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Classical hollywood film paradigm
Analysis of comedy movies
Marilyn monroe sex symbol
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Recommended: Classical hollywood film paradigm
Seung Kwan (Daniel) Min
Film Studies
Dr. Venell
Some Like It Hot
The first impression of the title, Some Like It Hot, directed by Billy Wilder, led me to think of it as an erotic pornography. However, this classic film turns out to be more than 50 years old and the era’s sexy symbol Marilyn Monroe star in the film as one of the main characters. The film, Some Like It Hot, was made in 1959, way before I was born; therefore I expected it to be rather old-fashioned, watching it in the 21st century. However, it aroused my appetite through its black-and-white effect and the tight and unpredictable story line. As for me, rooting from a different culture, recognized and heard about Marilyn Monroe, but did not have a concrete chance to watch a film that she starred in. I was incredibly fascinated to hear and watch the prominent movie star, Marilyn Monroe’s voice and appearance through the film. In the film, Some Like It Hot, I realized why Marilyn Monroe was the era’s leading heartthrob; she had a naïve and pure voice with chastity on top. Moreover, I could not believe how at the age of 37, Marilyn Monroe could boast the immense allure to the audience. Although this film was made over 50 years ago, the trump card of this film’s long run success roots from the black-and-white effect, the unusual approach of sex disguise, and the unleash of tradition or rules of a comedy film in the 1950s.
The film, Some Like It Hot, used the method of black-and-white effect. As watching the film, I thought to myself that perhaps there could be more reason behind why Director Billy Wilder used the effect of black-and-white. It turns out to be that there was a dissent on using the black-and-white effect, but director Wilder completely ignored this opinion....
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...he classical comedy movie when making the film, Some Like It Hot. First, the plot line starts out from a violent St. Valentine’s Day murder by the gang. Usually, it is difficult and unusual to casually develop from a violent scene to a comical view. However, this film was well constructed in shifting from a violent murder scene to a comical disguise of two men. Moreover, I figured out that only the half of the script was written in the beginning of the movie shoot. Furthermore, the film itself is two hours long, which may become tedious for a comical film. Despite all of these aspects, the film was truly a commercial and long-term success. This clearly conveys that the infringing of the classic comical film’s path is the secret recipe of a lasting triumph. This may be the reason why AFI selected the film, Some Like It Hot, as one of the paramount comedy film by far.
In Visual Pleasure and Narrative Cinema, Mulvey states that, “Traditionally, the woman displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic object for the spectator within the auditorium, with a shifting tension between the looks on either side of the screen.” (Mulvey 40). A woman’s role in the narrative is bound to her sexuality or the way she
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
Imagine it – all the rules you were raised to follow, all the beliefs and norms, everything conventional, shattered. Now imagine It – Clara Bow, the It Girl. The epitome of the avant-garde woman, the archetype of the flapper, was America’s new, young movie actress of the 1920’s. Modern women of the day took heed to Bow’s fresh style and, in turn, yielded danger to the conventional America. Yet Bow’s contagious and popular attitude came with its weaknesses - dealing with fame and the motion picture industry in the 1920’s. Despite this ultimate downfall, Clara’s flair reformed the youth and motion pictures of her time.
Keathley, Christian. "Trapped in the Affection Image" The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Ed. Thomas Elsaesser, Alexander Horwath, Noel King. Amsterdam: Amsterdam University Press, 2004. 293-308. Print.
Todd, Janet. Women and Film. Vol. 4. New York, NY: Holmes and Meier Publishers, 1988.
While the film was just absolutely chilling, the one scene that sticks out the most is the infamous shower scene. While I had never watched this film, I came in with the basic knowledge that the shower scene was just brutal to watch; the music scoring and actions of this scene have been parodied in countless movies and shows. One thing I noticed was the very obvious fact that the movie was shot in black and white. This film was produced at a time where color film was widely available and it seemed at first, somewhat pointless to shoot something in black and white when better options were present and also easily accessed; this meant that shooting in color would not greatly increase production values. However, this is far from the actual truth as the black and white adds an element of darkness to the actual picture and creates a depth that would not have existed otherwise...
