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Literature`s impact on society
Literature`s impact on society
Literature`s impact on society
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The intention of this assignment is to analyse Patricia Highsmith’s character Tom Ripley as a moral being, and the complex position we as the readers are put in when viewing the Ripley character. This assignment will also establish if there is a morality or ideology underpinning Highsmith’s work, and if that ideology is socially reinforcing or purely a subversive one.
Patricia Highsmith is a highly successful female American writer who’s career spanned from “1945 until her death in 1995” (Wilson, 2010). During this period Highsmith was credited with writing 22 pieces, many of which have been recreated into successful film adaptations. According to The New York times (2013) Highsmith specialised in murder and physiological intrigue novels. Critics often categorised Highsmith’s genre as crime fiction (Peters, 2003), but by her own admission she disliked this tag. Greene cited in The New York Times (2013) stated that a more accurate description of her style is that “she creates a world of her own, an irrational and claustrophobic world, which we as the readers enter each time with a sense of personal danger”. This ideology presented by Greene is particularly apparent in the Ripley series. The Ripley series conforms to all descriptions of Highsmith’s writing style and personal idiosyncrasies. It is a thrilling five-book trilogy cast around a young attractive male who is an opportunistic killer named Tom Ripley. Mr Ripley has been orphaned from age five and is a master con artist and impersonator. Throughout the series the audience is presented with a man free of a conscience, who actively engages in a variety of law breaking activities, varying from petty theft to cold-blooded murder. ‘The Talented Mr Ripley’ is the first of the Ri...
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Starr, J, 2012, What’s to like about Tom Ripley?, Viewed 14 November 2013, http://www.weeklylizard.com/blog/2011/03/17/whats-to-like-about-tom-ripley/ The New York Times, 2013, Patricia Highsmith, viewed 12 November 2013, http://www.nytimes.com/top/reference/timestopics/people/h/patricia_highsmith/
Silet, C, 2012, Patricia Highsmith’s, Thomas Ripley, viewed 17 November 2013, http://www.mysterynet.com/books/testimony/ripley/
Bronski, M, 2000, The subversive Ms Highsmith and the Talented Mr Ripley, viewed 16 November, http://www.zcommunications.org/the-subversive-ms-highsmith-and-the-talented-mr-ripley-by-michael-bronski.html
Wilson, A, 2010, Beautiful shadow: a life of Patricia Highsmith, Bloomsbury Publishing, 2010.
Peters, F, 2003, Proximity in Patricia Highsmith’s Ripley Novels, Cultural Expressions of Evil and Wickedness: Wrath, Sex, Crime 3: 189.
“In the Devil’s Snare” New York 2003 Pg 18 6. Dee, Ivan. “A Fever in Salem” New England, 1999. Pg. 68 - 7.
In the penultimate chapter of Nathaniel Hawthorne’s The Blithedale Romance, Coverdale offers a “moral” at the end of the narrative that specifically addresses Hollingsworth’s philanthropic and personal failures:
At times humanity are selfish for unreasonable reasons, which can cause suffering mentally and physically to those that are attentive about morality. The Renegade, by Shirley Jackson provides readers a narration that emphasizes society’s inhumaneness through the mindset of the protagonist Mrs. Walpole. Readers acquire background on the family that “They had not lived in the country town long enough…” (pg. 74), showing that she is still adjusting to the new environment. The author presents the readers with Mrs. Walpole’s point of view and attitude towards people by exploring the interactions she encounters with the other characters in the story. When her dog, Lady was accused of killing chickens Mrs. Walpole reaches to her neighbors for advice
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000. p. 2256
Throughout Marilynne Robinson’s works, readers are often reminded of themes that defy the status quo of popular ideas at the time. She explores transience and loneliness, amongst other ideas as a way of expressing that being individual, and going against what is deemed normal in society is acceptable. Robinson utilizes traditional literary devices in order to highlight these concepts.
In Harper Lee’s novel, To Kill a Mockingbird, she shows how society in the 1930’s affects the lives of many people. One of these people is Tom Robinson, who is expressed to be a “mockingbird” of the story. A mockingbird is unlike several other birds and never harms anyone, therefore should not be killed because it would be like killing peace. Tom is used in the novel as a mockingbird to show how the town of Maycomb, Alabama is racist.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Nixon, N., 1998. Making Monsters, or Serializing Killers. In: R. Martin and E, Savoy, eds. 1998. American Gothic: New Interventions in a National Narrative. Iowa: Iowa University Press, pp.217-236.
Halperin, John. The Life of Jane Austen. Baltimore: The John Hopkins University Press, 1984. Print.
Irving, Washington. “The Devil and Tom Walker”. Elements of Literature: Fifth Course. Austin: Holt, Rinehart and Winston, 2008. 175-185. Print.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
The greatness of Lady Chatterley's Lover lies in a paradox: it is simultaneously progressive and reactionary, modern and Victorian. It looks backwards towards a Victorian stylistic formality, and it seems to anticipate the social morality of the late 20th century in its frank engagement with explicit subject matter and profanity. One might say of the novel that it is formally and thematically conservative, but methodologically radical.
Jane Austen’s career followed novelists such as Ann Radcliffe and Laurence Sterne, at a time when the Gothic and Romance novels were very popular. However, Jane Austen did not look favorably upon these styles, believing them to be harmful to both literature and the reader. In writing her own novels, Austen parodied these genres, but not merely for a humorous effect. She had specific messages that she wanted to get through to her audience, through this method. She wanted to impress upon her reader the value of that which is ordinary, but real, the importance of thinking for oneself, and to make logical judgments of characters.
While Howells' realism was "romantic" in that he permitted "respectability to censor his observations and insights" (Trachtenberg, 191) and allowed his characters to fall into the miasma of what he believed to ...
It is a sin to kill a mockingbird because they do not harm anyone and they only do good to the world. Atticus FInch is a lawyer and in the story he is an attorney for Tom Robinson. Tom Robinson was accused of raping Mayella Ewell, even though he did not.