"Metamorphosis": The story of a traveling salesman who, shortly after returning home, awakens one day to discover that he has literally changed into a gargantuan insect incapable of communication. Upon the initial scanning of this story a reader might think this is the plain and simple case, but on further examination will find that this is not what the story is about at all. Although focusing on and told from Gregor's point of view and what is happening to him, don't be fooled though, this is actually a story about Grete. If you study each of the main characters in the story you will find many similarities Gregor, his Father, and Mother share in the manner of their metamorphosis. All three of them go through quite sudden and obvious metamorphoses near the same time. Grete, on the other hand, becomes a point of interest in that her metamorphosis is quite different; it is a much slower, gradual, and overall more inconspicuous change that comes over her.
Throughout the book there is a pointed emphasis on Grete somewhat concealed by Gregor's point of view. We see a vivid description of all of the members of Gregor's family at the beginning of the story. Each of them notices and reacts to Gregor's sudden change in behavior with marked difference. We are shown each of them in their natural state, reacting to Gregor's delinquency through Gregor's eyes. First, his mother gently concerned that her son is not fulfilling his usual duties. Then his father, looking for a way to take some kind of charge, (and this is significant) pounding on the door, in comparison to his mothers approach. You see the Father taking a sort of controlling, disciplinary role here. Last we are shown Grete. She is introduced briefly here as are the other characters, but her reactions to Gregor and the manner in which she changes later on will set her apart from her parents and even Gregor..
From Gregor and his parents we see a rather fast transformation in their attitude towards Gregor's metamorphoses. Gregor himself doesn't seem to think twice about the fact that he has awaken as a giant insect, rather he spends his thoughts on the mundane, things that he needed to get done as if being a giant cockroach wouldn't impinge on his normal activities.
Similar to the woman in Gilman's story, Gregor, in "The Metamorphosis," watches as his life slowly deteriorates. He woke up one morning to find himself to have taken the shape of a bug. But early on he tried to continue in his normal activities; he focused on how he was going to make it to the train station so he did not miss his train, and how his employer would be upset with his absence from work. Then he begins to realize that he is a bug, and he cannot live his life the same way he used to. His sister begins to take care of him, and he loses touch with everything human that he used to know. His mother and father take away all of his furniture and other possessions. Gregor's family come to the agreement that the bug must be eliminated, it...
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
It is notable that Grete is a very good violin player. We see that Grete seems to take care of Gregor in a way, but that leads to her starting to act like his owner, and that he is a piece of property. “She had grown accustomed, certainly not without justification, so far as a discussion of matters concerning Gregor was concerned.” (Kafka, 161) Though, near the end of the story, Grete begins to care less and less for her older brother, and eventually decides to let him go. ““He must go,” cried Gregor’s sister” (Kafka, 176) It's just another example of Gregor never fitting in. He is stereotypically, just a bug. A quote, more than less an example that really hits it
She renounced the idea that Gregor could actually still be there. Despite hesitation from her father Grete demanded his removal, “It has to go… that’s the only answer father” (Kafka 49). This illustrates that he went from a person to a thing in Grete’s eyes. The lack of remorse she displays after his death further solidifies her feelings. Gregor was betrayed by the person he least expected and it was one of the main influences in his
The story, Metamorphosis, is an unusual story to say the least. The very first sentence one meets the main character, Gregor Samsa. This sentence really shows how different this story is when compared to other books in this class. Throughout the story the author, Franz Kafka, wants the reader to sympathize with Gregor. ‘When Gregor Samsa awoke one morning from troubled dreams, he found himself changed into a monstrous cockroach in his bed’ (87), is the first sentence, and already the author wants the reader to feel sympathy for Gregor. This is no dream either, he is really a bug, and Kafka makes sure there is no confusion. This is just one of many examples that I will discuss where Kafka wants the reader to sympathize with Gregor.
