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Evolution of music history
Evolution of music history
Evolution of music history
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The String Quartet in C Minor, Mvmt IV by Ludwig van Beethoven was composed from 1798-1800. It consists of four movements: Allegro ma non tanto – fast lively tempo, Andante scherzoso quasi allegretto - moderately slow tempo (e.g. walking). Faster than adagio but slower than allegretto, Menuetto - A graceful, courtly French dance of the Baroque and Classical period with a triple meter and a moderate tempo. It was introduced at the court of Louis XIV. In classical forms such as the symphony or chamber music, the minuet evolved into the more vigorous scherzo. : Allegretto - moderately quick tempo, and slower than allegro but faster than andante (Christiansen, 2005). The instruments that Beethoven uses in the song is two violins: 1st violin and 2d violin, a viola, and a cello (typical string quartet). He also uses the rondo form within this song. The rondo form features a tuneful main theme (A) which returns several times with other themes. This form is really easy to remember because this piece is repeated throughout the song, people can usually recognize its return. Also, because of it...
Next, was the longest movement, Molto vivace. Dominated by D minor, this movement resembled the introduction of the opening theme in the first movement but with more lightheartedness. Also called a scherzo because of its “dancelike” theme, this section utilized the Flute, Oboe, Clarinet, Bassoon, French Horn, Trumpet, Trombone, Timpani, and Strings. I also noticed a downbeat around every three beats throughout the fast tempo in this section.
5 the 4th movement. Beethoven’s innovation of bigger orchestra’s was a game changer in the Classical Era and he definitely deserves to be ranked as a “Maverick of Sound.” This piece is rumored to be an autobiographical tale of Beethoven losing his hearing and was done in the period’s traditional sonata form. This piece beautifully evoked the mood of what I imagined as Beethoven’s dilemma of “fate knocking at the door.” Everything in this composition is built around the four opening notes. The tempo allegro was brisk and lively. The exposition set the tone with string instruments followed by the entire orchestra repeating in a march-like character. The bridge was similar in mood to the opening and was announced by horns. The recapitulation led to a long coda that punctuated the ending which built to an exciting climax accentuated by a dynamic fortissimo resolution to the frenzied tension. This joyful finale was great fun to listen to and a most excellent way to end the
This is a two-story house in red brick; the stairs access to the top floor and each floor has a single window fronting the yard; this is a house which I will pass by everyday. As an outsider from another country, I have never concerned about what would take place in those red brick houses half a century ago. However, the play Seven Guitars describes a bitter story taking place in the red brick house in Pittsburgh. In the story, someone has been suffered from the blatant discrimination; someone has betrayed his morality for chasing his dream; someone has killed his “buddy” for money; someone has lost her lover right after she decided to go away with him; some one has hidden a secret; some one has unraveled the mystery of a death, and some one has just witnessed all those things had happened. Hence, seven guitars refers to seven characters depicting the life of African-American people in the 1940s Pittsburgh, the place where I live today.
...ers and the audience. The dramatic nature of this piece alone is something to be reckoned with as it is extremely passionate. The symphony is presented in 4 movements as is common and begins with a Poco Sostenuto- Vivace, followed by a Allegretto movement, Presto movement, and finally ends on an Allegro con brio movement. the central theme of this piece is introduced in the first movement by a flute playing in tripple meter continuously ascending up the scales rising in dynamic contrast, continuing to grow into a louder and more stark contrast between it’s highs and lows. Consistently dance like, the piece is celebratory of its roots buried in historical Austrian music that has been present in the culture for years. The accomplishments of the soldiers for which the piece was composed for are easily told of simply by the energy and power present throughout the piece.
The Beethoven Symphony #9 in D minor is being announced during the 4th movement of the symphony. Typically, in symphonies, the 4th movements take part in the term of Allegro, which means it is played quickly or fast. However, in Beethoven Symphony, the 4th movement opens with a flurry sound and then is introduced by an instrumental recitative. A recitative is a style of music alternating between speaking and singing words on the same note. In a recitative, the music lines are not repeated even though formally composed songs do.
The Four Seasons composed by Vivaldi was one of the earliest examples of program music and was also the most famous of all his concertos. Vivaldi wanted to depict the various seasons in the four concerti in Italian. When you listen to the Four Season, you feel as though he has created a whole another atmosphere with its own feelings. He seems to have used only the four major instruments that are usually present in an orchestra, which are the violin, viola, cello and bass, to depict this atmosphere effortlessly.
