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Character analysis of walter
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Walter White, The Antihero The antihero is the leading character in a film or book that lacks traditional heroic qualities such as courage, nobility and moral goodness. This character is becoming more and more popular in todays culture and is showing up in many more shows and movies. One show that was very successful and popular was Breaking Bad, a show about a science professor who was very mild mannered, who transforms into a meth cook who will do anything to stay on top. Almost everything he does in the show is morally wrong and usually illegal, but in a twisted way Walter is doing some good from this. The character of Walter White is a popular antihero who walks the fine line between antihero and being a villain, and shows us how society …show more content…
But what makes a meth cook the antihero is the fact that he is doing it to help pay for his cancer treatment. This fact throughout the first half of Breaking Bad is what helps people see Walter as a good guy just trying to meet ends. An article by Mark A. Lewis explores the money concerns cancer patients have and relates it directly to Breaking Bad. In one episode of Breaking Bad Walt states “These doctors … talking about surviving. 1 year, 2 years, like it’s the only thing that matters. But what good is it, to just survive if I am too sick to work, to enjoy a meal, to make love?” (episode 1.5). Walter is showing how you live your life is much more important then how long your life is. In many ways this leads to the decisions that Walter makes throughout every season. He begins by feeling a lot of regret for his decisions but “ Walt becomes increasingly comfortable with his decisions. After the guilt-ridden strangulation in the first season, the body count continues to climb”(Lewis). Another thing that happens to Walt, and with a lot of other cancer patients is thinking that his life has less value because it is going to be over soon Jesse also realizes this and states “that Walt should be more willing to risk himself” (Lewis). This makes the audience feel sympathy towards Walt because many people have seen what death can do to people, or the thought of death so all of Walt’s actions are understandable. For this reason Walt’s cancer helps him remain an antihero and not the
A character that was admirable in the novel “we all fall down” is John. John is the father of Will who is the main character, they spend nearly the entire story together looking for a way out of the world trade center during the 9/11 attacks. During the story you learn that John is very smart, brave, and respected. These are all characteristics which play a crucial role in saving lives such as his co-workers and a random lady they find on the way named ting, but mainly in the ending John and Will successfully escape.
In book " black man in the white coat", the author has been mistaken as the electrician by his professor in medical school. It's unfortunately very common experience for our black fellows. I really admired his way to deal with this discrimination. He worked his butt off and became the second in that class. The professor was shocked by his accomplishments and invited him to work in his lab. Of course, he politely refused. The professor had no words about that incident (maybe every black looks same in his eyes). The stereotyping thing is detrimental to the people who came from different race background. Now the in-between biracial people are treated even worse because they do not belong to any categories..."others". Being marginalized is hurtful
Saviors are individuals that have been seeked upon throughout society, as a symbol of hope and change. Though they are looked at in a positive light by those who follow them, outsiders may see them as rebellious or malevolent, which in turn also gives them the title of antiheroes. Just two examples of these saviors would be Lucas Jackson from the movie Cool Hand Luke and Meursault from the book The Stranger. Luke's saviorism differs from Meursault's in that Luke is blatantly successful in providing a feeling of hope and change to the people who look to him, whereas in the conclusion of Meursault’s story, one will not be too sure.
An anti-hero has the role of a hero thrust upon them. They do not particularly want to be brave or noble but their actions lead them to be a hero. Facing difficult decisions and doubt are also classic traits of an anti-hero. They often lack confidence in themselves, refuse to accept their fate as a hero or don't even realise their status or ability. At a certain point, anti-heroes usually transcend into either a tragic or romantic hero. Anti-heroes can be identified in many different texts, however, all of them consist of those traits.
In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest, the reader has the experience to understand what it was like to live in an insane asylum during the 1960’s. Kesey shows the reader the world within the asylum of Portland Oregon and all the relationships and social standings that happen within it. The three major characters’ groups, Nurse Ratched, the Black Boys, and McMurphy show how their level of power effects how they are treated in the asylum. Nurse Ratched is the head of the ward and controls everything that goes on in it, as she has the highest authority in the ward and sabotages the patients with her daily rules and rituals. These rituals include her servants, the Black Boys, doing anything she tells them to do with the patients.
"A prolonged whistle split the air. The wheels began to grind. We were on our way." (xx). From living a somewhat happy life to being starved and miserable, Elie and his father learn to live in different circumstances and potentially losing or gaining things important in their lives. Throughout the ways Elie has changed, how has he changed with his relationship with God his one thing he realize on, his father, and how has his physical health which was once heathy, changed?
In the film Hancock, Hancock is an archetypal hero because he follows the hero’s journey. Hancock is a vigilante superhero living in the outskirts of Los Angeles, California. His reckless ways cause the city of Los Angeles to essentially dislike the anti- hero. Hancock does more good for himself than he does for the city hence the “anti-hero”. He is disliked until he saves a man who links him to the journey of an archetypal hero.