Gregor is the focal point of the family, he provided for them when they needed the money. Gregor also brought the family into turmoil with his change. Just as Gregor brought them into turmoil he brought on growth for the family. His death gave his family a new life. Before Gregor’s metamorphosis, his family was a helpless and selfish. There was little meaningful interaction among them. Once Gregor had become a creature the family had to become resourceful, they learned valuable skills. Gregor gave his family something that could bond them together, they discussed what to do about Gregor almost every night. Gregor’s tragedy brought his family together. Gregor served as a “savior” for his family, he played the same role that Jesus did for the world. Gregor’s life was taken so that the rest of his family may achieve salvation. His family had changed from a selfish and lazy group of people to a loving and caring family. As Gregor grew closer toward death, his family grew closer to
The relationship between Gregor and his sister Grete is perhaps the most unique. It is Grete, after all, with whom the metamorphosed Gregor has any rapport, suggesting the Kafka intended to lend at least some significance to their relationship. Grete's significance is found in her changing relationship with her brother. It is Grete's changing actions, feelings, and speech toward her brother, coupled with her accession to womanhood that seems to parallel Gregor's own metamorphosis. This change represents her metamorphosis from adolescence into adulthood but at the same time it marks the final demise of Gregor. Thus, certain symmetry is to be found in "The Metamorphosis." While Gregor falls in the midst of despair, Grete ascends to a self-sufficient, sexual
In Kafka's Metamorphosis, Gregor Samsa, whose life is controlled by his work and family, wakes up a giant insect. Prior to this metamorphosis, Gregor obsequiously goes about his life of routine, despite his hatred for his works and a complete emotional disconnect between Gregor and the family which he works so hard to support. Gregor's metamorphosis marks an important transition in Gregor's life as well as an escape from the monotony of his previous life. Sokel theorizes that Gregor's metamorphosis allows Gregor to express previously repressed feelings of rebellion while not being held accountable for his these tendencies stating "The metamorphosis enables Gregor to become free and stay "innocent", a mere victim of uncontrollable calamity."(206). While his metamorphosis does allow him to free himself from some of the suffering, it traps him in a new cycle, trapped by his families obligation to help him. Throughout his life, Gregor is plagued by a cycle of suffering caused by his families dependence on him which leads to further alienation leading to a dependence on his family's dependence. Though Gregor is broken out of this cycle in his metamorphosis he does not find true freedom until his death.
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
“The Metamorphosis” by Franz Kafka is an interesting and extremely allegorical tale. The story starts out by introducing the main character, Gregor Samasa, who is a traveling salesman. One morning Gregor awakens to find that his body has been transformed into something unusually horrifying, a large insect with many tiny legs.
In The Metamorphosis, by Franz Kafka, Gregor’s evolution to an insect symbolizes the loss of thorough communication, representing the disconnection of the individual from his family and his surroundings. Through this metamorphosis, the once loving family begins to remove itself from any past interactions with Gregor. In addition, the setting and surroundings of Gregor completely overcome him and persuade him to lose hope. The family and surroundings, not the change to an insect, lead Gregor towards death. Not only do the uncontrollable surroundings change Gregor, but so does the family.
house. This way of narrating it is very opened to us, and makes us feel like we
By Mr. Samsa’s stowing his pain in his proverbial soul effects his actions in life and the people surrounding him including his children. His childhood equally lacked a health structure. When family coexists under the same household, especially children, they begin to take on certain roles in the family. Grete’s role in the family structure was the one as the initiator. She’s the one who suggested killing Gregor or disposing of him and the father followed pursuit in agreement.
His family used to care about him but after the transformation, they were no longer concerned for him. Every time the family talks about money, Gregor feels guilty and embarrassed because he can no longer provide for them. When he was able to work before, he had brought money home and “They had simply got used to it, both the family and Gregor; the money was gratefully accepted and gladly given, but there was no special uprush of warm feeling” (Kafka Ch 2 pg 6). Now that he can no longer provide, the family had to come up with ways to keep up with finances. Gregor is dehumanized each time his sister Grete walks into the room to look after him because she cannot bear the sight of him so he hides each time. Each day following Gregor’s transformation, the family’s behavior towards him became more cynical and resentful towards him. They do not allow him to leave his room and worry about how they can go on living with him. They think of him as being a creature, losing their view of him as a human being and no longer important. When Grete decided to take his furniture out of his room, Gregor feels he is dehumanized because they are taking away the link to his humanity. When it came to Gregor’s father, Gregor would “run before his father, stopping when he stopped and scuttling forward again when his father made any kind of move.” His father then threw at apple at him which ‘landed right on his back and sank in; Gregor wanted to drag himself forward, as if this startling, incredible pain could be left behind him” (Kafka Ch 2 pg
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.