When one looks at a reboot of a movie, it is essential to seek a balance of staying true to the old story, while giving it a breath of fresh thoughts. For the story Robocop, the stories being made thirty years apart, it would have a different audience in 2014 than it did in 1984. This audience would require different aspects from cinema, such as flashier effects, more intricate costumes, and a simpler plot. While these changes appeased the younger audiences of the age, the changes left the older crowd as well as the people with different tastes betrayed. Although the new movie had more grandiose and flashy effects and costumes, it lacked charm and had mediocre script writing.
What the newest Robocop had done correctly, is that it modernized
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When one observes the plot of the story, it becomes blatantly obvious that places in the script where story development should be, is replaced instead by shootouts, car chases, and fighting scenes in general. While it is not just understandable, it is crucial to have more action scenes in action movies than other genres, what makes the classic action films great, is that they found a stable order of development of plot and action …show more content…
The original was renowned for its superior script writing, so it would be assumed that it would be obvious to take notes from the movie, yet it seems that the reboot had failed to do so to formulate a new identity. In its attempt to validate the new script, it failed to distribute the same emotions and vibe of a character trying to discover who he was. This had been quickly noticed by fans or the originals and its sequels and drew much ire for seeming to have an oppositely polarized wording when compared to the
Watching a film, one can easily recognize plot, theme, characterization, etc., but not many realize what basic principle lies behind nearly every story conceived: the hero’s journey. This concept allows for a comprehensive, logical flow throughout a movie. Once the hero’s journey is thoroughly understood, anyone can pick out the elements in nearly every piece. The hero’s journey follows a simple outline. First the hero in question must have a disadvantaged childhood. Next the hero will find a mentor who wisely lays out his/her prophecy. Third the hero will go on a journey, either literal or figurative, to find him/herself. On this journey the hero will be discouraged and nearly quit his/her quest. Finally, the hero will fulfill the prophecy and find his/herself, realizing his/her full potential. This rubric may be easy to spot in epic action films, but if upon close inspection is found in a wide array of genres, some of which are fully surprising.
Violent scenes and scenarios are now a common go-to for movies, books, comics, and much more.
Even though this movie is based in real events, but some scene that appear in the film it just give the movie more action and drama. Alan Parker and the writer Chris Gerolmo wanted to the viewers and critics to be able to think and analyze the movie. I think they added other actors to make the movie intense and to add talk about scene. From experience this was an outstanding film.
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
Although I will always love the original, the script, the movie was so fun to watch. We got know why lady bracknell is who she is since she apparently was a dancer and got life by having a baby. We found out instead of hugging miss prism got engaged to dr. chasuble which was interesting. Although I want to say what the real change was in the movie compared to the script you got have to watch the movie all the way through. It will be the biggest surprise of your
Robocop, released in 1987 directed by Paul Verhoeven, is a film about the city of Detroit which suffers from many crimes, to stop these crimes they create a part human robot that is indestructible, but they encounter problems a long the way. On the other hand, WarGames was released in 1983 directed by John Badham, this film is about a teenager that discovers a glitch in the military computer and almost causes a war with Russia. The film Robocop and WarGames are ones that focus on the time periods of the 1970’s and the impact that the government had on the people.
At this point, the readers create their own movie in a way. They will determine important aspects of how the character speaks, looks like, and reacts. Whereas, in the movie, the reader has no choice but to follow the plot laid out in front of them. No longer can they picture the characters in their own way or come up with their different portrayals. The fate of the story, while still unpredictable, was highly influenced by the way the characters looked, spoke, and presented themselves on screen.
A set of practices concerning the narrative structure compose the classical Hollywood Paradigm. These conventions create a plot centering around a character who undergoes a journey in an attempt to achieve some type of goal (). By giving the central character more time on screen, the film helps the audience to not only understand the character’s motivation but also empathize with his/her emotional state. Additionally, some antagonistic force creates conflict with the main character, preventing immediate success(). Finally, after confronting the antagonist, the main character achieves his or her goal along with growing emotionally(). This proven structure creates a linear and relatively easily followed series of events encompassing the leading character and a goal.
What I thought was different was between the movie and the script was that the movie had more
The acting choices of each version vary in similarity and in quality. Some characters are portrayed differently in the
Adaption of nostalgic popular culture allows for new interpretation of characters, plot and reimagining of the narrative arc that are beloved both by older audiences and discovered by younger generations. As Glover expresses, “the remaking of popular fiction not only brings into new sorts of
In the anime, Attack on Titan, the director is able to create and blend different master plots: vengeance by visual editing that places flashbacks at important moments inside the story and camera angles; hero’s quest by visual cuts and transitions from different character points of view; underdog by changing camera angles. Finally, but not least temptation through the use of sound editing with actions scenery and coloring. Narrative elements used by the director inside a film can change the master plot at any critical moment inside a story, elaborating a different story that can vary depending on our way of interpreting and analyzing the world around us. The director may have a general message that he wants to convey through narrative elements as it was previously stated, but we as the audience have the last word in what the film represents even though we obtain the main idea through the manipulation of the narrative elements used by the director.
What is the problem with our future? The problem with our future is that humans do not want to include robots. Even though it would be good, humans think otherwise. Robots would be good at making critical decisions during a war, and would be good at healing humans.
Action films contain lots of physical stunts, chase scenes, rescues, fights, humour, destructive disaster (Explosions, floods, fires, natural hazards), escapes, and non-stop action. People expect the stunts when they come to see an action film, because the stunts and fights are what make the film so popular. Action films are normally set in either popular cities or glamorous islands. I watched a film to see if it fitted the expectations of what id expect from a typical action film, the film I watched was twister. Twister doesn't fit the expectations of an action film entirely, it is different to what I would expect from an action film, however it does
To understand the subjective ideation of film scripting, one has to consider the various possibilities of changing a section of a scene. There are innumerable po...