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How has technology influenced US society in general
How does technology affect our culture
How has technology influenced US society in general
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The flapper was the harbinger of a radical change in American culture. She was a product of social and political forces that assembled after the First World War. Modernization adjusted the American life. Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern by Joshua Zeitz analyzes the people who created the image of the flapper. This work is an incorporation of narrative, statistics, and scholarly work that provide a distinct insight on the “New Woman.” Joshua Zeitz asserts the flapper was not a dramatic change from traditional American values but reflected the “modern” decade under mass media, celebrity, and consumerism.
Flappers were the “New Woman,” asserting her right to dance, date, smoke, drink alcohol, work, and free from the restraint of accepted social norms. Scott Fitzgerald and Zelda are notable people who commence the image of a flapper. Zeitz develops his argument further by providing statistics of working women who dreamed of being a flapper. The notion of the “flapper” or “New Woman” was viewed as a radical change to the preceding generations. Those that oppose the flapper saw their daughters rebelling against acceptable norms and ruining their lives. The Ku Klux Klan did not accept this image of the “New Woman.” There are also those who view flappers as acceptable. Bruce Bliven, editor of The New Republic, believes that “women concluded that they are just as capable as men.” Technology expands the image of the flapper.
The expansion of technology changed the life of every American. American industry now distributed and produced an enormous amount of household items, clothing, and jewelry. These businesses enthusiastically produced these items for profit. Automobiles changed the ...
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...cally involved. There are those that insist that the younger generation is their own “type” of feminism. Both authors write that mass media is prevalent for the image of the “flapper.”
The work of Zeitz is essential to understanding the changes within American culture. Several dynamics promote the image of the “flapper.” Even though the “New Woman” is able to break away from traditional values, expanding technology is a dynamic that affects that result. He clearly shows that these women challenge the societal norm through a different approach. The advertisements and publicity can still reinforce several stereotypes. These modernized changes are cultural echoes that American society faces today. There is an immense amount of advertising with the basis of beauty and sexuality. This work is necessary to understand the flapper and the dynamics that made America modern.
Flappers were not just spunky young rebellious woman who tried to defy there mother’s traditions and cause an uproar in society. Her bluntness about sexuality created a new emotional and sexual culture for women. It also created a new foundation for male and female courtship. They showed women around the world that being submissive could only harm the remarkable female. The flappers created a new youth identity.
In “Building the Third Wave” Laurie Ouellette addresses her stance on feminism by passing the audience a question as to “why so many young women have shunned feminism”. Ouellette states her response of feminism by giving reasons as to why young women are not supporting feminism. Ouellette states that one reason is because they do not have role models to reach out to young people. Another aspect of the feminism movement that struggled involved a lack of support from the economically disadvantaged and women of color due to the silence of the upper middle class white females. Also, Ouellette mentions that women do not like hearing about the past because they feel as if have been lied to in regards to feminism. Ouellette concludes the article by explaining that it is responsibility of generations past to fight to get more young women into the feminism movement.
This phenomenon suggests that all women are required to remain loyal wives and stay at home mothers who aspire to achieve perfection. In “Mirrors of Masculinity: Representation and Identity in Advertising Images,” Jonathon E. Schroeder and Detlev Zwick claim that “highly abstract connections are made between the models, a lifestyle, and the brand” resulting in a need to associate these products with a specific way of living (25). Instead of simply displaying these luxurious bracelets and handbags, the ad creates an elegant environment through the incorporation of sophisticated items. The women are dressed elegantly in dresses and blouses, adding a conservative element to the ad. The ad presents a rather stereotypical image of the very successful heads-of-household type mothers who have brunch with other elite women in an exclusive circle. Everything from the merchandise they sport to the champagne glasses down to the neatly manicured fingernails provides insight into the class of women presented in this ad. The body language of the women strips the image of the reality element and instead appears to be staged or frozen in time. This directly contributes to the concept of the gendered American dream that urges women to put up a picture-perfect image for the world to see. Instead of embracing individual struggle and realities, the American dream encourages women to live out a fabricated
A Flapper is “a young woman in the 1920s who dressed and behaved in a way that was considered very modern” (Merriam-Webster). There was many opinions on how young women should act in the 1920s, but the ladies listened to the voices in their head. They set an example for the future women to dress and act the way they want, men could no longer tell women how to dress and act. The new era of young women opened many doors for all females.
Flapper by Joshua Zeitz is a book that many historians have found so thrilling that they find it difficult to put it away. This is because of the manner in which Joshua presents the themes touching story. He tells a telling the story and growth and development of the American woman. He explores the role of industrialization and the growth and development of urban centres. He uses a romantic story using Zelda and F. Scott. Besides, fashion, which many women strive to achieve, plays an essential role in making the work of Joshua a world class literature. American woman underwent a number of revolutionary stages to come to what is now referred to as modern women. Through the stories of Zelda and Scott, the reader is able to imagine the rough road that women in America have travelled to achieve their current status of modern woman.
The flappers that existed in this age set the way for modern feminists. Flappers were being seen as large advocates for movements supporting women’s rights. This was because as well as taking part in specific social activities, they also started to have an effect on the amount of women with jobs because of their engagement in employment. By defying the traditional roles of women in the U.S., flappers inspired many women to get jobs and support themselves, making females a more important part of American society. They were also somewhat active in politics because they supported women’s rights as well as voting. However, flappers were also seen as defying traditional gender stereotypes, and modesty. Donna Bonthuis also stated that by the time she was in high school, girls were allowed to wear pants for casual occasions. The effects that flappers had on women and working were also relevant to Donna’s life. “My mother would usually give me and my sister work to do on the weekends. We mowed the lawn, clipped weeds...We washed dishes. We got a dishwasher when I was a teenager, but it hardly ever worked. It always leaked or shut off.” The fact that teenage girls were being put to hard labor in the years following the 1920s could be attributed to the changes the flappers made in the world of working
From the outside, the 1950’s was a great time for America. Society revolved around the idea of America being a middle-class nation. Americans worshipped conformity, and materialism satisfied the need to conform. However, the prosperity of materialistic America hid the growing, numerous problems. Dissent in any way was not tolerated; all injustice was stifled by a fear of difference. In “Fifties Society,” Alan Brinkley discusses the truth of the era; that the fear of nonconformity was hidden by the seemingly prosperous middle-class nation. Brinkley argues the Beat movement and “feminine mystique” show that the people who did not fit in reveal the true colors of 1950’s society.
Imagine walking in the streets where all other women and girls are dressed in long dresses, look modest, and have long hair with hats. Then, there is a girl with a short skirt and bobbed hair smoking a cigarette. This girl makes a statement and is critically judged by many people for dressing this way. Women during the 1920s were not to look “boyish” in any way, so when short hair and short skirt were introduced, it was seen as shameful. The girls wearing this new style were known as flappers. Their style was introduced in the early 1910s but did not spark until the 1920s. The style was said to be more comfortable, but was not appealing to the more conservative. Before the change of style, most women were dressed modestly; however, women's
Some women of the 1920s rebelled against being traditional. These women became known as flappers and impacted the post-war society. People in the 1920’s couldn’t make up their minds about flappers. Some were against them and some were with them. Therefore, some people in the 1920’s loved and idolized flappers, I on the other hand, believed that they were a disgrace to society. These women broke many rules leading young women to rebel against their families.
Dubbed by Fitzgerald as “the quintessence of what the term ‘flapper’ signifies,” Clara Bow served as the model for all flappers. A flapper was the new woman; attractive, sassy, “worldly-wise, and briefly clad.” The flapper took on an impish and tomboyish, at lead for their time, attitude. They danced on tables, rendering the recklessness of the new youth. But modern women proved to be a danger for the conventionalism of America. They influenced the change on women’s rights, what was considered moral, and what was considered appropriate for women. These issues had previously been for making a timid woman; upon the coming of the modern woman, these issues made for a modernist female.
