The second book of Thessalonians, chapter 2 verse 7 says, “For the mystery of iniquity doth already work: only he who now letteth will let, until he be taken out the way”. Lauryn Hill, an American singer, rapper, and actress, who is also known as a member of the Fugees, put out one of the most prominent albums of the 90s entitled The Miseducation of Lauryn Hill. one of the most politically charged songs on this album is also titled The Miseducation of Lauryn Hill. In this song, Lauryn Hill talks about how people are not educated or open minded about what is going on in society today, whether it be in the judicial system, religious beliefs, or education systems. She spoke about her devotion to God and she also dove into self-ambition, but she …show more content…
Hip Hop was, at its inception, a means for African Americans to tell their unaltered story. Towards the mid-’90s however, the genre began to be way more salse conscious than it ever was before. Artists, such as Nas for example, began to stray from their genuine and authentic selves to start making music about drugs, violence, and sex because that was what pushed their sales to the corporate level. This album was Lauryn Hill coming to re-educate the people in an attempt to bring them back to the root of Hip Hop. This poem focuses on many different themes, however this focuses on religion. In the poem Mystery of Iniquity the writer Lauryn Hill examines religion to illustrate racial discrimination, corrupting and crooked …show more content…
“God didn't create us to be beholden unto people and entertain them. God holds us to be the people that we want to be." which is bad because he thought his interpretation of the bible was the only interpretation of the bible. Anthony was an example of someone who does not have an understanding of the bible. He is basically telling her to do what she wants, people's opinions do not matter. We should not hold a certain standard. Doing these things will not help you live a holy and positive lifestyle. She wants us to understand the importance of believing in god and the difference from good and
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
Some weaknesses of James McBride’s “Hip Hop Planet” include its cynical tone and his attitude towards the musical side of Hip Hop. McBride opens the essay with a reflection on what his ultimate nightmare is. He showcases the Hip Hop community in a negative light with phrases like, “music that doesn’t seem to be music—rules the world” (McBride, pg. 1). This starts the essay off negatively because it misleads the reader by letting them think he is not a supporter of the Hip Hop movement. As you read the entire essay you realize this is not the case. The article itself isn’t very inviting because tone of the entire essay is very cold and cynical. He also doesn’t agree with the typical Hip Hop sound saying things like, “It sounded like a broken record” (McBride, pg. 1). The sound of Hip Hop music is what helps define it and is a crucial aspect of
Prophets of the Hood is the most detailed and a brilliantly original study to date of hip hop as complicated and innovative literary story form. It is written with a refreshing harmonious combination savvy significance rigor as well as brave and creative narrative verve. Imani Perry’s research is an interesting analysis of late twentieth century in American great culture. Prophet of the hood is an excellent and unique book. It draws up a clear division between the negatives and positives involved in hip hop. She takes the discussions of rap to a deeper and greater levels with an insightful analysis of the poetic and political features of the art form. Being a fan and a scholar, Perry is aware the art, tradition of hip hop through an analysis of the song lyrics.
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
Throughout the years many people have put their feelings about the United States Justice system into poems or songs. We have heard various artist refer to the system as being very corrupt and about public officials abusing their power. In 2002, Lauryn Hill released the MTV Unplugged 2.0 album. On this album, there were twenty-one songs. One of the songs was called “The Mystery of Iniquity”. This song featured many verses that reflect the corruption in the American legal system. This song also reveals many significant facts about America’s justice system. Finally, in this song she instructs people to wake up and realize that everything the government tells us is not the truth. Lauryn Hill has never been shy when expressing her beliefs in her songs. Lauryn Hill was first with the Fugees when America first heard her unique voice. As a singer and rapper, she has always been very
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
Hip-hop music is the best base form of music to invoke change because songs can be written quickly by rappers to address their communities. Hip-hop started in the early 1970’s in minority-filled neighborhoods that were surrounded with poverty, crime, and drugs. Over time, hip-hop has been changed to express different messages. At its beginning the message was positive addressing the problems of poor neighborhoods and now the message is flashy and unclear. With this change
...abuse towards women, the sexual objectification of women and the effect these lyrics have on our youth?s opinion of women make hip-hop the absolute embodiment of exploitation of women. The extreme abuse that women must endure as a result of hip-hop, in conjunction with the constant objectification and marginalization that women continue to experience in society today has had a very negative influence on an average adolescent?s perception of women. In a fashion that is metaphorically parallel to the exploitation of women in rap, the great French writer Francois-Marie Arouet, whose pseudonym is Voltaire, once stated, ?No snowflake in an avalanche ever feels responsible? (Arouet). Hip-hop icons are instilled with the incomparable power to change lives for the better or the worse?for the sake of women everywhere, black or white, one can only pray that it is the former.
Both movements use “rhythm and poetry” (Gladney 291) to address social issues affecting the black man, including racism, education and drug use. These movement can both be linked to extreme examples of frustration and rage felt be a large part of the black community, like “the Los Angeles riots of 1992 and the riots that followed the assassination of Dr. Martin Luther King in 1968” (Gladney 292). However, Gladney observed that the Hip-Hop genre has developed more of a focus on commercialism and only in the underground rap world do we still see the idealist who is in touch with the pulse of the black communities. Many rappers in the mainstream lack the political, racial, and social tone of the black community. The notable exception being the groups who use shock and a sold ghetto theme to crossover to the commercial market but maintain their artistic
Rap music from the 1990’s to the year 2000 is known in hip hop as “the golden era”. This era is all about individuality and innovation of creating music in one of the newest musical art forms. Rap music started out as the expression of young black youths in the inner city of New York. Rap music is rhymed storytelling accompanied by highly rhythmic, electronically based music. It began in the mid-1970s in the South Bronx in New York City as a part of hip hop, composed of graffiti, breakdancing, and rap music. From the outset, rap music has articulated the pleasures and problems of black urban life in contemporary America. Rappers speak with the voice of personal experience, taking on the identity of the observer or narrator. Rap music has lost a lot of it purity and essence due to the multimillion dollar business. Rap music is always critizied because of it’s violent and sexual nature but its just reporting what is views in this cold world.(Rose, 1994)
The cultural theory helps expand the knowledge of “hip hop” as an idea and influence on society. Mark Anthony Neal discusses the development of the understanding of hip hop by dissecting the layers and complexities of the culture, “Hip-hop music and culture emerged as a narrative and stylistic distillation of African-American youth sensibilities in the late 1970s,” within What the Music Said (Woldu 18). Urban history is a large, yet vital characteristic throughout the study of hip hop and its progression; Russell Potter shows how critical the representation of black musical expression and the “history of vernacular speech” is for the hip hop community in his book, Spectacular Vernaculars (Woldu 19). As decades pass and the hip hop scene expands, the history of this culture becomes influenced by more historical movements and creations. However, that is not the only historical significance that runs deep within the hip hop culture. The history and influence of the black feminist movement within the hip hop scene became a demanding characteristic in the development of the hip hop culture. As the gender divide became an evident aspect through the hip hop generation, women, especially female rappers,
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .