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Literature essay of the picture of dorian gray
Literature essay of the picture of dorian gray
Literary criticism of picture of dorian gray
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Presenter: Welcome to the show, I’m George Caster and I’ll be your host. For today I’m being joined with special guests Christina Lee and Stephan David. Welcome and thanks for joining me. Our poetess for today has been praised by many, including well known author of ‘The Picture of Dorian Gray’ and ‘The Selfish Giant’, Oscar Wilde (1854-1900). Born in London in 1861, Amy Levy was an independent and talented woman. Each of us today has found one of Levy’s poems to discuss. Ladies first, Christina. Christina: Thank you. Firstly, I feel that it is appropriate to mention that most of Levy’s poems are based on very similar themes, to which my poem is no exception. Typically, Levy wrote pieces with very dark and melancholy themes to them, likely …show more content…
She says quite clearly that death is something that frightens, not intrigues, her. “Shrouding mantle” sounds more like she doesn’t understand the nature or identity of death, which links to your point of it being a reference to the Grim Reaper. The Grim Reaper doesn’t have any true identity and can be portrayed in many different fashions. I understand the depression that is laced amongst this poem but nothing much more than that and only because she was battling those things whilst writing her poems. It’s very hard to write without including any aspects of your personality and experiences in. The line that you pointed out George, ‘Alternately she swings from grief to grief,’ could just be her being constantly plagued by both ideas but in a sense, they balance each other out. Fearing both makes resolving one impossible. But, the poem, as George said, does show, and very well, that Levy, during her life time, struggled with battles that it’s unlikely she voiced in any other way than her …show more content…
The interesting thing about ‘A Farewell’ (Levy) is the bitter sweetness about it. The stanza that begins ‘O fairest of all fair places’ has a rather different feel than the rest of the poem. Take that stanza out of context and you might see it as a poem with a romanticized view on a setting. Put it back into the poem and we, as readers, can see that it’s not the case. It appears that Levy is showing the difference in how other people are and see things compared to how she does. The ‘fairest of all fair’ and the ‘sweetest of all sweet’ contrasts heavily to the overuse of the word ‘sad’. The first two are very positive whilst ‘sad’ is plain but obviously
In Chapter 4, The Cruel Hand, Michelle Alexander does a great job analyzing the issues that many inmates go through when they get out of prison. This chapter was a bit more interesting to read compared to the last one. One passage that stood out to me was when Michelle Alexander stated, “Even if the defendant manages to avoid prison time by accepting a “generous” plea deal, he may discover that the punishment that awaits him outside the courthouse doors is far more severe” (Michelle Alexander Pg. 142). Like I mentioned in the beginning, when inmates are done serving their sentence they usually suffer on the outside world. That is because they’re now being labeled as criminals in our society and corporates/businesses have a little leverage on
By making subtle changes in the ways dreams are portrayed, she shows us that the boy has been changed by his experiences. Before “the betrayals” the dreams are quite indefinite, relying on incomplete images of pincers, claws and fangs to represent the horror. The lines, “His sidelong violence summoned/ fiends whose mosaic vision saw/ his heart entire” are literal indications of his incapability to comprehend what is happening to him. Then he wakes and attempts to seek comfort from the monstrance. His hopes for a miracle, brought on by his innocence, ...
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
She was a writer who suffered from Lupus. Her father died of the same illness when she was thirteen. Her Catholic beliefs reflected in her work, as well as the implementation of violence and darkness ironically used in her short stories. The titles in the stories give the readers an idea that the stories are the opposite of what the titles really state. She uses metaphors and similes to describe the characters and the settings of the stories. Each story relates to the darkness of the characters: people with racial prejudice, ignorance, and evil. Each story ends in a tragedy. The use of irony allows her to transport a meaning to each story that is not easy for readers to understand.
...re many similarities when it comes to technique, characterization, themes, and ideologies based on the author's own beliefs and life experiences. However, we also see that it appears the author herself often struggles with the issue of being herself and expressing her own individuality, or obeying the rules, regulations and mores of a society into which she was born an innocent child, one who by nature of her sex was deemed inferior to men who controlled the definition of the norms. We see this kind of environment as repressive and responsible for abnormal psyches in the plots of many of her works.
