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South Africa a land of Cultural Diversity
Tsotsi analysis by athol fugard
Essays about south africa culture
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Oscar winning, Tsotsi is a 2005 film based on a novel, written and directed by Gavin Hood. He sets the plot in South Africa, Johannesburg, where over half the population live below the poverty line, and more than fifth of the adult population are infected with HIV/AIDs. Hood tells a story about a thug who lives in the suburbs of Johannesburg, turns into a parental and caring figure for a young child. Not only will the story line effect you emotionally, it will also leave a mental mark by the end. David the main character, also known as Tsotsi, which translates into a street thug in Tsotsitaal, the language of Johannesburg and also where the name of the film originates from.
Tsotsi leads a small gang set out looting and battering harmless people in the city. An estimated 50 people die every day in Soweto, Johannesburg and Tsotsi and his gang of attackers are a prime example of how these events occur. In an overcrowded train station, without anyone else noticing, they are seen to stab a man to death, for money. The film also presents the harsh background Tsotsi grew up, which may sugge...
...ts was very distinguishable. This film captures this class distinction without subduing the atmosphere through the use of a variety of cinematic devices, “ A good film is not a bag of cinematic devices but the embodiment, through devices, of a vision, an underlying theme” (Barnett, 274). The audience can see this theme of the realities of the oppression, poverty and despair of this time period through the use of the things mentioned, but also through the character development that is driven by the character’s hopelessness. Each of the characters associated with the lower class is motivated by the conditions, which are viewed through the cinematic devices mentioned above: color, spherical lenses, long shots, and high angle shots.
The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...
Violence is a dark cloud, casting a shadow over history and tormenting everything good about this world. As a result of his journey, Zits gets a first hand experience and a different perspective of violence by seeing the ugliness of these atrocious acts. Zits has developed a love for violence, he learned to shut down his emotions and act with violence. This allows the cycle of violence to continue which is why the book starts and ends with Zits in the bank about to commit a horrible act. Every flashback in the novel is combined with an act of violence, which shows that people have a habit of hurting one another.
Shirley Jackson portrayed an American village, where people carry a sacrificial ritual to please the god for the productive crop harvest. The story organizes the mob crime in a very simple positive tone, slowly escalates to a climax, and ends in a negative tone. She was amazed by the mob crime actively practiced in a relatively not that old town of America. An innocent individual, who unluckily picks a black marked token, was stoned to death in a ceremonial fashio...
Chapter one, The Observers, in the Death of Woman Wang demonstrates the accuracy of the local historian; Feng K'o-ts'an, who compiled The Local History of T'an-ch'eng in 1673. The descriptive context of the Local History helps the reader to understand and literally penetrate into people's lives. The use of records of the earthquake of 1668, the White Lotus rising of 1622 and rebels rising vividly described by Feng the extent of suffering the people of T'an-ch'eng went through. Jonathan Spence stresses on how miserable the two-quarter of the seventeen-century were to the diminishing population of the county. The earthquake claimed the lives of nine thousand people, many others died in the White lotus rising, hunger, sickness and banditry. P'u Sung-ling's stories convey that after the loss of the wheat crops there were cases of cannibalism. On top of all of this came the slaughtering of the entire family lines by the bandits. The incredible records of women like Yao and Sun in the Local History present the reader the magnitude of savagery the bandits possessed. All of these factors led to the rise of suicides. The clarity of events Spence given to the reader is overwhelming.
Philadelphia is the heights rat of crim in the USA over 30-40 homicides crimes per month and drug related crimes. This links in with the other text that we are looking at, the novel “Damage done” and how is shows that sometimes facts get in the way of a good story. This all promotes the current view Australia has one drugs, the way that there is supposably an ice epidemic happing. This document follows Theroux around Philadelphia’s drug action streets while he does interviews with the criminals and follows the police around finding out what is really happing out on the streets of Philadelphia. Some events that where selected to promote this view to the audiences was the interview with the street boys, showing just how carpeted Philadelphia is how they talk of “code of silence – never snitch!”. There was all so the confronting images of the dead body left in the abandoned house, from a suspected over does on ice. The drug issue in Philadelphia is represented in way that it controls the streets nothing ever happens unless its drug related. These parts have been purposely highlighted throughout the documentary to get the most dramatic message across to the views, as dose the novel. Tis representation achieves the goal of getting the message across of how street gangs and drugs are becoming to rules the streets. This message impacts and effects the way the audients sees this type of action and making them believe that it is taking place all around them. This documentary is to inform and promote the understanding of these types of actions, this is all so done with some help of filming
1-The story tells, Real facts occurred in the 1940s, where it was a racist society. Gangs were scattered throughout the cities, and regions, and the streets. To live, you have full get away, or belonging to one of them. You should help the gang members that they were right or on falsehood. Also, it is a kind of bigotry, not much different from intolerance, national, ethnic, and sectarian That were prevalent in American society. in fact, it is the inevitable result of this society. When the corruption becomes prevails, injustice and lawless prevails too, and justice will disappear.
