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Character of Victor in Frankenstein
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Victor Frankenstein’s Mistakes: Paid in Blood What people do privately, when they are acting alone, can and will effect others’ lives in ways they do not expect. The effects may very well not be their intended purpose, but innocents always suffer from others’ actions. This is most clearly defined in Mary Shelley’s Frankenstein. Victor, by keeping his sins to himself, destroyed the lives of those he loved; by keeping quiet time and time again, he sealed the fate of his and their horrible endings. Victor obviously had an ambition beyond himself which led him to ignore his well-being: “Every night I was oppressed by a slow fever, and I became nervous to a most painful degree” (Shelley 35). Why would Victor continue making the Creature if it ailed him thus? (The project took him nine months for him to complete.) Creating a life was definitely something greater than Victor. What was his reason …show more content…
“Pride goeth before destruction, and a haughty spirit before a fall” (King James Proverbs 16:18), and fall he did. After the Creature found him and killed his youngest brother and framed his house servant, Justine, for the murder, Victor kept silent. He let Justine die when he could have tried to save her. His thought process was along the lines of, “They will only call me crazy and execute her anyway,” so he did not try. Really, he only did not want to risk his pride by telling of his crime of creating and abandoning a life. In contrast with the book, in the 1931 Frankenstein movie, Henry (Victor) seemed to blindly love the creature he made, and always gave him the benefit of the doubt. His love was too much, one might say (because none one is beyond the capability of evil, no matter how benevolent in our beginning. Every murderer and psychopath was once an innocent child.) However, there is a medium I’m sure Victor should have attempted to
Merriam Webster’s Encyclopedia of Literature highlights Frankenstein as the work of Mary Wollstonecraft Shelley, published in 1818, and it brought into the Western world one of its best known monsters. Elements of gothic romance and science fiction help in telling the story of young Swiss scientist Victor Frankenstein, as he creates a horrible monster by putting together limbs and veins, leading to destruction and his later regret. The creature is left alone in the world, even by his own creator, for his hideous appearance, and through watching humans he learns their ways of living. Haunting Victor due to his loneliness, he forcefully makes Victor agree to make him a female companion, but Victor’s regret and misery enables him to tear up his
Victor Frankenstein may be the leading character in Mary Shelley's Frankenstein, but a hero he is not. He is self-centered and loveless, and there is nothing heroic about him. There is a scene in Chapter twenty-four where Captain Walton is confronted by his crew to turn southwards and return home should the ice break apart and allow them the way. Frankenstein rouses himself and finds the strength to argue to the Captain that they should continue northwards, or suffer returning home "with the stigma of disgrace marked on your brows." He quite obviously has alterior motives and if he were not the eloquent, manipulative creature he so egotistically accuses his creature of being, he might not have moved the Captain and the men so much that they are blind to the true source of his passion. Unfortunately for Frankenstein, the crew, (however "moved") stand firm in their position. Yet the things he says in his motivational speech are prime examples of the extent to which Frankenstein is blind to his own faults and yet will jump at the chance to harangue others. He is so self-centered that his lack of interaction and love for others after his experiment has been completed, would barely qualify him as a person, if the difference between being human and being a person lies in the ability to have relationships with others.
Frankenstein, speaking of himself as a young man in his father’s home, points out that he is unlike Elizabeth, who would rather follow “the aerial creations of the poets”. Instead he pursues knowledge of the “world” though investigation. As the novel progresses, it becomes clear that the meaning of the word “world” is for Frankenstein, very much biased or limited. He thirsts for knowledge of the tangible world and if he perceives an idea to be as yet unrealised in the material world, he then attempts to work on the idea in order to give it, as it were, a worldly existence. Hence, he creates the creature that he rejects because its worldly form did not reflect the glory and magnificence of his original idea. Thrown, unaided and ignorant, into the world, the creature begins his own journey into the discovery of the strange and hidden meanings encoded in human language and society. In this essay, I will discuss how the creature can be regarded as a foil to Frankenstein through an examination of the schooling, formal and informal, that both of them go through. In some ways, the creature’s gain in knowledge can be seen to parallel Frankenstein’s, such as, when the creature begins to learn from books. Yet, in other ways, their experiences differ greatly, and one of the factors that contribute to these differences is a structured and systematic method of learning, based on philosophical tenets, that is available to Frankenstein but not to the creature.
