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Australia / australian - story / modernism
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Do you recognise this man’s face? You see him almost every day when you open your wallet. If you don’t remember allow me to refresh your memory. The face on our ten-dollar bill is the well-known Australian poet, Banjo Patterson. Banjo Patterson was the voice of Australia during the late nineteenth century. He helped us to recognise and acknowledge that we had a unique identity. Good morning Ms Wendell and boys; Who is Banjo Patterson? Well banjo was Australian bush poet. When reading his poems, you make think that this man was born and breed in the bush when in reality he was a city boy. To this day his work still serves as a tribute to Australians. His father also wrote poetry that was published in ‘The Bulletin’, where Banjo Paterson would …show more content…
later be published and continue his father’s legacy. Through his poems The Man from Snowy River and The Man from Ironbark, Patterson views Australia through his varying representations of bushmen and the Australian identity of these men. The Man from Snowy River views bushmen as tough, masculine country folk. This poem one arguably one of Banjo Patterson’s most famous poem. It can be seen micro-printed on the five-dollar note. The poem tells the story of a valuable horse which escapes and the princely sum offered by its owner for its safe return. All the riders in the area gather to pursue the wild bush horses and cut the valuable horse from the mob. But the country defeats them all, except for 'The Man from Snowy River'. His personal courage and skill has turned him into a legend. Throughout this well-known poem Patterson uses many poetic techniques to emphasise his portrayal of the Australian outback and the bushmen that roam there. “There was Movement at the station, for the word had passed around that the colt from old regret had got away.” The very first line of this poem evokes a sense of adventure and excitement. Banjo Patterson uses imagery to successfully tell his stories. “And the stock horse snuffs the battle with delight.” Banjo Patterson uses Onomatopoeia throughout certain parts of his poem. Without Onomatopoeia the reader would be unable to construct their own representation of Australia. Banjo Patterson also used similes and metaphors such as During the second stanza Banjo writes "And he raced him down the mountain like a torrent down its bed" this was used as an imagery technique to help create a more vivid image for the reader, presented as a narrative to this particular poem, it plays a very significant role throughout the history of Australia and powerfully exemplifies Australians and our culture during the 1890’s.
with other lines used with other Similes and metaphors throughout each stanza this creates a more vivid picture of the scenery and personalities in the story. Banjo Paterson used these devices to create a powerful and descriptive visual of the rugged Australian countryside which help to construct a representation of Australians other similes used include. “a stripling on a small and weedy beast", "the stock-whips woke the echoes, and they fiercely answered back". The use of the similes sparks the reader’s imagination. This poem is written from a distinctive perspective of Australia because it was written by an Australian city lad who was able to connect with the land. We need to ponder his view point of Australia when reading this poem and understand where he is coming from. “The Man from Snowy River” relates to “The Bush Myth” as it explores the historical portrayal and depiction of Australian
culture When comparing “the man from snowy river” to “The man from ironbark” it’s clear that both poems have the same theme behind them. Australian Identity one is more serious while the other looks more upon the old classic Australian humour. Poem 2: The man from Ironbark The man from Iron bark tells the story of the man from ironbark who enters a barber shop where he is wanting to get a trim. The barber decides to play a joke on and places the razor into boiling water and pretends to cut the man from ironbark’s throat. Unfortunately for the barber his place gets wrecked and the joke back fires. The Poetic techniques he used throughout this poem are Repetition, Metaphors and a rhyming scheme to help present the story. Within every eight stanzas there is a number of rhyming words. He does this to embark the funnier side to the poem. Banjo repeats a number of words like “Murder Bloody Murder” he does this to emphasize the importance of that particular line. Banjo also uses Metaphor’s to compare what he is saying to other objects or being’s an example of this is when he says during stanza … “you blessed murdering shark”. With the combination of these poetic devices and use of old Australian Slang, Banjo Patterson successfully creates a poem that looks more upon who we are as Australians and it gives more insight about what life was like during the 1980’s. After analysing both poems, it is clear that Banjo his view of Australia is seen as somewhat … (NEED HELP WITH CONCLUSION)
‘The Drover’s Wife’ opens with a vivid visual image of the house which becomes a character in itself, the lexical word chain “round timber, slabs, and stringy bark, and floored with split slabs” shows us the poor, rough materials used to build only what is necessary to survive. Thus, we can visualise the simplistic nature of the lives the drover’s wife and her children live in their environment. Strong visual imagery is employed to depict the landscape; “Bush all round – bush with no horizon, for the country is flat. No ranges in the distance… No undergrowth”. The repetition of “no” emphasises the lack of distinguishing features, the land is monotonous and contains “nothing to relieve the eye”. The environment is isolated; they are alone “There is nothing to see, however, and not a soul to meet”. This helps the audience to develop an understanding of the isolation and loneliness of Australians living in the bush during the Colonial
One of the many factors that have contributed to the success of Australian poetry both locally and internationally is the insightful commentary or depiction of issues uniquely Australian or strongly applicable to Australia. Many Australian poets have been and are fascinated by the issues relevant to Australia. Many in fact nearly all of these poets have been influenced or have experienced the subject matter they are discussing. These poets range from Oodgeroo Noonuccal Aboriginal and women’s rights activist to Banjo Patterson describing life in the bush. Bruce Dawe is also one of these poets. His insightful representation of the dreary, depressing life of many stay at home mothers in “Up the Wall” is a brilliant example of a poem strongly relevant to Australia.
In Tim Seibles' poem, The Case, he reviews the problematic situations of how white people are naturally born with an unfair privilege. Throughout the poem, he goes into detail about how colored people become uncomfortable when they realize that their skin color is different. Not only does it affect them in an everyday aspect, but also in emotional ways as well. He starts off with stating how white people are beautiful and continues on with how people enjoy their presence. Then he transitions into how people of color actually feel when they encounter a white person. After, he ends with the accusation of the white people in today's world that are still racist and hateful towards people of color.
