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Character Comparison in Tim O'Brien's
Tim o'brien character analysis
Tim o'brien character analysis
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Recommended: Character Comparison in Tim O'Brien's
Tim O’Brien’s narrative structure in his novel In the Lake of the Woods parallels the mystery of the disappearances of John and Kathy Wade, as well as soldiers’ understanding of My Lai, deliberately submerging readers in a state of inconsistency and ignorance. The novel’s incorporation of hypothesized events surrounding Kathy’s disappearance—each expanded upon as though narrating factual occurrences—obscures the truth. The culmination of deep investigation of every possibility throughout this work is merely a set of unfathomable questions, reflecting O’Brien’s view of war. He wants his readers to question each possibility and, ultimately, to question one’s ability to understand reality altogether. As the narrator states, “Nothing is fixed, nothing solved. The facts, such as they are, finally spin off into the void of things missing, the inconclusiveness of conclusion… All secrets lead to the dark, …show more content…
and beyond the dark there is only maybe” (O’Brien 304). The facts of Kathy’s and John’s disappearances lie somewhere beneath all of the conjectures, confusion, and misremembrances, suggesting that the human mind cannot never fully distinguish fact from fiction regarding traumatic events. The soldiers of My Lai would have similar but intensified traumas to those who have just lost a loved one who, as evidenced by In the Lake of the Woods, struggle to understand the reality of the events. John Wade’s use of disappearing as a defense mechanism is exacerbated by his participation in the My Lai Massacre.
Coping by losing himself in an innately fraudulent political role and by repressing his traumatic memories, the protagonist leads a duplicitous life based on his own less painful version of truth. While other soldiers may not entirely repress their actions in the war and otherwise, O’Brien reveals the extent to which the truth of traumatic events of war is incomprehensible. The occurrences of My Lai were experienced differently by each individual: every soldier, every victim, and every witness. The various visuals, thoughts, noises, and physical experiences, and the multitude of interpretations of each of these sensations by each person, render objective understanding and accurate recollection impossible. O’Brien reveals that, whether as the result of people altering events in their minds to cope with the reality—as John Wade does—or of simply experiencing things from one’s position that is unavoidable biased, My Lai can never be accurately
understood.
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
This passage is interesting if the reader knows nothing about the book at this point the reader might question the passage, what does this mean? If you are one of the few people who read a book completely cover to cover, the publishers page states "This is a work of fiction. Except for a few details regarding the author's own life all incidents, names, and characters are imaginary (O'Brien Prologue). You have no what is going to be real or fiction.
In June of 1968, he receives a draft notice, sharing details about his eventual service in the Vietnam War. He is not against war, but this certain war seemed immoral and insignificant to Tim O’Brien. The “very facts were shrouded in uncertainty”, which indicates that the basis of the war isn’t well known and perceived
An interesting combination of recalled events and editorial commentary, the story is not set up like a traditional short story. One of the most interesting, and perhaps troubling, aspects of the construction of “How to Tell a True War Story” is O’Brien’s choice to create a fictional, first-person narrator who might just as well be the author himself. Because “How to Tell a True War Story” is told from a first-person perspective and O’Brien is an actual Vietnam veteran, a certain authenticity to this story is added. He, as the “expert” of war leads the reader through the story. Since O’Brien has experienced the actual war from a soldier’s point of view, he should be able to present the truth about war...
In this chapter, O’Brien contrasts the lost innocence of a young Vietnamese girl who dances in grief for her slaughtered family with that of scarred, traumatized soldiers, using unique rhetorical devices
Kelman, Herbert C., Hamilton, V. Lee. “The My Lai Massacre: A Military Crime of Obedience”. Writing & Reading for ACP Composition. Ed. Thomas E. Leahey and Christine R. Farris. New York: Pearson Custom Publishing, 2009. 266-277. Print.
The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
They were essential in showing the key parts in O’Brien’s life that lead to the turning points which lead to the creation of this novel and his ability to be at peace with what had happened in Vietnam. He finally accepted what had happened and embraced it instead of avoiding it. Works Cited Novel O'Brien, Tim.
Usually when someone is murdered, people expect the murderer to feel culpable. This though, is not the case in war. When in war, a soldier is taught that the enemy deserves to die, for no other reason than that they are the nation’s enemy. When Tim O’Brien kills a man during the Vietnam War, he is shocked that the man is not the buff, wicked, and terrifying enemy he was expecting. This realization overwhelms him in guilt. O’Brien’s guilt has him so fixated on the life of his victim that his own presence in the story—as protagonist and narrator—fades to the black. Since he doesn’t use the first person to explain his guilt and confusion, he negotiates his feelings by operating in fantasy—by imagining an entire life for his victim, from his boyhood and his family to his feeling about the war and about the Americans. In The Man I Killed, Tim O’Brien explores the truth of The Vietnam War by vividly describing the dead body and the imagined life of the man he has killed to question the morality of killing in a war that seems to have no point to him.
The author uses historical, romantic, biographical, and Marxist criticism to create a complex tale of love, regret, and leadership. His story of an Alpha company life before, during, and after the Vietnam War gives the readers a personal connection to each of the characters and the story’s setting. O’Brien’s goal is to tell people war stories of true value and to immerse the audience in the lives of the soldiers. He uses his personal experience of the war, focusing on real background information, giving him the opportunity to portray a detailed life of men on the battlefield. O’Brien’s ability to reflect these past experiences plays a large part in historical and biographical criticism. O’Brien not only tells stories of war, he relives the stories by letting the reader know exactly how personal and responsible one person can be while under the pressures and influences of his surroundings. He allows the audience to become submerged in the tales of love and sorrow without feeling the true regret and troubles that O’Brien may have battled while living the life of a
The Ambush by Tim O’Brien gives us a glimpse into the Vietnam War. We get a feel of the senseless killing that exists in all wars and the impact that war has on all those who have experienced it. From the character, Kathleen, to the Author and down through the young man walking on the trail, the reality of war is with us. “And it will always be that way.”
Lawrence Hill Books, c2009 Bracken, Patrick and Celia Petty (editors). Rethinking the Trauma of War. New York, NY: Save the Children Fund, Free Association Books, Ltd, 1998.
Trauma is often associated with war. As John F. Kennedy once said, “Mankind must put an end to war before war puts an end to mankind” (“War Quotes”). A close analysis of the poems “Five Day Requiem for Vietnam” by Nan Braymer and “Buttons” by Carl Sandburg captures the trauma faced by soldiers during war. At first glance, they merely seem to describe the struggles of a soldier, but a deeper analysis also reveals their effects on the civilians who support them. The reader must also realize that although these poems share the topic of war’s repercussions, their identical literary devices assert contrasting themes. Whereas both poems include devices of pathos and rhetorical questions, “Five Day Requiem for Vietnam” conveys the idea that
As we got further and further into the Vietnam War, few lives were untouched by grief, anger and fear. The Vietnamese suffered the worst hardship; children lay dead in the street, villages remained nothing but charred ashes, and bombs destroyed thousands of innocent civilians. Soldiers were scarred emotionally as well as physically, as