
Thelma and Louise are firmly aware and assured of their final way to freedom. They knew that things did not have to be the way they always have been, therefore, the submissive housewife Thelma and hardworking confident and independent Louise, changed by their circumstances to find their way to freedom on their own terms. The story dramatic content provides the audience with highs and lows emotions and anticipation of how to escape from their troubles. The escape scene in act one was real, because they are running away from killing a man. Seeking freedom by going to Mexico became a fantasy. They plan to escape from the authority, and from the men throughout their lives becomes reality. Thelma and Louise, in common agreement decides that the point of no return to end their ordinary lives was to die free from their reality.
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
woman she once knew. Both women only see the figure they imagine to be as the setting shows us this, in the end making them believe there is freedom through perseverance but ends in only despair.
The film Wendy and Lucy, directed by Kelly Reichardt, presents a sparse narrative. The film has been criticised for its lack of background story, and as a short film, much of the story is left to the viewer to infer from what is presented in the plot. However, Wendy and Lucy is able to depict the intimate relationship between Wendy and her dog as well as reflecting more broadly on the everyday, and commenting on the current economic state of the film’s setting in America. This essay will examine how film form contributes to the viewer’s awareness of the story in Wendy and Lucy and allows a deeper understanding of the themes presented. The aspects of mise-en-scene, shot and editing and sound in the film will be explored.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
Both Nora and Louise's lives have been shaped and molded to conform to their husbands' wishes. At the time these stories took place, it was basically unheard of for women to assert their beliefs or to act upon their ideas. As a result, Louise was forced to succumb to the role of an obedient wife, in order to abide by the norms of society. This is apparent because of the way she reacts when she learns of a false rumor regarding her husband's sudden death. While in deep thought, and staring out the window by herself, she has a sudden realization of complete happiness and total freedom. As she tries hard to repress these fresh, new feelings, she speaks the words, "free, free, free" (23)! These words help the audience to understand the repression she has been forced to withstand for many years. She feels sudden exhilaration as she reflects on what her new life will bring her. She speaks of the treatmen...
In the beginning of “Story of an Hour” the readers are introduced to Louise Mallard who found out that her husband has died in an accident. Louise reacts to the news like we would expect any wife would. At first she is obviously upset so she excuses herself and rushes off to her bedroom to have some space. While in her room she realizes that she in some sense she was happy. Now she had her freedom. “When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: “free, free, free!” The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and r...
A main theme throughout the movie is freedom. All three women actively seek it and at the movie's end each woman chooses what she thinks is best: Woolf drowns herself, Brown leaves her family and Vaughan finally lets go of her longtime friend and past lover, Richard. Each woman's decision, fueled by the circumstances which surround her, is reached after much thought and deliberation. Woolf s concern is Leonard's sanity and happiness. She realizes the great pressure she puts on him and sees her suicide as a way of freeing him from being responsible for ...
The movie Norma Rae is a 1979 drama film about a textile worker from Alabama that becomes involved in labor union activities in the factory where she works. Though it is a film, it is based on the true story of Crystal Lee Sutton, a textile worker from North Carolina, who worked for J.P. Stevens textile plant, and was fired from her job for trying to organize a union (southerstudies.org, 2009)…………… The analysis and information provided will provide a summary of the movie, detail the motives of the workers to join a union, show managements reaction to the organizing, and discuss what the workers were hoping to achieve by gaining union representation, describe the union representation process,…………….
1980. Warner Bros. Directed by Stanley Kubrick. Music by Wendy Carlos and Rcachel Elkind. Cinematography by John Alcott. Editing by Ray Lovejoy. With Jack Nicholson, Shelley Duvall, Danny Lloyd.
...new freedom?] Her “moment of illumination” (the true light) signifies her soul is now saved. She even breathes a “quick prayer” (13), which is symbolic of her quest for a divine intervention and repentance[.] (s[S]he is totally and completely engulfed with the presence of God). [No, what was she praying for? A long (not eternal) life.] One of Mrs. Mallard’s last actions is to rise (resurrection action) “at length and [open] the door” (the gateway to her salvation). In addition, the author provides the reader with the words “joy that kills” (13), the joy is symbolic of her freedom and “that kills” is symbolic of her eternal life. [CS -1] [Why would "that kills" be symbolic of "eternal life"?] These words provide the reader with an understanding that a human being must experience death to receive eternal life. Louise has found her freedom through eternal life.
With the main character Celie, she overcomes her hardships with her childhood and marriage to achieve complete happiness. Her childhood consists of a father that rapes her and gives her kids away. He also gives her away to a man known as Mr. ___. He too beats her and does not allow her to see her sister, Nettie. Celie falls in love with another woman who allows her to start her life over. Shug Avery gets her away from her husband, Mr. ___, and allows her to start her own financially independent life, as a pant producer. The only thing Celie lacks in order to ac...
...e of joy and pain in Catherine’s life, as their love was so powerful that it can only be embraced by the extent of death. With many other important messages in the novel, the most important is the changes that occur in and between the characters. The numerous characteristic aspects, the characters in the story are enthralling. Although, Cathy Linton may be recognized as a duplicate of Catherine Earnshaw due to the parallelism of generations, their traits and personalities are entirely individual. Cathy is an innocent and fine young lady, and Catherine is a selfish evil monster. Throughout the progress of the story the reader can clearly appreciate the mismatched traist of the mother and daughter. And like, psychologists have said, “Often children avoid the ways their parents have gone”. Although Cathy doesn’t experience her mother ways, she lives the opposite way.
However, when she descends the stairs with her sister and discovers that her husband is still alive it kills her. She could not handle losing everything she thought she had just gained. Louise only just realized all that she could do with her new life and had previously shuddered at the thought of living a long life with Brently. Now that she had a taste of freedom, she could not go back to the life she lived before and the crushing disappointment kills her.
She is marginalize from society by her partner and she has to live in the shadows of him. She is unbelievably happy when she found out about the death of her husband. She expresses her feelings of freedom in her room where she realize she will live by herself. This illustrates that Louise has been living in an inner-deep life disconnected form the outside world where only on her room away from family and friends she discovers her feelings. It is important to mention that even though Louise has a sister, she does not feel the trust to communicate her sentiments towards her. We discover a marginalization from family members and more surprising from a women, Louise’s sister. The narrator strictly described Louise’s outside world but vividly reveals what is in her mind. At the same time she feels guilty of her emotional state by recognizing that she loved Brently mallard sometimes, her husband. Louise contradict herself but this demonstrates her emotional feelings about her husband disregarding her marriage. The situation of this woman represents the unhappiness and disgraceful life that women had to suffer from their
...tedly, but instead the idea that she no longer will have her husbands will forcing her to have no self-assertion, which was common of that time. By the last 3 paragraphs of the story Louise has come to full realization of what is to come.