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Within “The Other Paris," Mavis Gallant incorporates literary devices, and characterization of Carol and Howard, a flawed couple of the 1950s struck by the plague of loneliness, and the overwhelming pressure from society to marry. A production of marital events, which was based upon social statuses that altered the terms by which a healthy marriage is defined. Mavis Gallant provides exceptional social commentary through satire, irony, and characterization of the two soon to be married fools.
Like cattle is who is lead astray, Carol in this excerpt, is characterized as a very naive young woman who sits by believing that love is “like a geranium” and requires the proper conditions in order to thrive. During this tragic time period in her life “no one had proposed to her before,” except an “unsuitable” medical student who would’ve provided her with an endless amount of love, yet didn't provide the artificial requirements standardized by “helpful college lectures on marriage”. Having blamed the “illusion of love” within the film industry, Carol is viewed as very hypocritical believing that money is the answer to love, and the foundation of a successful marriage.
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Howard on the other hand, is simplified to the definition of pathetic proposing over a three week period, not out of love, but out of utter fear and laziness to fulfill his social duty of getting married at his convenience.
The reader gets a glimpse into the social awkwardness when Howard orders wine instead of champagne, when in reality both would’ve preferred champagne but were to “diffident” to suggest it. You feel the uneasiness between the couple, due to the lack of common interests and the embarrassment emphasized over “a serious discussion of religious beliefs” even though both come from the same religion it was perceived as unnecessary in the societies eyes to discuss something else besides your own boring
life. Gallant in this passage portrays his attitude with a sense of sarcasm when foreshadowing the unhappiness to come between the newly engaged couple by ironically stating, “ There was no reason for the engagement or the marriage to fail” when in reality there was a sufficient amount of reasons for this event to conclude with a divorce. Gallant’s derision toward Carols anxiety of being considered old at the mere age of twenty-two, is a great example of the insane pressure girls underwent during this time period to find their husband. All in all, “The Other Paris” provides a flaw within the American society which redefines what it means to find true love during the 1950s.
Mrs. Ames from “The Astronomer’s Wife” and Elisa Allen from “The Chrysanthemums”, two women in their best ages, did share similar lives. They were loyal wives, of decent beauty and good manners. They were married for some time, without any children and they were fighting the dullness of their marriages. At first, it looked like they were just caught in marriage monotony, but after the surface has been scratched deeper, it was clear that these two women were crying for attention: but they had different reasons.
"Death cannot stop true love. All it can do is delay it for a while." This quote summarizes Catherine and Henry's love for each other. Even though Catherine died, Henry had a huge space of emptiness left in his heart. Marriages in today's society are very serious relationships although some people don't seem to take them so seriously. Take for example Dennis Rodman, who married Carmen Electra and they divorced a week later. This shows how men are sometimes over powered by looks. My essay contrasts the relationships in Hemingway's Farewell to Arms to the relationships in Steinbeck's East of Eden. E. Hemingway displays a sense of respect for couples whereas J. Steinbeck portrays that women are venerable can't hold a steady relationship. Abra gradually fell in love with Cal and eventually cheated on Aron with his brother Caleb. Cal slowly tries to ruin Aron. Cal influences Abra's thought of Aron by saying sweet things to her. Adam smiled at her. "You're pink as a rose," he said. (590) The passage shows that Cal is trying to romance Abra. He knows Abra is venerable because Aron is away in the army and she misses him. By Aron absent, Abra needs a man and she turns to Cal.
Marriage is an important theme in the stories Their Eyes Were Watching God by Zora Neale Hurston and The Story of an Hour by Kate Chopin. When someone hears the word “marriage”, he thinks of love and protection, but Hurston and Chopin see that differently. According to them, women are trapped in their marriage and they don’t know how to get out of it, so they use language devices to prove their points. Chopin uses personification to show Mrs. Mallard's attitudes towards her husband's death. Louise is mournful in her room alone and she is giving a description of the nature as a scene of her enjoying “the new spring life” and “the delicious breath of rain was in the air” (Chopin1).
Each window Jeffries observes contains a plot which portrays a different view of marriage. At first, the newlyweds show a relationship full of joy and happiness with much hope for the future. The husband is shown as he carries his bride over the threshold as they enjoy their first moments together in their new home. Then the blinds are pulled and thus sexual relations are implied. As ti...
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.
Francis Macomber is a middle age man that is good at court games such as: tennis or squash, competitions where there are set standards and rules for play. Also, there are confined areas of play for his games. He is quite wealthy and some say handsome which add to Francis masculinity. His wife on the other hand does not think that much of him and thinks of him as a coward. Margot on the other hand his “beautiful wife”, whom really does not like Francis but stays with him anyway. She cheats on him and despises, basically because he married her only for her looks. Margot on the other hand is part responsible for the same thing because she only married him for his money. They are both stuck in a situation because they both married for the wrong reasons. Their gender roles are sort of fighting against each other because she doesn’t care about the relationship and cheats; and he tries to prove that he is a man and yet fails because he tries too hard. Masculinity is something that Margot and others at the Safari think it is an aspect of manhood that Francis lacks.