In conclusion, after view this film, it is clear that one can see how black youth are being viewed as killers and savages. This is not true. There have been many admirable scholars and scientists who come from the African American culture. This movie, though it depicts what goes on in South America, takes the violence committed by black youth too far. One cannot view a film and take it that this is what a race is like. The filmmakers depicted black youth in a harsher light.
To achieve this goal, he crafts a stylized capitalistic society that inflicts grave injustices upon his protagonists. The avarice inherent to this society governs everyday life within Street Angel. Xiao Hong, for example, lives with adoptive parents so corrupted by greed that they prostitute their older daughter, Xiao Yun. In a transaction that reflects the inhumanity of higher-level capitalism, these parents sell Xiao Hong to a local gangster. By juxtaposing the implications of this sale with Xiao Hong’s exaggerated innocence, Yuan appeals to his audience’s emotions, stoking anger toward social values that could enable such barbaric exploitation of the poor. Yuan employs a similar juxtaposition later in Street Angel, when Wang visits a lawyer’s office in a skyscraper – an environment so divorced from his day-to-day realities that he remarks, “This is truly heaven.” Wang soon learns otherwise, when the lawyer rebuffs his naïve plea for assistance by coldly reciting his exorbitant fees. The lawyer’s emotionless greed – a callousness that represents capitalism at its worst – contrasts strikingly with Wang’s naïve purity, a quality betrayed by his awestruck expression while inside the skyscraper. Again, this juxtaposition encourages the film’s audience to sympathize with a proletarian victim and condemn the social values that enable his
In “The Quest for Siwilai” the author discusses different cultural notions of civilization and their relation to SIam’s attempts at establishing cultural civility within its own borders during the nineteenth century. The amorphous concept of the “civilized” nation was deduced to not be a product of wealth or territory or etiquette or scientific advancement. The heart of being civilized was instead a relative position, as in being more civilized than one's geographic neighbors instead of being an intrinsic property of the nation. Siam was civilized in relation to tribal Amazonians, but maybe not compared to England at the time. This concept helped me understand that very little about nation states can be learned in a vacuum, and you instead
Furthermore, understanding the fact of how the villagers in that village practiced and participated in such a barbaric ritual and archaic event were not accepted by people. In addition, people who read the story commented that the modest people of the Midwest are superstitious and backward. Here, Jackson conveyed successfully with her subtle writing style that something is about to happen. She also used a third person point of view when writing this short story. The third person point of view permitted the author to keep the outcome of the story an exposure. This therefore led to the reader to consider everything is well but actually there is something wrong somewhere. Furthermore, what could be seen from the story is people were different compared to present, there is a huge difference in cultural practices. Therefore the actions of the story go in the opposite direction of people’s opinion in the present in terms of value of life, violence and the development of respect in a family.
...eople inside before running out and killing one woman nearby. After a police chase, Stawicki shot himself (“We could see this coming”). If Stawicki had gotten help before he would have been better off and maybe this shooting could have been avoided. Many examples show that the government could put in safety nets and could avoid many of these killings.
Gran Torino is a suspense film directed by Clint Eastwood, which portrays the relationship between a 78-year-old Koran war veteran and his neighbors who are from Laos. The main character, Walt is a racist who still has memories from the horrors of war and has a dislike for anyone, including his own family. After his young neighbor Thao is coerced by his cousin’s gang into stealing Walt’s prized Gran Torino, a unusual relationship forms between the pair. Walt starts to respect Thao and his culture while fulfilling a fatherly role that Thao is lacking. Eventually, Walt has to confront the gang knowing that the confrontation will end in his death. Apart from the stereotypical, get off my lawn quote, this film depicts the relationship of family concerning the care for older adults, the struggle with despair and meaning later in life, and the morality of a good death. This paper will address each of these themes.
When attempting to explain the conditions Myers' lives in, straightforward, realistic statements are usually the most effective way to do so. "Near my house in the 1990s we had drive-by killings, run-by killings, sneak-up killings, gunfights and battles, car chases. We had drug killings, vengeance killings, the killing of witnesses to other crimes, accidental killings, and killings that enforce values we can only vaguely fathom" (73). Myers' illustrates the violence he sees on a daily basis, which allows someone like myself, who comes from a small suburban town and is not familiar with killings of any sort, to better understand the nature of the violence he is describing. It is a very bold statement that sets the tone of the essay, for this type of violence is common to Myers and is something he has become accustomed to. For those of us who are lucky enough to live in areas sheltered from violence and death, there is a need for outside sources to make us aware of the condition of the world around us.
The word Tsotsi means “thug”, which is what the character is portrayed as at the start of the novel. He kills for the money to survive, but the manner in which he does suggests it is not out of necessity but rather choice. When killing a man in public for his money, he “smiled at the growing bewilderment on the big bastard’s face... Even as that was happening, Tsotsi bent close to the dying man and in his ear whispered an obscene reference to his mother” (12). The novel suggests that he kills not from desperation, but as a way of life. His reasons are psychological. “The big men, the brave ones, stood down because of him, the fear was of him, the hate was for him. It was all there because of him. He knew he was.” (7). Tsotsi kills not only for survival, but as a way of justifying his existence, a way of confirming that he does exist. This makes more sense when his fear is explained, a fear of nothingness. He kill...