There are multiple examples of visual imagery in this poem. An example of a simile is “curled like a possum within the hollow trunk”. The effect this has is the way it creates an image for the reader to see how the man is sleeping. An example of personification is, “yet both belonged to the bush, and now are one”. The result this has is how it creates an emotion for the reader to feel
The bush and its unique landscape was something that distinguished Australia from the European sceneries familiar to many new immigrants. Australians romanticized the bush in their attempt to establish self – identity.
The repetition of the word, 'bush' in, " Bush all round - bush with no horizon.." creates a vivid visual image of the bush setting and emphasises the loneliness experienced by the drover's wife and her family. The family's loneliness is reinforced in, "...The everlasting, maddening sameness ...longs a man to break away and travel as far a way as trains can go...". This juxtaposes the traditional perception of the bush,which is that of beauty and pleasure, and depicts a tedious environment incapable of nurturing curious thought,an another hardship on the family. This is ironic as this iconic story symbolises Australia, it does this by portraying the country side in a negative light. Therefore, the harsh environment highlights the determination of Australians in the face of
Treasury Secretary Jack Lew’s proposal to introduce a woman onto American currency, although meant to make up for an injustice, does not come without a major flaw. Lew’s proposal to remove Alexander Hamilton from his prominent position on the ten dollar bill relegates an influential historical figure. Although it is important to recognize women’s contributions to America, it should not be done at the expense of Hamilton when an undeserving man such as Andrew Jackson is honored on the $20 bill. Due to the debate surrounding America’s currency, Thomas Jefferson’s worthiness of being on the nickel has also been questioned. Admittingly, all men and women have their weaknesses, but it is important to recognize when those weaknesses outweigh their strengths.
Although partially true in its time, the Australian bush legend fades more and more as time progresses. The Australian identity of the 1890s was not the same as it was in the 1950s, nor do we have the same self-image today, as portrayed in 'The Australian Legend'. Recent statistics show that we work longer hours and drink far less then we used to. Many more Australians go to the beach than to the bush and despite the iconic male bushman, for most men and women in Australia the beach is far more central to our identity and lives, as the majority of the population lives closer to our coastal shores.
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
An exposed and desolate house set in the untamed outback is the setting of ‘The Drover’s Wife’. Lawson describes the two-roomed house as being “built of stringy bark”. Similarly, he identifies the environment around the house, such as “bushes… of rotten native apple-trees” and a “waterless creek”. Lawson further explains the surroundings and her isolation in this quote “Bush all round- bush with no horizon…the country is flat”, here Lawson has used the word “no horizon” to state that there is nothing in the distance. This allows the reader to visualize the bush as being clear, flat and empty. These quotes demonstrate that the family is poor and lives a difficult life because the house is made of stringy bark; this offers discomfort and no protection
It describes how the conservative farmer follows traditions blindly and the isolated life followed by him. It reflects how people overcome physical barriers and that later in life come to their social life too. Where a neighbor with a pine tree, believes that this separation is needed as it is essential for their privacy and personal life. The poem explores a paradox in human nature. The first few lines reflect demolition of the wall,?Something there is that doesn?t reflect love a wall?
The title of the poem is very significant. The title penetratingly outlines how precious they view the water to be. He does this by titling the poem ''Blessing''. Water is something which most people take for granted, so by making this the title he emphasizes the value they place upon the water. The poet highlights how much value they place upon the water in the fourth stanza when the pipe bursts by using word choice. ''As their blessings sing'' is the quote from the poem and the effect of this is that it gives you a sense of harmony. The words sum up a peaceful ending for the last two stanzas where the mood of the poem changes from desperation to the contrast of greatfulness. The poet has chosen the phrase ''blessings sing'' as when put together it has conitations of bountful amounts of happiness which accuratly shows their joy and relief they would of felt in that moment of time. I think the poet has used this quote to symbolise the end of a struggle which turned into a celebration and the word ''sing'' to create the passion for the villagers in that moment.
Good morning/afternoon invited teacher and students. The expressive poem ‘Clancy of the Overflow’ written by the prominent poet Andrew Barton Paterson illustrates the country life of a drover as the ideal lifestyle as it is the beauty and nature of mankind. This poem is extremely critical of city life and seems to only convey the negative aspects that are involved. During this analysis various poetic techniques as well as aesthetic features will be used including suggestive language, alliteration, metaphor and imagery are applied to describe the author’s use of poetic devices and to show how effectively the poet conveyed its messages and the link to Australian diversity.
In “I wandered Lonely as a Cloud,” William Wordsworth accomplishes his ideal of nature by using personification, alliteration, and simile within his poem to convey to the reader how nature’s beauty uplifts his spirits and takes him away from his boring daily routine. Wordsworth relates himself in solidarity to that of a cloud wandering alone, “I wandered lonely as a cloud” (line 1). Comparing the cloud and himself to that of a lonely human in low spirits of isolation, simultaneously the author compares the daffodils he comes across as he “floats on high o’er vales and hills” (line 2) to that of a crowd of people dancing (lines 3-6 and again in 12). Watching and admiring the dancing daffodils as he floats on by relating them to various beauties of
As the poem progresses, the speaker’s attitude changes in (line 26), where he tells us that his mood is lowered. It is here that the speaker presents himself as “a happy child of earth” in (line 31); as once again Wordsworth... ... middle of paper ... ... / Of the unfinished sheepfold may be seen / Besides the boisterous brook of Greenhead Ghyll,” showing the growth of human beings in relative notion to nature.