...ithout discrimination. Often using the media as a way to quickly generate and spread new theories and ideas, Third Wave feminism is morphing into what is known as ‘Pop feminism.’(Page 82) Increasingly more people are getting involved with the feminist movement, and realizing that people of all ethnicities, social backgrounds, and sexualities should be treated with respect.
As we look around at our women in today’s era, we might ask how did she become so independent, successful, and confidant? Even when I look at my own my mom, she was hired as the first woman to work as a manager at a fortune 500 business, and then created her own business. As well as my friends’ mom, who also has her own business in psychology; accomplishments like these must have originated from somewhere. The answer lies in the 1920’s. A couple years earlier, World War I was waging havoc, killing many men, while allowing women more freedom. The effects of World War I gave birth to the new women, also known as the Flappers, and inspiration for the 19th amendment. The flappers stirred up traditions and launched a new way of living. It soon became very apparent that the new women of the 1920’s helped redefine the social norms of society.
Paula Fass’s The Damned and the Beautiful: American Youth in the 1920's delves into the social and cultural climate of the 1920’s middle-class youth in America. Fass observes the multidimensional dynamics of the post-World War I society as citizens adjust to pertinent matters such as industrialization, prohibition and immigration. Amidst the ongoing social, political and economical issues of the early twentieth century, youth played an active role in contemporary life. Adolescents responded to issues through altering their habits, behaviors and viewpoints. Their responses became evident in the public setting and American culture evolved. The transformation of American culture was spearheaded by youth who questioned and went against cultural norms of past generations. Societal changes were visible through family, education, socialization, fashion and style and dating and sexuality.
During this era, women’s roles changed greatly as the new high social class females called the “flappers,” developed. The flappers set ideal qualities such as beauty for a woman that high class men such as Gatsby sought after. The flappers in exchange for their beauty wanted access to the material wealth from the men. Fitzgerald shows the influence that American capitalism had over this development in women through Daisy’s relationship with Tom and Gatsby. American capitalism dictates relationships, “Even in the early stages of their relationship, part of his attraction to Daisy arises from his considering factors akin to the laws of supply and demand that influence a commodity’s price” (Little). Daisy’s reason for marrying Tom Buchanan was only so she could gain the riches that Tom possessed. While Tom’s purpose was to care for Daisy in order to keep her by his side to maintain his social appearance. This social exchange forms a perception that women were nothing but extravagant economic tools for men. As both men and women desired the economic benefits of the other, the social aspects of marriage became more about greatening each other’s social status instead of one 's pursuit of love and happiness. However, since Tom is part of the old rich, the new American social marriage belief does not affect him greatly as it does with the new rising rich class because to the old rich this is very similar to their usual marriage traditions. Evidence as Tom says to his new baby girl, “I hope she will be a fool – that is the best thing a girl can be in this world” (Fitzgerald 17). This is an indication that females should stick to their roles as being social tools for their husbands. Because female involvement outside social issues meant that husbands were
Sammy refers to the matured women as “sheep” and “house-slaves” to indicate that they are incapable of thinking for themselves and are more than willing to conform to the trends and standards of their time, while Sammy`s generation is more than happy to break the mold and form their own ideas and opinions. Sammy`s descriptions depict that these women are so numb and well trained in their daily routine that even setting off dynamite wouldn’t stop them from “checking oatmeal off their lists” (3). Sammy makes comments throughout the story that make a very sexist impression. He speaks about not understanding how the mind of a girl works, and then asks the readers if it buzzes like a “bee in a glass jar” (2). Although Sammy speaks negatively about the women in this story, the 60s was a time of great change for women. According to Dave Hood in his personal essay, in the beginning of the decade women were being portrayed as nothing but happy homemakers, secretaries, teachers and nurses. (Hood, Dave)Women that were never married were shown as unattractive, and women who asserted themselves were put off as nagging shrews. The first birth control pill changed the work force for women, creating the opportunity to choose when and if they would have children. Throughout the decade television shows still portrayed women in spotless, well-pressed outfits, but movies showed them in more casual and less traditional clothing such as a casual t-shirt and jeans. Women were becoming increasingly apparent in arts and sciences, and popular culture was developing a broader view on women’s role in