Famous respected London scientist Henry Jekyll is a handsome and courteous man. Knowing that, all human beings have double sides evil and good in nature, he desires to develop a chemical system of detaching these double personalities in order to let one side from two sides to enjoy pleasure without blaming the other side to remain for a longer time constant and not be provoked by the other side. Once he gets a line he understands that the evil side dominating personality cannot be controlled. Jekyll's incomplete success attempts only elaborating the darker side i.e. evil side. So at end Henry Jekyll is no longer available as he dies and only Edward Hyde stays.
I'm writing about RJ Mitte known as Walter White Junior in breaking bad. Walter "Flynn" Hartwell White Jr. is Walter and Skyler's Mittes seventeen year-old son. He attends J.P. Wynne High Schooll, where his father used to work as a high school chemistry teacher. He is the older brother of Holy White. He was born with cerebral palsy, manifested in speech difficulties and impaired motor control, for which he uses crutches. He grows apart from Walt due to his father's absences and bizarre behavior, being taught to drive, for the most part, by his friends and going through a phase in which he preferred to be called "Flynn." I chose to write about Walter Junior because I love this show and I thought it would be interesting to write about him.
The anti-heroes of the Tarantino films are usually the main characters; they're depicted by the ruthlessness and lack of sensitivity in their persona. Examples of these types of characters in the movies of Quentin Tarantino is the protagonist group from the film
An anti-hero is the protagonist of a story who lacks some attributes almost always present in a hero, such as selflessness and mercy. Where the hero will save the antagonist at the end of the story if such an opportunity presents itself, the anti-hero will most likely leave his or her foe to rot and choose to forgo saving the life of an enemy. The anti-hero might go as far as to hasten the humiliation or death of said enemy to further her or his own agenda. In Euripides’ play, Medea, Medea shows aspects of an anti-hero in how she deals with her problems, such as manipulating others to save her own skin, cursing those who have wronged her and destroying them, and scarcely ever displaying heroic characteristics such as mercy and sympathy; even as she takes Jason’s only hope for solace away.
A dismal 1.4 million people tuned in to watch the pilot episode of Breaking Bad in January of 2008, but an astonishing 10.28 million viewers tuned in to watch the Breaking Bad finale (Kissell). This exponential increase in viewership can be attributed, partially, to the development of the characters in the show, especially Walter White. As fans of the show tune in each week to watch, they begin to see that Walter is not at all like the meek schoolteacher they initially thought he was. Truly, the story of Walter White is the story of change. Both loved and hated, Walter White went from pitiful sufferer, to ultimate villain. Walter began cooking meth as a means for extra income. After he was diagnosed with cancer, he realized that he needed another source of income to pay for his treatment and support his family. In two short years, Walter becomes the best meth cook in the nation, and arguably the world. To become so successful, Walter abandoned his morals by murdering, stealing, and lying his way to the top in what went from part-time job to lifetime commitment. While his reasons for entering the drug trade were heroic, Walter became blinded by greed and selfishness, and is undoubtedly a villain because of his egotistic pride, his selfishness, his greed, his ruthless ability to manipulate those around him, and his immoral choices. Ultimately, these qualities led him to his demise.
Looking in this day and age, movie heroes are taking the law into their own hands, creating the anti-hero in the long run. Defined by wikipedia, the anti-hero is a villain or an outsider, but is nevertheless portrayed somewhat sympathetically. In particular, an anti-hero may have enough heroic qualities and intentions to align them with the heroes in the readers' mind ("Anti-hero"). A film that depicts the classic vigilante is Man on Fire by Tony Scott. The film takes on the idea of revenge with a blend of disturbingly sentimental seriousness and harsh reality.
By literary definition, an antihero is the "hero" of the play or novel, but has negative attributes that separate him or her from the classic hero such as Superman. Such negative aspects may include a violent nature, use of coarse language, or self-serving interests which may inadvertently depict the protagonist as a hero since the result of serving those interests may be the betterment of society or an environment. In William Shakespeare's Hamlet, the protagonist, Hamlet, is depicted as an antihero.
The anti-hero is useless at being a hero when they should be one or have the opportunity to be one. Typically an ordinary, timid, selfish, anti-social, inept, cautious, passive, pessimistic person, they still manage to gain the sympathy of the reader. Usually unglamorous, many wallow in self-pity which only worsens their state of mind. Anti-heros rarely succeed at any goal set before them. Summed up in two words - failed heros. T. S. Elliot's “The Love Song of J. Alfred Prufrock” is a fantastic example of the modern anti-hero. A glimpse into the stream of consciousness of Prufrock reveals his secret struggles to handle a world he has no control over. Prufrock displays numerous characteristics of an anti-hero but three stand out the most: cowardice, passiveness, and pessimism.