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Surviving in prison essay
Surviving in prison essay
Surviving in prison essay
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The movie of the Shawshank Redemption is based on a short story by Steven King. The movie shows how prison life affects prisoners during their sentence in jail and after when they are released. The director concentrates mostly on the personal cost of adapting to prison life and how some convicts, once they conform, lose the ability to survive beyond the barbed wire and iron bars. As a character puts it, ‘These [prison] walls are funny. First you hate them, then you get used to them, then you start to depend on them.’ The director shows us to what extent prisoners can be made to ‘depend on them’. The two episodes that I will analyse are examples of two different ‘paths’ prisoners can take once released from prison. One is to survive and live their life, another is to give up and end it. In the movie Red, a prisoner at Shawshank says, ‘get busy living or get busy dying’. This quote plays an important role in the movie because Red and Brooks, two important characters who get out of jail have to make the choice to either ‘get busy living or get busy dying’. Red and Brooks are characters with many similar traits and have gone through many of the same circumstances. Both entered the confines of Shawshank Prison youths but left its walls as old men. They have seen many prisoners come in and out. They spent decades behind the dull enclosure and got used to it. They have adapted themselves to the concepts of routine, forced conformity, power abuse and have lost all elements of individuality within themselves. Red says “you come here for your life and that’s exactly what they take from you”. The episodes of the release of both men contri... ... middle of paper ... ...ds hug, the camera pulls back, revealing the wide, distant horizon of the blue Pacific with no end in sight. No longer are the Red and Andy confined by walls and iron bars nor watched on by guards. Both are free. Brooks had attained the limits at prison, he had become institutionalised and once released had found the only way out was death. Red, on the other hand, had hoped, and hope had led him to freedom, to happiness, to redemption. Through the themes and the cinematic decisions applied in these two episodes the director has made these vital to the understanding of the movie. He has given two examples of the extreme situations to which prisoners go depending on their emotions. One of the emotions is yet one of the main themes of the movie, hope, and in my opinion it has been brought up extremely effectively.
The end of your life you did nothing but suffer You
The auteur theory is a view on filmmaking that consists of three equally important premises: technical competence, interior meaning, and personal signature of the director. Auteur is a French word for author. The auteur theory was developed by Andrew Sarris, a well-known American film critic. Technical competence of the Auteur deals with how the director films the movie in their own style. Personal signature includes recurring themes that are present within the director’s line of work with characteristics of style, which serve as a signature. The third and ultimate premise of the Auteur theory is the interior meaning which is basically the main theme behind the film.
of Sal. It for the most part pawns him off as a racist. On the
Incohesive, long, and dialogue-heavy, Inherent Vice has all the potential to flounder. Yet under the steady (or rather, wild) hands of director Paul Thomas Anderson, the film becomes a psychedelic, incredibly enjoyable ride brimming with wit and melancholy. The film follows Larry ‘Doc’ Sportello (played in routinely magnificent fashion by the now ever-reliable Joaquin Phoenix), and his exploits to help his ex-girlfriend, Shasta Fey (Katherine Waterston, also exquisite) investigate a kidnapping of notorious real-estate billionaire Mickey Wolfmann. From there, the plot descends (or ascends, depending on your perspective of the film) into sumptuous lunacy; a mystery involving the coveted and secretive
The Shawshank Redemption by Stephen King is both a wonderful film and a brilliantly written short story. There are many themes represented in each form of The Shawshank Redemption. The one major theme that interests me in both the film and the story is freedom. Freedom serves a large purpose for both the story's writer and the filmmaker. Both use similar examples to signify freedom, not only in the jail, but also in a larger context about life. There are many events and examples in both the film and the short story that signifies the theme of freedom. The one main difference is when the film uses the director’s technique to portray a feel of freedom for the inmates. The overall three issues used in this essay are all linked to the feeling of the inmates feeling the sense of freedom with the prison walls.
An early scene in George Roy Hill’s film Butch Cassidy and the Sundance Kid (1969) shows illustrious bandit Butch Cassidy walking into a bank and observing a series of security upgrades (e.g. an alarm system, a safe, and several different locks). As Butch Cassidy exits the establishment, he asks the security guard, “What happened to the old bank?” The guard responds, “People kept robbing it.” Butch remarks, “Small price to pay for beauty.” Although Butch Cassidy’s disappointed assertion may have been rooted in disappointment for the loss of a heist rather than the loss of architectural merit, it leads one to question: To what extent are cultural attributes lost at the expense of new technology? I will consider this question as I examine the ways in which Butch Cassidy and the Sundance Kid highlights the
To Kill A Mockingbird is a novel by Harper Lee. To Kill A Mockingbird takes place in Alabama, and is narrator by the main character, a little girl named Jean Louise ‘’Scout Finch’’. Her father Atticus Finch is a Lawyer with high moral standards. Scout her brother Jem, and their friend Dill are intrigued by the local rumors about a man named Boo Radley, who lives in their neighborhood but never leaves his house.
What is the director ultimately saying about the ways in which hope affects the individual?
I’m Brook, and will be telling you about the movie To Kill A Mockingbird. The book To Kill A Mockingbird by Harper Lee was published in 1960, the film came soon after in 1962. As you're reading this essay I will tell you about the plot of the movie, the conflicts in the film, my opinion of the movie, and about my favourite character. The story is told from the perspective of Scout, she narrates the film as a flashback.
...ng the underlying theme that drives the story and the movie, propels the reader and viewer to rekindle the desire to hope above all else because hope is all one has in devastating as well as dire needs. Hope overcomes despair, permits others to see your “inner light” to develop integrity which connects with honesty and trust. Hope is the inspiration to continue to live regardless of the circumstances. Red may have narrated; “Let me tell you something my friend. Hope is a dangerous thing. Hope can drive a man insane.” But, Andy Dufresne states it best: “Get busy living, or get busy dying.”
African American representation in the film industry has always been a topic for discussion. Whether talking about character types and roles, the actors being cast or not cast, and the lack of diversity in front of and behind the camera. ‘The contemporary status of race in mainstream American culture is intimately bound to the process of representation within and through the mass media.’ (Rocchio, 2000, p. 4). Any role that was to be played by an African American kept in with the dominant stereotypes of the time of production; incompetent, child like, hyper-sexualised or criminal.
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’
the one who murdered her, but instead seeks vengeance on people who enter the house and people who come into contact with someone who has entered the house. This vengeful spirit seems to act more like a deadly disease rather than how it is traditionally suppose to act. Another goes that goes against traditional Japanese folktales is Takeo’s ghost which appears near the end of the movie. In many Japanese folktales, the ghosts of a male are usually seen as nonthreatening and often are seen as guides. Many of the male ghosts are often from men who have fallen in battle and then later roam the earth grieving over their death. They have also been know to help out others who are on a journey and act as more of a warning than as a angered spirit.
For this assignment, I decided to do my film review on To Kill a Mockingbird (Mulligan, R., & Pakula, A. (Directors). (1962). To Kill a Mockingbird[Motion picture on VHS]. United States of America.) I have a personal connection to this film because it is one of my most beloved novels by Harper Lee. I have never watched the film so it was a nice experience to see the characters I have loved for years come to life just before my eyes. The film particularly focuses on a white family living in the South of the United States in the 1930s. The two siblings, Jem and Scout Finch, undergo major changes while experiencing evil and injustice in their small town of Maycomb. Jem and Scout’s father is named Atticus and he is a well-respected man in the town as well as being a lawyer.
...t something that is ever forgotten. It can cause a person to live and fear. It can also lead to the victim isolating themselves from social experiences and enjoying the fullness of life.