Lessing’s work is maddening, depressing, brave, and makes us shudder and shakes us by the neck. Her most recent two novels, The Cleft (2007), and Alfred and Emily (2008), demonstrate that she is still competent of throwing bombshells every time. The Cleft imagines a prehistoric Earth populated only by females; Alfred and Emily, by placing the true story of the effect of the First World War on Lessing’s parents alongside a novella that gives them a happier life, completely debates the ethics and authority of fiction-writing, rather like Ian McEwan does in Atonement.
Doris Lessing sums up her feelings and her life as an author, writer and critic, in a newspaper interview in June 2007. Lessing said, ‘I don’t think a writer should deliberately set out to be provocative, but there’s certainly something very abrasive about me. But one of the great advantages of being a writer is that you don’t care what other people think of you. We’re as free as anyone can be in this society.’
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This novel is written almost totally in the structure of an extended flashback, and Lessing writes about the mental, spiritual, financial and marital disintegrations of the lives of Dick and Mary Turner. They are white farmers struggling to make a living in a farm in South Africa. The novel is set in the days of apartheid. The novel explores themes relating to the consequences of apartheid on the day-to-day lives of black and white individuals. It also reveals the deliberate festering nature of revenge and an individual's desire for self-delusion to avoid facing painful
Passage Analysis - Act 5 Scene 1, lines 115-138. Shakespeare’s ‘King Henry IV Part I’ centres on a core theme: the conflict between order and disorder. Such conflict is brought to light by the use of many vehicles, including Hal’s inner conflict, the country’s political and social conflict, the conflict between the court world and the tavern world, and the conflicting moral values of characters from each of these worlds. This juxtaposition of certain values exists on many levels, and so is both a strikingly present and an underlying theme throughout the play.
...ition, she presents the reader with the differing generations of the old and new south, and she illustrates the contrasting views between the two. O’Connor is not afraid to question Christian theology or the Southern culture. Her irony and satire add depth to ther stories, and her deep cultural analysis of the South brings a higher level to her writings. O’Connor also explores the concept of fallen human nature and how it is brought about. Overall, O’Connor’s works prove to be very in depth in both her social and cultural analysis of the South. She is not afraid to critique the society in which she grew up and lived.
...ith money on the floor and tell the blacks to get the money. The blacks dive on the rug, only to find that it is electrified. The whites push the blacks onto the rug so that the whites can laugh at the black people’s pain and suffering. This demonstrates the stereotype of whites in charge of blacks and blacks being submissive to the whites. The white people are forcing the blacks to do something for the whites’ entertainment. The narrator wants to overcome these stereotypes and have his own individual identity.
Baldwin’s writing technique is simultaneously created by the thought of his two different worlds – reality and fiction. By converting his reality of life and present issues in America and translating it into a story, he introduces abroad point of view to the audience. In both of these short stories, he introduces two different stories with several different characters who both inhabit a common realistic theme, oppression, which serves as a major important role in all of their lives. Jesse was oppressed by his sexual identity, while Sonny’s brother was oppressed by the responsibility of taking care of his younger brother. It is even possible to claim that the antagonists’ of the story are oppressed as well. It could be claimed that Jesse’s wife was also an oppressed character. Though the story doesn’t reveal much about Jesse’s wife, it could be assumed that she suffered from oppression because Jesse could not please her sexually. She could be suffering from mental pressure or distress, a solid form of oppression, because she may feel she is the reason as to why Jesse cannot sexually perform correctly. The many thoughts that could run through a woman’s mind when her partner can no longer make love to her is free to roam throughout the story since Baldwin left her character unrevealed. It could also be claimed that Sonny was
Mary had very loving and caring parents whose names were Sam and Pasty McLeod. Her father, Sam, often worked on the farm that they owned. Her mother, Pasty delivered and picked white people’s laundry. Mary often got to come along and play with the mother’s daughter. Once, Mary got into a fight with a little white girl who said that Mary couldn’t read at that time in South Carolina, it was illegal to teach a black person. This made Mary mad, and she wanted to do something about it.
The main character is completely alienated from the world around him. He is a black man living in a white world, a man who was born in the South but is now living in the North, and his only form of companionship is his dying wife, Laura, whom he is desperate to save. He is unable to work since he has no birth certificate—no official identity. Without a job he is unable to make his mark in the world, and if his wife dies, not only would he lose his lover but also any evidence that he ever existed. As the story progresses he loses his own awareness of his identity—“somehow he had forgotten his own name.” The author emphasizes the main character’s mistreatment in life by white society during a vivid recollection of an event in his childhood when he was chased by a train filled with “white people laughing as he ran screaming,” a hallucination which was triggered by his exploration of the “old scars” on his body. This connection between alienation and oppression highlight Ellison’s central idea.