He confessed to his father, and to Robert Walton, an also far to adventurous and daring man that was on his journey to crimes of pride, about creating life and playing God, he was genuinely apologetic about his mistake. He saved Robert from making the same mistake he did. They shared the same desire in wanting fame, “ Do you share my madness? Have you drunk also of the intoxicating draught? Hear me- let me reveal my tale, and you will dash the cup from your lips.” Ultimately Victor saved himself and Robert, “ or whither does your senseless curiosity lead you? Would you also create for yourself and the world a demoniacal enemy? Peace, peace! Learn my miseries, and do not seek to increase your
abandoned; this made him feel as if he was the only person with out no
Victor Frankenstein is innocent. There is no doubt in my mind that Victor Frankenstein is innocent for the murder of Justine, Elizabeth, and William. They were in fact killed by a man named, “The Creature.” He in fact killed the two of them to get revenge on the man who created him. The Creature was angry that everyone thought that he was ugly, and hated to be around him. It all started when Dr. Henry Clerval told Victor Frankenstein not to make the Creature because he would be one that destroys everything. Victor then got Dr. Clerval’s Journal after he had died, and he started to make the Creature. Once the Creature was all assembles and born he was brought to life by Frankenstein. Frankenstein was then afraid of his own creation and fled the lab. The creature then got out and found some clothes and made his way to the country side where he then found his way to the little house in the woods where the De Lacey family lived.
Victor’s obsession with the genesis of life prevents him from thinking clearly. Initially, Victor has a strong interest in science. However, during his time at Ingolstadt, when he becomes interested in the cause of the generation of life, he decides to create and animate a human being. He completely neglects his family and friends because his sole focus is on his creation. Victor prioritizes the creation of his creature over his own health and happiness. Since he works in complete secrecy, there is nobody to help him stop his obsession. In addition, there is nobody who can monitor the aesthetic quality of his creation. He is so fixed on completing his project that he fails to notice how ugly it is. As soon as the creature comes to life, Victor is so horrified and disgusted with it that he runs away. He feels like “the beauty of [his] dream [va...
Although some critics say that the monster Victor has created is to blame for the destruction and violence that follow the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being. This is obviously something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and finding out what he is doing. At the end of Mary Shelley's Frankenstein, Victor says:
Victor refuses to create a companion for the monster, he says “their joint wickedness would be enough to destroy the world” (Shelley 104) Frankenstein saw the justness in the creature’s argument but he still neglected to allow him to have a true companion. Frankenstein became afraid of the end results, he didn’t want the world to suffer for his mistakes. By denying this monster a companion he has denied his creation happiness; Frankenstein would allow a human being to live in happiness without degrading them on their appearance or their standards but he could not do the same with the monster. This reason in itself has caused a disconnection between him and the thing that he created, by rejecting his creation he rejected a part of himself as well. Frankenstein created a thing, a monster with such a horrid form, overlooking that this monster may have a will of its own. One example of how he was neglected because of who he became, his origin, the way he was created, such a horrid way to bring life into the world. “Another circumstance strengthened and confirmed these feelings. Soon after my arrival in the hovel I discovered some papers in the pocket of the dress which I had taken from your laboratory. At first I had neglected them, but now that I was able to decipher the characters in
but Victor thought to himself and says “I thought with a sensation of madness on my promise of creating another like to him, and trembling with passion, torn to pieces the thing on which I was engaged.” (Shelley 124 )Victor making the decision to not make another made the creature furious but Victor had his reasons like what if the creatures create more what if he doesn’t leave him alone just what ifs. He worries about making another creature because he wonders if the female would be as bad as the creature he first created. Victor does not make the second creature and tore it apart. Abandoning the creature caused him to learn for himself.
He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than
creature is not to blame - it is the creator. For this reason, we feel
The novel Frankenstein written by Mary Shelley is a work of fiction that breaks the ethics of science. Ethics is defined as rules of conduct or moral principles which are ignored in the story. The story is about a person named Victor Frankenstein who creates an artificial being. Victor abandons the being out of fear and the being is left to discover the outside world on his own and be rejected by people making the monster go on a violent rampage. Victor’s decision would affect him later on by the monster killing his loved ones causing Victor to suffer. Then Victor chooses to seek revenge on the monster and this choice will bring him to his death. In novel Frankenstein one might say that the main character, Victor, breaks the ethics of science when he plays God by creating his own being.
Because of Victor’s need for fame and desire for power leads to Victor becoming a monster. Victor begins his quest to bring life to a dead person because he does not want anyone to feel the pain of a loved ones death. At first he is not obsessed with his project. As he moves along in the project he thinks about what will happen to him. "Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source, many happy and excellent natures would owe their being to me." (Shelley 39) He realizes that he will become famous if he accomplishes the task of bringing a person back to life. The realization that he will become famous turns him into an obsessive monster. He wanted to be admired, and praised as a species creator. He isolates himself from his family and works on the creature. “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation, but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 156) By spending most of his time inside on his experiment, he has no time to write or contact his family. He puts fear within his family because they fear for him.
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).