Symphony No. 5 in C minor, composed by the legendary Ludwig van Beethoven, is one of the most famous orchestral musical compositions done by the German-born composer. The symphony is broken down into four movements. The symphony has such a profound effect on so many people because of its use drama by introducing sudden and powerful chords which quickly grabs the audience’s attention as well as creating a variety of musical ideas through his use of excitement by way of fast and slow tempos. The first movement, Allegro con brio, which utilizes the Sonata form, contains an opening sequence or Exposition, which initially compels my attention during its first 6 seconds due to its powerful entry and introduction of the basic four-note motive (short-short-short-long) of the piece. The quick repetition in a lower step using strings in unison keeps me engaged due to its energy, as it sort of
... six concertos are stylistically advanced when compared to the first six of the set. This can be mainly accounted to the sequence of concertino and ripieno alternating and becoming one with the solo violin and tutti (Anderson 7). Finally, unlike what Corelli had used, Torelli favored the three-movement pattern, fast – slow -fast.
It is clear that Beethoven’s stands as being significant in development of the string quartet to a massive extent in creativity and innovation. His early quartets show great influence of those from the Classical period and with his own, has influenced his contemporaries and later composers. The quartets published later in his life show even greater imagination and use of expression. It is also through similar uses of texture, harmony, rhythm and counterpoint that composers of the Romantic period and the 20th century wrote their own string quartets. Beethoven’s however prove a huge advancement in how string quartets are written and the intensity of emotions that they portray.
Symphony No. 6 is one of Beethoven's few programmatic works and describes a county scene. It is titled "Recollections of country life". It has 5 movements, unusual for a classical symphony. The first movement is in sonata form and is titled "Awakening of cheerful feelings upon arrival in the country". It has two beautiful rustic themes. The second movement is titled "Scene at the brook" and depicts a bubbling stream on a calm day. It is also in sonata form with two flowing themes. The third movement is a scherzo and depicts a country dance being titled "Happy gathering of country folk". It is an unusual scherzo with the scherzo section played only once before continuing to the trio. After the trio, instead of returning to the scherzo, a short section in 2/4 time interrupts. Then the scherzo is played followed by the trio again. The 2/4 section appears a second time, followed by the scherzo one last time. The dancing in the third movement is interrupted by raindrops ushering in the fourth movement, titled "Thunderstorm".
The Symphony Orchestra concert was preformed by The OU School of Music with Jonathan Shames as a conductor and they presented Sutton Concert Series. In addition, the Orchestra concert performed at Paul F. Sharp Concert Hall in October 12, 2015.There were like forty-one performers on the stage including the conductor using different types of instruments and and all of them were wearing a nice black clothes. The stage was a quite large with wooden floor and there were two floors for the audience with a comfortable seating. However, all the performers were on round shape and against the conductor.
Beethoven’s Fourth Piano Concerto is considered to be one of the central works of the piano concerto literature. It’s been widely recorded and performed. On September 17, the Pacific Chamber Orchestra, under the
"To me he seemed like a trapped man, whose only wish was to be left alone, to the peace of his own art and to the tragic destiny to which he, like most of his countrymen, has been forced to resign himself." Nicholas Nabokov on meeting Shostakovich in 1949 in New York
The piece itself begins with the cello playing a solo melody fairly high up the fingerboard, with the viola and violin 2 playing a simple syncopated rhythm for harmony. What is notable for this movement is that the first violin doesn’t even begin playing until measure 24, where it picks up the melody that the cello began with. For both the cello and first violin, their melodies are labeled with the instructions “cantabile ed espressivo.” This means that the solos are meant to be played in a “singing style, and with much expression” (Italian Musical Terms). From the beginning of this movement up until measure 47, the timbre and rhythm is decidedly the same. The melody is passed on from the cello to the violin 1, and little change is seen in
Around mid-1740s, the court of Mannheim introduced a fourth movement by inserting a minuet and trio before the finale. However, the later Mannheim composers returned to the standard three-movement styled symphony. A style change in individual movements during this time would be the use of sonata form with only a partial recapitulation as opposed to the full until the 1770s.