One of the main themes is slavery, mainly the evil of slavery. At the very beginning of the book, readers are shown the idea that not all slave owners are indeed evil and only care about money. There are some owners who do not abuse or mistreat their slaves, however these ideas are not placed to show that the evil of slavery is conditional, but as a way to show the wickedness of slavery even in the best-case scenario. Due to the fact that even though Shelby and St. Clare show kindness towards their slaves, at the same time their ability to tolerate slavery renders them hypocritical and morally weak. In fact, this is first shown when Shelby shamefacedly breaks apart Tom’s family by selling him. Yet, the most evil of slavery does not render its head until Tom is sold to the Legree plantation, where it appears in its most hideous and naked form; the harsh and barbaric settings where slaves suffer beating, sexual abuse and murder. The play then introduces the shock that if slavery is wrong in the best of case scenario, then in the worst cases it ca...
Have you ever wished that someone would go away or were dead? That everything would be fixed if this one person would just go away. You wouldn’t have to deal with anymore of their issues. The neighbors of Mrs. Turner know this wish very well, as they deal with Mrs. Turner everyday. The first page of the story “Mrs. Turner Cutting the Grass,” by Carol Shields, represents Mrs. Turner as a social outcast compared to her neighbors as she is alone and spends her days outside cutting grass and killing the plants with chemical killer. She doesn’t care about her looks and what others think of her. The Saschers are waiting for her to pass away or to be moved into an old folks’ home as they are judgemental towards Mrs. Turner and her daily activities.
The book follows Dana who is thrown back in time to live in a plantation during the height of slavery. The story in part explores slavery through the eye of an observer. Dana and even Kevin may have been living in the past, but they were not active members. Initially, they were just strangers who seemed to have just landed in to an ongoing play. As Dana puts it, they "were observers watching a show. We were watching history happen around us. And we were actors." (Page 98). The author creates a scenario where a woman from modern times finds herself thrust into slavery by account of her being in a period where blacks could never be anything else but slaves. The author draws a picture of two parallel times. From this parallel setting based on what Dana goes through as a slave and her experiences in the present times, readers can be able to make comparison between the two times. The reader can be able to trace how far perceptions towards women, blacks and family relations have come. The book therefore shows that even as time goes by, mankind still faces the same challenges, but takes on a reflection based on the prevailing period.
To the uninitiated, the writing of Flannery O'Connor can seem at once cold and dispassionate, as well as almost absurdly stark and violent. Her short stories routinely end in horrendous, freak fatalities or, at the very least, a character's emotional devastation. Working his way through "Greenleaf," "Everything that Rises Must Converge," or "A Good Man is Hard to Find," the new reader feels an existential hollowness reminiscent of Camus' The Stranger; O'Connor's imagination appears a barren, godless plane of meaninglessness, punctuated by pockets of random, mindless cruelty.
The story clearly illustrates that when one thinks of their ideal lifestyle they mainly rely on their personal experience which often results in deception. The theme is conveyed by literary devices such as setting, symbolism and iconic foreshadowing. The abolition of slavery was one step forward but there are still several more steps to be made. Steps that protect everyone from human trafficking and exploitation. Most importantly, racism is something that needs to stop, as well as providing equal opportunity to all without discrimination.
The story begins with Delia, a working Black woman in Florida, who is a wash woman. It is a warm spring day and she is sorting and soaking the clothing she washes for the white residents of her town. Her husband walks into the house and is immediately looking for a confrontation. It is throughout this confrontation that the exploitative and abusive nature of Delia and Syke’s relationship becomes clear.
In Harriet Jacobs Incidents in the Life of a Slave Girl, the author subjects the reader to a dystopian slave narrative based on a true story of a woman’s struggle for self-identity, self-preservation and freedom. This non-fictional personal account chronicles the journey of Harriet Jacobs (1813-1897) life of servitude and degradation in the state of North Carolina to the shackle-free promise land of liberty in the North. The reoccurring theme throughout that I strive to exploit is how the women’s sphere, known as the Cult of True Womanhood (Domesticity), is a corrupt concept that is full of white bias and privilege that has been compromised by the harsh oppression of slavery’s racial barrier. Women and the female race are falling for man’s
Evans, Robert C., Anne C. Little, and Barbara Wiedemann. Short Fiction: A Critical Companion. West Cornwall, CT: Locust Hill, 1997. 265-270.
...rt-breaking result of racism in the United States and the subject has made its way into the African American literary tradition. Slave narratives such as Douglass’ Narratives and Negro spirituals such as “I feel like my time ain’t long” and “Many Thousands Gone” have made African American literature true to the history that has been recorded. A present day controversial subject in our society is why can’t people, especially African Americans, forget about slavery and the adversity against African Americans? It is believed that African Americans have progressed and made advancement since that time; however, with writers like Elizabeth Alexander, the past just can’t go away forgotten; especially a past that was as gruesome as that of African Americans. Every single bloody lash, death and groaning happened and as she said we have to “say it plain” that it happened.