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Percy jackson the hero's journey
Percy jackson the hero's journey
Percy jackson the hero's journey
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The fact that Percy Jackson has friends is incredible. It is an unshakable fact that any friend of his within a ten-mile radius will be in a life or death situation with him by dinner, and they are not always as lucky as he is. However, that is getting ahead of ourselves. Over the course of the five-part contemporary young adult series, Percy Jackson & The Olympians, the titular character, Percy Jackson, must embrace his Greek God parentage and save Olympus with the help of his fellow demigods. The aim of this paper is to discuss his Hero’s Journey throughout the series, provide an in-depth character analysis, and draw parallels between Percy and the three classic Greek heroes of mythology: Perseus, Theseus, and Hercules. The first novel in the series, Percy Jackson and the Lightning Thief, is where Percy's Hero's Journey begins, encompassing the first five stages. The Ordinary World, the first stage, introduces the main hero. "The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma" (Campbell). Percy Jackson, a twelve-year-old diagnosed with both dyslexia and ADHD, lives in New York with his loving, overworked mother and abusive stepfather. He begins his story attending a boarding school for "troubled youth" and has a less than spectacular time being the new kid. Despite his good intentions of protecting his only friend Grover from a bully, Percy gets in trouble at school and is pulled aside by one of his teachers, who is revealed to be the Fury Alecto, one of Hades's servants in disguise. It is at this point in the story that the second stage, The Call to Adventure, comes into play....
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...Over the course of this novel, Percy must embark on a quest to clear his name, much like Hercules had to endure his Twelve Labors. These Twelve Labors would prove to be a recurring theme for Percy throughout the entirety of his five-part series. While Hercules abandoned his quest with Jason for the Golden Fleece, Percy did not, and succeeded where the ancient hero had failed. Hercules was also directly referenced in Titan’s Curse in a flashback by Percy’s new friend and Hesperide Zoe, a goddess entrusted with protecting Hera’s apples which Hercules had stolen. Over the long chain of events throughout the entire series, Percy and his friends encountered and battled numerous monsters that Hercules had originally slain in his Twelve Labors, such as Cerberus, a hydra, the Nemean Lion, the Erymanthian Boar, and cleaning the Aegean stables, home to flesh-eating horses. Suffice it to say that Percy Jackson and the Olympians is a contemporary masterpiece of a series and is more than worth its salt in the context of classic, factual Greek mythological references. Therefore, one can examine the series through the scope of Joseph Campbell’s Hero’s Journey and explore the heroic parallels between Percy Jackson and the great Greek heroes Perseus, Theseus, and Hercules through a timeless lens. No paragraph provided.
Percy Percy provides the novel with the perfect parallel to Dunstan. He does, however, contrast in many ways to Dunstan. They are best friends, but Percy rivalry results in the formation of the main setting of the novel. Percy also feels more of an attachment to material goods than Dunstan does. He thinks only of himself and is in constant pursuit of total and utter control. Percy was low moral standards in comparison to Dunstan and in some ways, feels he is of a higher stature than other human beings. This awkward relationship between him and Dunstan forms the basis of the novel.
Percy is always afraid that his friends might die. He is constantly questioning his “own powers” (29, Riordan) and is unsure he can save his friends. The protagonist is unable to complete his missions properly, because he is always battling his own self confidence. Anyone who is incapable of having confidence in themselves will not obtain their goal. Moreover, when Percy realizes he is able to “destroy” (79, Riordan)
...th head towards the underworld were Percy’s mother is held in a cave. The reader is able to obverse that Percy as walking in to the most unsafe place and this could potentially be the most danger they have ever encountered. As they enter the secrete path to Hades layer Percy and his allies come across a guard with a boat man who does not allow any living people into the underworld. A problem is created as the man blocks the entrance to the underworld on the other hand Percy explains that nothing will stop him from get his mother back as he is will to do anything to obtain his mothers love. However Annabeth come up with an idea to gives him money. Her plan is successful as the man agrees to give them a ride over the underworld. The next step is get his mother back and return Zeus’s lightning bolt but in order to do that he must meet the god of the underworld hades.
Hercules is one of the most well-known mythical heroes in history; his associations with adventure and violence exemplify as to why audiences are so interested in him. Virgil briefly writes about Hercules within The Aeneid, showcasing his heroic qualities within a climactic event with the monster, Cacus. Through the characterization of Hercules and Cacus, demonstrations of Hercules’ anger, and exemplifications of vividness, Virgil’s account of the battle between Hercules and Cacus in Book 8 of The Aeneid exemplifies an element of impact, heightening the conflict between the two characters for entertainment purposes.
