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Thesis statement for impressionism art movement essay
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Robert Henri urged his students in Philadelphia and New York to reject idealism and to focus instead on reality, whether it be banal or harsh. “Draw your material from the life around you, from all of it. There is beauty in everything if it looks beautiful to your eyes. You can find it anywhere, everywhere.” Henri's Snow in New York depicts ordinary brownstone apartments hemmed in by city blocks of humdrum office buildings. This calm, stable geometry adds to the hush of new-fallen snow. The exact date inscribed—March 5, 1902—implies the canvas was painted in a single session. Its on-the-spot observations and spontaneous sketchiness reveal gray slush in the traffic ruts and yellow mud on the horsecart's
wheels.
“Winter Evening” by Archibald Lampman, and “Stories of Snow” by P.K Page are two poems describing the human experience of winter. Winter is seen, by some, to be blissful, magical and serene. Winter could also be described as pure and heavenly, with the white snow resembling clouds. However, others have a contrasting viewpoint; they paint winter in harsher light, giving the impression that winter is bitter and ruthless. Others still, have a mixed viewpoint and may recognize both the positives and negatives to the season.
Claude-Joseph Vernet’s oil on canvas painting titled Mountain Landscape with an Approaching Storm was created in 1775, and it is currently located in the European Art Galleries (18th- 19th Century North) 2nd Floor at the Dallas Museum of Art. It is a large-scale painting with overall dimensions of 64 1/2 x 103 1/4 in. (1 m 63.83 cm x 2 m 62.26 cm) and frame dimensions of 76 1/8 x 115 1/4 x 4 3/4 in. (1 m 93.36 cm x 2 m 92.74 cm x 12.07 cm). Vernet creates this piece by painting elements from nature and using organic shapes in order to create atmospheric effects, weather and different moods. This piece primarily depicts a landscape with a rocky mountainous terrain and villagers scrambling to an upcoming storm.
Snow Falling on Cedars, a novel by David Guterson, is a post World War II drama set in 1954 on the island of San Piedro in Washington State. The story’s focal point is the murder trial of Kabuo Miyamoto, who is accused of killing a fellow islander, Carl Heine, Jr., supposedly because of an old family feud over land. Although the trial is the main focus of the story, Guterson takes the reader back in time through flashbacks to tell a story of forbidden love involving two young islanders, Ishmael Chambers and Hatsue Imada (Kabuo’s future wife). At the time of their romance, interracial relationships were considered strictly taboo because of racial bias. It is through both this love story and Guterson’s remarkable use of setting and imagery that the reader is informed as to why racial prejudice is so high on the island of San Piedro at the time of the trial and why Kabuo is not merely on trial for Carl’s murder, but also for the color of his skin.
To Thoreau, life’s progress has halted. It seems people have confused progression with captivity driven by materialism. To Krakaeur, people are indifferent to pursing the sublime in nature. To Christopher McCandles the world around him is forgetting the purpose of life. People are blind to nature. In the eyes of these men the world is victim to commercial imprisonment. People live to achieve statuses that only exist because man made them. Fame, money, and monotonous relationships do not exist in nature; they are the pursuits of soulless fundamentalism. The truth is that people pursue meaningless goals, and people don’t want to hear or know how they are foolish. When exposed, reality is so unsettling that it seems wrong. Yet, to be free of the falseness in life is in essence the point of singularity that people realize if there is no truth in love then it is false, if there is no truth in money then it is worthless, if there is no truth in fame then it is undeserving. Without truth everything is a worthless pursuit of a meaningless glass ceiling.
Nature. Nature exists ever since the beginning of time when God created earth. Nature shaped and molded mankind in its cultures, societies, and philosophies over the course of nature’s existence. Nature influenced people’s way of living, the way they act and react, the way people view what they see, the way they think, and the way people learn and believe for centuries. People used nature in designing their art. People crafted art in forms of music, paintings, and literature overflowing with imagery, atmospheric tones and moods, symbols, and themes influenced by nature. David Guterson too used nature to mold and shape his novel, Snow Falling on Cedars. Guterson was able to make is themes flourish and shine through his artistic and symbolic use of nature incorporate in the novel’s plot. Guterson achieved capturing and touching readers’ hearts through his themes unfolded from the help of nature being used symbolically.
