Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Steven Spielberg films
Don’t take our word for it - see why 10 million students trust us with their essay needs.
(Music Analysis for Films) (Students Name) (University Name) Schindlers List Steven Spielberg in 1993 directed the drama war film, Schindlers List. Thomas Kelly bases it on Novel Schlinder’s Ark. The music type is solo. Violin has been used throughout the film; however, there is use of Oboe. John William, composer of the song and Itzhak, a violinist, gave live to the film. Oboe and violin instruments have been used to bring out emotionally weighted feeling. The Use of musical instruments supplements well the film in bringing out suffering of Millions of Jews. Violin instrument brings a sober beginning, but when coupled with the actions piercing one’s heart, it leaves hearts open, tears running down your cheeks. The director …show more content…
The music type in the film was classical orchestra. The music has brought out theme of love and conflicts. The director presented events that shift from past to present and future by using music composed by Anthony Minghella. The director has used music successfully to connect the audience with the characters and to depict the characters throughout the play. The soundtrack is exemplary; it is suitable to the timeframe, aftermath of the Second World War, when love and embracing one another reigned. The film suddenly twist, violence rage, the music perfectly creates the scene, audience are swallowed, deeply involved. The audiences are treated to weirdest feeling; classical orchestra virtually builds the …show more content…
The solo soundtrack type of music used creates a melancholic tone; the plight of Sheikh Hosny has been narrated. The director of Kit Kat Film, Mr. Daoud Abdel Sayed has used soundtrack composed by Rageh David and Sayed Mekawy to connect the characters throughout the play. Use of instrumental music creates a living environment. The soundtrack connects shifting scenes, from sad tales of a frustrated blind man who has lost his wife and sold his fathers’ house to beautiful lively story in the city. The music used suits the timeframe and events of the movie. Perfectly, blends the pictorial representation of social vices and interaction of the people in the
The beat and resonance of the music is very slow and soothing. It immediately sets up a sad mood. The music also manages to create a lonely and sympathetic atmosphere, which carries on throughout the play. The music only plays at significant times in the monologue as the tone of music needs to fit the mood and subject of which Doris is talking about at that moment, i.e. when Doris reminisces on the good times the music becomes lighter; but when she talks about the death of John the pace of the music slows and becomes duller. The use of music alone can form an overwhelming sympathy if appropriately used.
To fully understand the relationship between a filmmaker and a composer, it is helpful to take a closer look at the filmmaker’s position towards music in film in general; these can of course differ substantially from one director to another. It seems, one must think, that the complete narrative and emotive potential of film music is not yet fully recognized and appreciated in many film produc...
When the more thoughtful and intimate parts of the movie present themselves, a slow paced piano is used to match the solemn moment. Sections of the movie have a positive and optimistic outlook, for example, when Karl walks through the small country town to the house of his new found friend. Karl is obviously filled with awe and enthusiasm for his resurrection into life, this is reflected through the music. An intimate moment in the movie is between Karl and the boy. Karl tells an extremely sad story. A soulful slide guitar and whistling accompanies this story, the music is extremely sad and is the emotion for the kind hearted but seemingly emotionless Karl. Another touching and emotional part of the movie is when Karl visits his father. Whilst Karl walks to the run down house of his elderly father, harmonious voices sing a haunting gospel tune.
The music and sound effects are in the same pont with what the author nedded to say in that play. In the smok and sword fight on the first act we thought will be a play where every body is confusing and fight each other. The phone ringing all the time and this help the actors to play around in the hury and action come up with rehearsal process. The purposes of the phone is any time we heart that something is going to happen, so we expectin to change the sequence in the play. Ringing the phone open a problem, hanging up the phone close the problem. Opening and shoutting the door of dressing room as a slamming it create for the audience understanding the flow of the show and leaves the flexibility as we see white and black to the performance. Crying with tears make the player dramatic, but afraid of discover which it trying to keep things together laughting and
Cohen’s goal is to introduce music in to their lives in hopes of regaining their lost personality and self-identity. With the use of iPods and a playlist of the participant’s favorite music. The film introduces varies professionals such as Dr. Oliver
“99 subhuman Jews in the row, 99 subhuman Jews! Shoot one down, kick it around, 98 subhuman Jews in the row!” ~ Concentration camp worker during the holocaust. How could you begin to describe what’s always said to be such a horrible and tragic event? The Holocaust or Final Solution only seems as bad equal to the amount the person describing it values human life. To answer all of the topics presented to me I will be discussing the following; What is meant by “The Holocaust” or “Final Solution”, Why the Jewish were dehumanized, The choices made during the Holocaust, and My personal view on events that took place during the holocaust.
music to analyse—in fact, the music runs almost constantly throughout the film without very little
For this essay I will be looking at the work of Hans Zimmer to discuss how music in film engages the viewer and evokes emotion and pulls the viewer toward the film. Hans Zimmer is a German born music composer. Hans Zimmer’s love of music stems from his childhood when he learned how to play various instruments. Before Zimmer began composing music for films he was in a well-known band. The band was called The Buggles whom were famous for their song Video Killed the Radio Star. After the Buggles Zimmer played in other bands but never had another hit. As Zimmer has progressed as a film composer so has his list of nominations and awards. Zimmer has won 4 Grammy Awards and 2 Golden Globes and many more for his outstanding film scores. The reason I chose to write this essay on Zimmer was that his genres and music score are extremely versatile ranging from animations to comedy to dark thrillers. This is important to highlight as it shows Zimmer can create almost any atmosphere with his music whether it be sad or creating tension that all cause us to engage with the film. Zimmer's use of themes and introduction of different instruments allowed him to create these wonderful engaging film score. In this essay I will look at three films by Hans Zimmer these are The Holiday Rush and Rain Man.