My original thought when comparing Percy Jackson and the Olympians: the Lightning Thief the movie and Classical mythology was that there would be many more references to the myth of Perceus than any other myth throughout the movie in its entirety. That’s where I was wrong. After watching the movie again and researching the different hero myths my opinion has changed. My new thoughts are that the movie is not influenced by the myth of Perceus any more than other hero myths. The movie ties together many different heroes’ stories and mixes them together to make a wonderful story about a young boy. The movie was based on a book series written by Rick Riordan.
Since the days of mythological origin to the origin of pop culture, various mythological stories have been adopted and presented to newer generations. Some of these presented adaptations of mythological stories have significantly been modified in order to be deemed entertaining by audiences in a pop culture generation. Thus, my study will seek to compare mythological hero's during their time to how they have been depicted in modern day. Moreover, my study will analyze the similarities and differences between the Greek hero Heracles and his replica character, Hercules, depicted in Disney's adaptation of this myth. Although there are few similarities between the two versions, the differences between Heracles and Disney's Hercules are prominent. These differences help modern day audiences relate more easily to the characters in the story. Furthermore, the alterations have enabled a new aspect of heroism to emerge since Disney tailors it's movies towards youth who can seek valuable lessons from animated movies. Disney's choices through these alterations will be determined by focusing on the main plot, characters presented in the movie, peripheral details, and the notion of being a "true hero" that Disney presents.
Percy is immensely brave. He is not afraid to do anything if it meant he could save another's life, like he
Schein, Seth L. The Mortal Hero: An Introduction to Homer's Iliad. Berkeley: University of California Press, 1984.
Hercules’ as a young child was watched by the best of the best. His father made sure h...
Homer's two central heroes, Odysseus and Achilles, are in many ways differing manifestations of the same themes. While Achilles' character is almost utterly consistent in his rage, pride, and near divinity, Odysseus' character is difficult to pin down to a single moral; though perhaps more human than Achilles, he remains more difficult to understand. Nevertheless, both heroes are defined not by their appearances, nor by the impressions they leave upon the minds of those around them, nor even so much by the words they speak, but almost entirely by their actions. Action is what drives the plot of both the Iliad and the Odyssey, and action is what holds the characters together. In this respect, the theme of humanity is revealed in both Odysseus and Achilles: man is a combination of his will, his actions, and his relationship to the divine. This blend allows Homer to divulge all that is human in his characters, and all that is a vehicle for the idyllic aspects of ancient Greek society. Accordingly, the apparent inconsistencies in the characterization of Odysseus can be accounted for by his spiritual distance from the god-like Achilles; Achilles is more coherent because he is the son of a god. This is not to say that Achilles is not at times petty or unimaginative, but that his standards of action are merely more continuous through time. Nevertheless, both of Homer's heroes embody important and admirable facets of ancient Greek culture, though they fracture in the ways they are represented.
Rick Riordan’s ‘Percy Jackson and the Lightning Thief’ focuses on Greek mythology and interprets this into a children’s story. Throughout the story, there are many references and adaptations to mythological tales, and each one is portrayed in a different way. Riordan writes this story as though Hercules, Zeus and Poseidon were still around today, and this would be the effect they would have on people in this day and age.
Clarke, Howard. Homer's Readers: A Historical Introduction to the Iliad and the Odyssey. Newark, Del.: University of Delaware Press, 1981.
Schein, Seth L. The Mortal Hero: An Introduction to Homer's Iliad. Berkeley: University of California Press, 1984.
The Odyssey is an epic that shapes and defines the roles of many great leaders. These leaders are made up of mortals, alive and dead, and immortals. The trip taken by Odysseus is not only a journey of a war hero back to his homeland, but is a journey in all of the characters lives, which develop a better sense of personal identity and selfhood as the epic goes on. It is the many disguises that each character uses that uncover their true identities from their experiences. The revelations of each characters identity are what teach the lessons that Homer is trying to portray to his audience, and what lead to each character’s success in their personal journey. Each character’s identity is constructed by the courage and morality that they reveal, through disguise, by their actions to help or prevent bring Odysseus home. These actions are what make each character who he or she is, whether god or human. Homer uses Odysseus and Athena as the principle identities developed throughout the poem to send his messages.
Then they find Percy, dripping wet and angry, but with the eagle standard. They climb on Arion with a load of weapons and rush to make it back to camp Jupiter before it’s destroyed. They find it at war. The legion is outnumbered and surrounded. Arion can’t run any farther. Tyson, Percy’s cyclops-half-brother, and Mrs. O'Leary, his giant hellhound from camp half blood show up. They charge and bring the weapons to the legion. Percy, aboard his colossal canine, fires lightning from the standard that incinerates half of the giants army. The amazons, lead by Queen Hylla, come to aid them in battle. Percy heads straight for the giant Polybotes. After luring him into city limits, he and Terminus, the god of boundaries, slay the giant and save the camp. The army chants to make him praetor. They do and they begin repairs. They get a magic scroll telling them that the Greeks are coming in a flying warship. They see it a go out to meet