A clear and important theme developed in the story by Ray Bradbury through the use of personification is fear. In the sentence, ?The fear was never gone? it lay with Mr and Mrs Bittering, a third unbidden partner at every midnight talk?. The author creates fear among the humans by using personification to show the unbidden partner as a person, but we recognise what it really is. Ray Bradbury is trying to show that the unbidden partner is fear becoming real.. There was once a time were fear was overwhelming and real to me when on the year 8 camp I participated in, we went to make rafts at the beach. When we went to test them in the water, we went out to the rocks, and then a man came to pick us up from the ocean because our rafts had fallen apart. He told us all to grab onto a piece of rope of a part of the raf...
Both stories give off an unexpected twist, each woman helps to make each title into an object of either denial or exception. Even though both stories have great similarities, the authors' individual points of view resulted into the concerning of their surroundings. In the end of both stories, the items that they psychologically and then physically create take over the wife and Emily, their minds became weak that quickly took over them completely. Soon finalizing their mental and/or physical illness to their own time of death.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
In both ‘Eve Green’ and ‘Wide Sargasso Sea’, the protagonists experience fear in many guises. Although traumatic events in both Eve and Antoinette’s lives do lead to moments of sudden, striking fear, fear is also presented as having the potential to be subtle and muted, and therefore, “haunting”. Fletcher and Rhys seem to suggest that this form of fear is more damaging to the psyche than fear in its more conspicuous manifestations, as it is more deeply intertwined with the characterisations of the protagonists, therefore allowing for the fear to “pervade” the novels. As a result, it could be argued that fear has an almost constant presence in each novel, particularly because fear is seemingly linked to other prominent themes in each novel.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
It is said that this book is considered as one of the most famous horror novels, if not the most famous one. The Gothic descriptions in the novel are very prominent at the beginning. The portrayal of the countryside of Transylvania, of the ruined Dracula Castle, etc, all provide the effect of horror in the sense of spooky and gloomy atmosphere, which you can obtain close at hand. Everything is so obvious. The originally beautiful scenes are changed by the writer¡¯s magnification of some specific details which provide certain effect on the readers. All of the above reminds how one¡¯s personal feelings can alter their attitudes towards what they see or what they experience. Sometimes when you are sad, everything look so depressing. It is like the whole world is against you. The sunset could be a fantastic scene when you are filled with joy but an extra source of sorrow when you are not in the mood. Harker is separated from her lovely fianc¨¦e to meet some foreign count in the exotic and unknown eastern world.
Edgar Allan Poe’s 1849 poem, “Annabel Lee”, explores the common themes of romance and death found in many of Poe’s works. The poem tells the story of a beautiful young maiden named Annabel Lee who resides by the sea. The maiden and the narrator of the poem are deeply in love, however the maiden falls ill and dies, leaving the narrator without his beloved Annabel Lee. Contrary to what many might expect from a poem by Poe and yet still depressing, the poem ends with the narrator accepting Annabel’s death and remains confident that they will forever be together despite her parting.
Fear was something she experienced when she was little. She wrote the poem “ Life doesn’t frighten me .’’ This talks about things that she isn’t scared about she it’s actually things she is the most scared about. For example in the poem she says “ Bad dogs barking loud, Big ghosts in a cloud, Life doesn't frighten me at all. ’’ Bad dogs meaning men screaming at her and telling her what to do. The poem is written like she isn’t scared but in reality she is.
The 20th Century American poet, Anne Sexton once said, “Poetry should be a shock to the senses. It should almost hurt.” Sexton displays this belief through her writing style and set of controversial themes, which unquestionably shocked critics at times. Many of Sexton’s poems reflect on her personal struggles with mental illness and her numerous encounters with suicidal feelings. Sexton became known as a confessional poet because of her autobiographical style of writing. The main themes of her poetry are depression and death. “Wanting to Die”, “The Truth the Dead Know”, “The Abortion”, and “The Starry Night”, are all examples of Sexton’s writing that portray her central poetic themes. Through the use of vivid visual imagery, especially natural
However, there is much more to the novel, such as William Goldman’s “real” life and it's sad conditions, or the fact that the real novel was meant to end with many open questions, an ending filled with indecision as to what could happen next - Goldmans’ father changing it because he was a romantic or to morph it into a bedtime story. The complexity of the novel and the two stories it tells, that are opposites to one another and see life under two very different views- one promoting a sense of hope and love, adventure, the other telling the tale of an unhappy, unfair life. What remains as the only truth is that the story of love and high adventure is a fairytale, and those elements belong only in a fairytale world, whereas the grim and mirthless happenings of Goldman’s life are what belong in real