Schindlers List "Memory is all we have, and when the memories are dreadful- when they hold images of the pain we have suffered or, perhaps inflicted- they are what we are try to escape" (Corliss 110). Steven Spielberg captures the audience in this critically acclaimed movie about the Holocaust. Schindlers List is a movie made to induce the mind into the unknown, the horrors of World War II. David Ansen states "Schindlers List plunges us into the nightmare of the Holocaust with newsreel-like urgency- and amazing restraint" (Newsweek 113). Spielberg brings out all emotions in recapturing this monstrous time period. Schindlers List is about Oskar Schindler, a German Nazi who uses the Jews to make money off the war. At the beginning of the movie Schindler is portrayed as a womanizer, gambler, and heavy drinker. He becomes friends with some top Nazi officials to better himself. As the movie progresses Schindler begins to produce war materials using the Jews as a labor force. As he sits back and watches the various actions of the Nazis he begins to question his morals. His accountant, Itzhak Stern, begins making a list of around 1200 Jews. These Jews were to come and work in Schindlers' factory. When Germany surrendered all of the Nazis were to be hunted. Many Jews thanked him and all of the workers wrote a letter explaining Schindlers' actions. Also, a gold ring was given to him inscribed, "Whoever saves one life saves the world entire" (Talmud). Schindler said good-bye to his workers and fled. Only now the Jews are liberated to have nowhere to go and nowhere to leave. Many great directors concentrate on dialogue, scenery, and plat; however, Spielberg stresses the importance of camera angles and the effect of black and white film, scenes and characters, on viewers in Schindlers List. With his outstanding work on camera angles, Steven Spielberg holds the audience at breath while waiting for the next scene. Spielberg uses a hand held camera to grasp the effects. David Denby explains how the use of a handheld camera is much more accurate. "The camera keeps moving […] moving fast, chasing corners and up stairways […]." Spielberg makes the movie look "like and advertent look of newsreel footage" (1282). Life magazine quoted Spielberg discussing the image of Amon Goeth sunbathing. A man named Raymon...
feels he must turn his factory into a refuge for Jews. By doing so he
A film bursting with visual and emotional stimuli, the in-depth character transformation of Oscar Schindler in Schindler’s List is a beautiful focal point of the film. Riddled with internal conflict and ethical despair, Schindler challenges his Nazi Party laws when he is faced with continuing his ambitious business ideas or throwing it all away for the lives of those he once saw as solely cheap labor. Confronted with leading a double life and hiding his motivations from those allegiant to Adolf Hitler and the Nazi Party, Schindler undergoes numerous ethical dilemmas that ultimately shape his identity and challenge his humanity. As a descendent of a Jewish-American, Yiddish speaking World War II soldier who helped liberate concentration camps in Poland, this film allowed for an enhanced personal
Thomas Keneally’s Schindler’s List is the historical account of Oskar Schindler and his heroic actions in the midst of the horrors of World War II Poland. Schindler’s List recounts the life of Oskar Schindler, and how he comes to Poland in search of material wealth but leaves having saved the lives of over 1100 Jews who would most certainly have perished. The novel focuses on how Schindler comes to the realization that concentration and forced labor camps are wrong, and that many people were dying through no fault of their own. This realization did not occur overnight, but gradually came to be as the business man in Oskar Schindler turned into the savior of the Jews that had brought him so much wealth. Schindler’s List is not just a biography of Oskar Schindler, but it is the story of how good can overcome evil and how charity can overcome greed.
Different from other types of films, the music in Phantom of the Opera was used by all the characters, as a way to tell their part of the story. The music created a convincing surrounding for the film, guided the audiences. The music was constantly a signifier of emotion, as the characters expressed their feelings through the songs. The music score was an emotional and scary score that tied into their diegetic/non-diegetic singing, giving the main characters an identity, specifying situations and places to help connect certain points. When we hear the dark music play throughout the movie, it plays a certain theme, that theme gives the viewers a clear hint of who or what the music is talking about. Another example of signifier of emotion was in The Devil Wears Prada, where the film used either fast upbeat songs for when Andy walks all around the city, running errands for Miranda, or romantic alternative music when Andy is with her boyfriend and true friends (The Phantom of the Opera/The Devil Wears
For example, in American Beauty by Sam Mendes (1999), sound effects help audience to feel the moods of characters; it is not only on the diegetic sound, but also non-diegetic sound. First of all, diegetic sound effects have been described the characters’ feeling and mood. Inserted music in American Beauty can identify the change of the character in accordance with a various music style. For example, when Carolyn sings in her car, it shows her feeling with the diegetic song by using lyric of song. Although a various diegetic popular music help to understand the Burnham’s family, non-diegetic sound has an important role to help audience to identify the character in the movie. For instance, Lester’s imaginary scene of red roses over Angela’s naked body, the non-diegetic music which is played by orchestra, leads the audience to follow Lester’s feeling. Thus, the diegetic and non-diegetic sound not only influences audience to sympathize characters’ feeling and mood in the film but also help audience to identify the characters and the director’s intention via atmosphere over the
The importance of music in movies is highly regarded for manipulating the viewer’s emotions and helping them immerse into the story. Music is one of the prime elements in cinema. Without it a movie would feel dull and unexciting. There are three elements in a movie: one is acting, the second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack of sensation and excitement. Both acting and picture can stand independently from one another, but music is the one that makes the movie memorable.