Marilyn bleached her hair and grew highly independent. She started studying in the field of acting at the Actors’ Lab in Hollywood. Sh...
Among the large array of sex symbols that our country has been introduced to, Marilyn Monroe has remained as the most prominent provocative figure of the twentieth century. Born Norma Jean, the aspiring movie star, singer and actress lead an evasive life, one which author Fred Lawrence Guiles demystifies in his biography Legend: The Life and Death of Marilyn Monroe. The author takes his audience through the struggles and successes that Monroe faced, beginning with her early years and up until her final years filled with havoc, and ultimately death. Guiles especially depicts Marilyn’s dependence on others, as well as her inability to be alone throughout her life and as she reaches the height of her fame during the 1950’s and 60’s. Although flawed, this portrayal offers insight into the life of a very troubled yet unique woman.
Think about the obstacles of a woman to become successful in the 1950s. I want to find an answer whether it was the media, which created Monroe’s sexy image or Monroe, whom herself used her sexy image to become famous. I am going to study the background of the time period, and learn if the current events such as the Civil Rights Movement and the Cold War, had any impact on Monroe's life, or whether Monroe herself had any influences politics in mid-20th century. I will also explore on how Monroe’s image influenced and redefined the feminism in the 21st century. I believe Marilyn Monroe was a clever, confident, and independent woman who was very brave and smart. Her spirit is what the girls in the new century needed. I also would like to study why Marilyn Monroe is still relevant and even famous in the 21st century to show the power of female charisma.
Noted in Yvonne Tasker’s Working Girls: Gender and Sexuality in Popular Cinema, Goldie Hawn says this about women's role in the film business “There are only thee ages for women in Hollywood: Babe, District Attorney and Driving Miss Daisy” (1998, p. 3). While Haw...
Film scholar and gender theorist Linda Williams begins her article “Film Bodies: Genre, Gender and Excess,” with an anecdote about a dispute between herself and her son, regarding what is considered “gross,” (727) in films. It is this anecdote that invites her readers to understand the motivations and implications of films that fall under the category of “body” genre, namely, horror films, melodramas, (henceforth referred to as “weepies”) and pornography. Williams explains that, in regards to excess, the constant attempts at “determining where to draw the line,” (727) has inspired her and other theorists alike to question the inspirations, motivations, and implications of these “body genre” films. After her own research and consideration, Williams explains that she believes there is “value in thinking about the form, function, and system of seemingly gratuitous excesses in these three genres,” (728) and she will attempt to prove that these films are excessive on purpose, in order to inspire a collective physical effect on the audience that cannot be experienced when watching other genres.
Some Like It Hot is an American screwball comedy film directed by Billy Wilder and featuring Marilyn Monroe as Sugar, Tony Curtis as Joe, and Jack Lemon as Jerry. Joe and Jerry are struggling musicians who accidentally witness a mob hit and become targets. To hide from the mob, they flee the state as members of a traveling women’s band, where further complications set in. They quickly become besotted with the lead singer, Sugar, who in unable to recognize that her band mates are really men masquerading as women.
In the article “Visual Pleasure and Narrative Cinema,” Laura Mulvey discusses the relationships amongst psychoanalysis (primarily Freudian theory), cinema (as she observed it in the mid 1970s), and the symbolism of the female body. Taking some of her statements and ideas slightly out of their context, it is interesting to compare her thoughts to the continuum of oral-print-image cultures.
Thakur, C. (2013). 100 years of cinema: History of the kiss-sexually liberated 1930s to prudish 21st century. Retrieved from http://ibnlive.in.com/news/100-years-of-cinema-history-of-the-kiss--sexually-liberated-1930s-to-prudish-21st-century/373984-8-66.html