The tea looked so delightful, but I just never got accustomed to it here. These guests must not have been used to wine as some looked like swaying palm trees but they looked happy. “I once attended a wedding and met a young fellow sort of like you,” where was he going with this, “he had a good life but died young, I could see that something deep inside of him was bothering him.” I told him “No, my love's too strong for Fatima and I must pursue my wedding.” Then I told him“Thank you for that advice but please, don't speak of this again, he said “Ok, congratulations on the marriage, I wish the best of luck to you.”
... This woman suffers a tremendous amount from the commitment of her marriage, and the death of her husband does not affect her for long. A marriage such as this seems so unbelievable, yet a reader can see the realistic elements incorporated into the story. This begs the question of how undesirable marriage was during Chopin’s life. The unhappiness felt by Mrs. Mallard seems to be very extreme, but Chopin creates a beautiful story that reflects upon the idea of marriage as an undesired relationship and bond to some women in the nineteenth century.
In Ernest Hemingway’s “The Short Happy Life of Francis Macomber”, the marriage between Francis and Margot Macomber is a union for society. Margot married Francis for his wealth and Francis married Margot for her physical beauty. Hemingway did not create a marriage based on love but instead one filled with animosity, disrespect, and acts of infidelity. Francis is described as a “coward”, while Margot is described as “bitchy”. Francis refuses to divorce Margot even though he is aware of her frequent indiscretions with other men. It is not until Margot shoots Francis in the head that they no longer stuck with one another. The writing provides an inside look at the dysfunctionality of the Macomber’s marriage.
Many intriguing characters in literature are devised from the apprehension women have encountered with men in the institution of marriage. Although portrayed differently, marriage is perceived as a constraint to the protagonists. This has been presented very well in “The Way Up To Heaven” penned by Roald Dahl who blatantly critiques the accepted societal roles of women in the mid-twentieth century and “The Story of an Hour” by Kate Chopin who highlights a woman’s plight in the 19th century. This is not only painted through the events of the stories, but also through the way each protagonist evolves into a dynamic character. The two main characters in these stories show many similarities, but they are also remarkably different in the ways they deal with their problem to gain independence.
“There is no perfect relationship. The idea that there is gets us into so much trouble.”-Maggie Reyes. Kate Chopin reacts to this certain idea that relationships in a marriage during the late 1800’s were a prison for women. Through the main protagonist of her story, Mrs. Mallard, the audience clearly exemplifies with what feelings she had during the process of her husbands assumed death. Chopin demonstrates in “The Story of an Hour” the oppression that women faced in marriage through the understandings of: forbidden joy of independence, the inherent burdens of marriage between men and women and how these two points help the audience to further understand the norms of this time.
Held within France, the largest country of western Europe contains it’s most famous region, Ile-De-France. Ile-De-France also contains the great city and capital, formerly known as Paris. Other nicknames of Paris that are used often nationwide are the “City of Light” and the “City of Romance”. Not only is Paris the capital of France, but of the capital of shopping and fashion. It is home of world renowned and greatly respected fashion designers Chanel, Dior, Vuitton, and even Yves Saint Laurent. With it’s growing popularity, the amounts of visitors traveling to France each year is rapidly growing. Some visitors even fall in love with the great city and are still adding to it’s current population of twelve million people. The population of just Paris itself estimates around two million people.
The French Revolution and the legacy of A Tale of Two Cities & nbsp; It is a commonplace of Dickensian criticism that the writer was influenced by Carlyle's The French Revolution in A Tale of Two Cities. Taking Dickens's comment that he read Carlyle's history "five hundred times" (I. Collins 46) as a starting point, many critics have discussed Carlyle's influence on several aspects of the novel, such as the narrative technique (Friedman 481-5), the imagery associated with the Revolution (I. Collins 52; Baumgarten 166; Lodge 131-2), and the narration of the historical episodes (Lodge 134; Friedman 489). And yet, Dickens's outlook on revolutionary violence differed significantly from that of Carlyle. As Irene Collins points out, Dickens "dislikes the violence of the revolutionaries, both in its popular form (the mob) and in its institutionalised form (the Terror). Unlike Carlyle, he can no longer see justice in the violence" (53).
My belief on marriage is a sacred vow taken by two people which joins them in union. Most people carry the belief that marriage should occur only when two people are in love; although this belief is common it is not always the case and people marry for a variety of reasons. In the short story "The Story of an Hour" Kate Chopin suggests that in the case of Mrs. Mallard and Mr. Mallard, love was not a deciding factor for their reason to get married. Though the response of three readers, one being myself, we will explore the character of Mrs. Mallard and the idea of love in her marriage. Kate Chopin has given little detail about the Mallards and therefore left much to the imagination of the reader. Although there are similarities in details between readers such as: point of view, setting, and character, each reader brings new perspective and ideas. This type of analysis of the text allows a richer and more knowledgeable outlook; not only by enhancing ones own ideas by introducing new ones.