It is no easy task to create a work - through writing or film - that has an impact on society. In writing, one must discuss and analyze a relevant topic that will have an impact on the readers. One must also present stunning sensory images through words in order to create a complete understanding for the reader. In filmmaking it is not much different, but there must be striking visual imagery in combination with a fitting musical score in order to give the viewer of the film the full experience. There must also be historical accuracy, both in writing and film. In either case, it can take years to create such a captivating piece of work. David Guterson's novel Snow Falling on Cedars and its cinematic counterpart of the same name combine all of the aspects of good writing and filmmaking to create an emotionally provocative and historically accurate masterpiece.
January 12, 1888, a blizzard covered the northwest part of North America that claimed many lives. This blizzard was considered to be the worst blizzard of all time, and was dubbed the “the Schoolchildren’s Blizzard”, for claiming the lives of so many school children on their way home. The death toll of this murderous blizzard rose, because of lack of preparation and being uninformed. During this time, many farmers and families were unprepared to survive a blizzard of this magnitude, by the lack of clothing they wore. Forecasters were not as accurate enough to inform people on the weather conditions. Also, shelter was a major factor in protecting themselves from the winter storms, but the shelter was not stable
Sporre, Dennis J. Reality through the Arts. Upper Saddle River, NJ: Pearson Prentice Hall, 2013. Print.
Before Impressionism came to be a major movement (around 1870-1800s), Neoclassical and Romanticism were still making their impacts. Remembering last week’s lesson, we know that both those styles were different in the fact that one was based on emotion, while the other was practical and serious. However, one thing they both shared was the fact that the artists were trying to get a message across; mostly having to do with the effects of the French Revolution, and/or being ordered to do so. With Impressionism, there is a clear difference from its predecessors.
At the same time, idealism can be healthy. Realism, the cotrary of idealism can be
Although he prescribed no particular set plan to attain his ideal, he seemed to believe that the fostering of aesthetic culture was next phase in the evolution of civilization and of mankind. The aesthetic path must be taken, he said, because it is through beauty that, man makes his way to freedom. Despite his lack of definite definitions, inconsistencies and unclear goal "On the Aesthetic Education of Man" is a brilliant piece that is just as confusing as all philosophies but written as beautifully as any great piece of literature.
Upon first sight, it appears that John Sloan’s Spring Rain and Edward Hopper’s Summertime only common characteristic is that they are both oil paintings on canvas. Spring Rain, from the school of Impressionistic art, was painted in 1912. Summertime, which possesses a simplified, schematic style, was created over thirty years later, in 1943. Therefore, there are extreme differences in the two artists’ technique and style. However, despite these differences, the two painters’ works embody the same theme: They are both scenes of urban realism characterized by isolation and loneliness.
“The Snow Man,” by Wallace Stevens, dramatizes a metaphorical “mind of winter”, and introduces the idea that one must have a certain mindset in order to correctly perceive reality. The poet, or rather the Snow Man, is an interpreter of simple and ordinary things; “A cold wind, without interpretation, has no misery” (Poetry Genius). Through the use of imageries and metaphors relating to both wintery landscapes and the Snow Man itself, Stevens illustrates different ideas of human objectivity and the abstract concept of true nothingness. Looking through the eyes of the Snow Man, the readers are given an opportunity to perceive a reality that is free from objectivity; The Snow Man makes it clear that winter can possess qualities of beauty and also emptiness: both “natural wonder, and human misery”. He implies that winter can also be nothing at all: “just a bunch of solid water, dormant plants, and moving air.” (The Wondering Minstrels). “One must
There are a couple of things that I want to do throughout this presentation, which includes (1) giving a more in depth and detailed overview of Romantic Idealism, as espoused by Jean-Jacques Rousseau; (2) but then, I am also going to point out some of the conflicting commitments that he see seems to have in some of doctrines and theories, and some of the tensions that then arise between these commitments to the preceding Age of Reason and his new theories; (3) I finally want to suggest how a lot of these theories as well as their contradictoriness inspired
Many believed that Modernist works were not “art” because they did not always look like real life. But what is “real life”? A new outlook on reality was taken by Modernists. What is true for one person at one time is not true for another person at a different time. Experimentation with perspective and truth was not confined to the canvas; it influenced literary circles as well.