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T.S. Eliot’s “The Love Song of J. Alfred Prufrock”
Analysis of T. S. Eliot’s The Love Song of J. Alfred Prufrock
T. S. Eliot on the love song of j. a. prufrock analysis
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Self-doubt is a constant emotion people in society face at some point in life. Some may struggle with it more than others. It is unavoidable and often ignored. Self-doubt is the lack of confidence in one self and one’s abilities. It is a difficult emotion to face head on and deal with, so it is simply pushed to the back burner. This becomes very dangerous because it has the ability to take over one’s life in the blink of an eye, much like Prufrock in T.S. Eliot’s poem “The Love Song of J Alfred Prufrock”. The longer Prufrock pushes off confronting his issues, the more powerful his self-doubt becomes. He is afraid to act without knowing the outcome, which is why he is never moving forward, and stepping outside of the box. The poem is based on a man’s inability to act and venture into the real world simply because Prufrock doubts he will ever be able to succeed in life, resulting in him ending up alone and unhappy. This is demonstrated through the alienation Prufrock experiences, the comparison Prufrock …show more content…
“[He] should have been a pair of ragged claws/ scuttling across the floors of silent seas” (Eliot, 73-74). This comparison is very powerful because he doubts he can progress and is constantly putting himself down. Prufrock sees himself as a crab, taking a long time to reach the destination if at all and having to side step around everything. He is constantly looking for guidance proving the doubt Prufrock has that he can never be worthy enough of making a decision without guidance. He may begin something or have an idea then begin to wonder “and how should I presume?” (Eliot, 54) repetitively begging for help and guidance each time he repeats it. The more desperate he is growing. Prufrock does not believe he is capable of making decisions for himself without knowing the answer or end result. He is pleading for help to prepare for what is to come and separates himself from the rest of
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Eliot, T.S.. "The Love Song of J. Alfred Prufrock." An Introduction to Poetry. 13th ed. Kennedy, X. J., and Dana Gioia. Boston: Little, Brown, 1966. 369-372. Print.
In his poem Eliot paints the picture of an insecure man looking for his niche in society. Prufrock has fallen in with the times, and places a lot of weight on social status and class to determine his identity. He is ashamed of his personal appearance and looks towards social advancement as a way to assure himself and those around him of his worth and establish who he is. Throughout the poem the reader comes to realize that Prufrock has actually all but given up on himself and now sees his balding head and realizes that he has wasted his life striving for an unattainable goal.
Eliot and Kafka characterize their respective characters as having negative self-images, a prior lack of success, and as being fundamentally lonely. Prufrock views himself as undesirable, and his self-image seems to grow worse with age. While Prufrock has the chance early on to make something of his life, he sits in a room, presumably one in which there is a display of artwork, and “the women come and go / Talking of Michelangelo” (ll. 13-14). Prufrock goes by unnoticed next to what could be the beautiful works of Michelangelo. It can especially be presumed that he feels inadequate next to the Statue of David, a sculpture for which Michelangelo is famous. As time goes on, his feelings of inadequacy increase when he begins to fear what others will think of his aged appearance, for “They will say: ‘How his hair is growing thin!’” and “They will say: ‘But how his arms and legs are thin!’” (ll. 41, 44). Prufrock’s lack of self-confid...
Despite the beauty described in the first few stanzas of the poem, it was the feeling of doubt and pondering that approached at the end of the poem that truly was the most thought provoking. Instead of just writing of beauty, Poets must realize that they may be leading people to false ideals, and in doing so that they may actually be causing individuals to believe in something that is nothing more than a dream. This realization makes the image of the questioning poet by far the most important in the piece.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
...ing line the eloquently depicts the act of daydreaming and having a quiet fantasy abruptly disturbed by reality (131-133). It is only in his ruminations that Prufrock can escape the demands of society and the expectation of rejection.
By a correct reading of "Prufrock," I mean a reading consistent with the central theme of the poet's belief made mute because the poet lives in a culture of unbelief--that is, the "silence" of the poetic vision in modernity. Prufrock renounces his inherited, romantic role as "poet as prophet" and renounces poetry's role as a successor to religion. The future of poetry may have once been immense, but that future no longer exists for Prufrock, who is faced not only with the certainty of the rejection of his poetic vision but also with a situation in which there are no grounds for rhetoric: "That is not what I meant at all. / That is not it, at all." Fear of rejection leads Prufrock to the ultimate silencing of the prophet and hero within himself, to being "a pair of ragged claws." He cannot share his poetic vision of life: to do so would threaten the very existence of that life. Paradoxically, not to share his light, his "words among mankind," threatens the loss ...
In T.S. Eliot’s “The Love Song of J. Alfred Prufrock,” the author is establishing the trouble the main character, Prufrock, is having coming to terms with middle age. He is deeply distressed over the fact that he is growing old, and feels that the prime of his life has passed him by. His preoccupation with time throughout the poem characterizes his fear of aging. He is a man experiencing a mid-life crisis, brought about by his perception of aging and his own feelings of inadequacy.
For example in the poem he says, “…Time to turn back and descend the stair, With a bald spot in the middle of my hair- [They will say: “How his hair is growing so thin!] My morning coat, my collar mounting firmly to the chin, My necklace rich and modest, but asserted by a simple pin- [They will say:” But how his arms and legs are so thin!”]…” This quotation is an example of Prufrock overthinks situations. He wants to go to the party and ask a question but cannot stop thinking about if he will be judged by the people at the party because of his hair balding and thin body. But a typical person today would acknowledge the fact that the people who will attend the party will be concerned with the party they are attending rather than minor details on him. This is another instance where Prufrock is not typical of people today. People today do tend to over think things but Prufrock takes it to another level with overthinking about things normal people wouldn’t and allows it to affect each choice he makes even the simplest ones in his
The first core issue present in the poem is a low self esteem or insecure sense of self. Most of the poem is centered around the speaker’s indecisiveness and low self confidence. An unknown and overwhelming question is introduced in the first stanza and is revisited later on through “A hundred indecisions. . . a hundred visions and revisions” (Eliot). According to the chapter on Psychoanalytic Criticism, “This core issue [insecure sense of
T. S. Eliot's poem "The Love Song of J. Alfred Prufrock" reveals the unvoiced inner thoughts of a disillusioned, lonely, insecure, and self-loathing middle-aged man. The thoughts are presented in a free association, or stream of consciousness style, creating images from which the reader can gain insight into Mr. Prufrock's character. Mr. Prufrock is disillusioned and disassociated with society, yet he is filled with longing for love, comfort, and companionship. He is self-conscious and fearful of his image as viewed through the world's eye, a perspective from which he develops his own feelings of insignificance and disgust. T. S. Eliot uses very specific imagery to build a portrait of Mr. Prufrock, believing that mental images provide insight where words fail.
One of T.S. Eliot’s earliest poems, “The Love Song of J. Alfred Prufrock”, is a prime example of a text that takes a turn inwards in terms of conveying the experience it presents. The poem provides a look into the distressed mind of an archetypal modern man of the times. It does this using the speaker’s stream of consciousness presented as a dramatic monologue. Prufrock, the poem’s speaker, seeks to advance his relationship with a woman who has caught his eye. He wonders if he has “the strength to force the moment to its crisis” (Eliot, 80). Prufrock is so entrenched in self-doubt that he is uncertain whether he is capable of having a relationship with this woman. His knowledge of the world he lives in and his circumstances keep him from attempting to approach this prospective lover. He contemplates the reasons for which he believes he cannot be with her and scolds himself for even thinking that it was possibl...
Prufrock, the narrator of the poem, is a middle-aged man who is living a life void of meaning and purpose. His thoughts are depressing as he mulls over his dull, uneventful life. One of his most crippling traits is cowardice. He's v...