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Literacy through everyday life
Literacy through everyday life
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Poor Gimpel; everyday life is not easy for the everyday bread maker. Every day he is the target of jokes and pranks from the townspeople, some of which are really cruel. I sympathize with poor Gimpel; I remember how it felt getting bullied and mistreated like Gimpel. I know how it feels to be mistreated in such a way. Later on, he is betrayed by his own wife, Elka for numerous infidelities. Just because Gimpel lets all the townspeople screw around with him and Elka lie to him constantly, does that really make him a fool? Is Gimpel really any bit dopey, incompetent, or lack moral thought? Singer portrays Gimpel as a fool in his story, “Gimpel the Fool,” but he is truly not because he shows self-awareness, true feelings, and even wisdom. Does somebody who is fully aware of his surroundings and has …show more content…
In a marriage, you two vow to love each other till death do you part, but obviously Gimpel and Elka’s marriage did not go that way. Gimpel loves his wife, or at the very least makes an effort to, despite the number of blows Elka gives him throughout the story. “His desire to indulge her, his outpouring of affection, which he obviously has an immense store and can which he can afford to expand unreturned, makes him reluctant to deprive himself of the happiness of her prescence-” (Goonetilleke, par 6). Even before being officially married, Elka first deceived him about her virginity. When he found Elka was, “Both a widow and divorced (1357),” he illustrates his feelings by saying, “It was a black moment for me.” He shows that clearly it was devastating for him to find out his new wife was not a virgin after all. But it does not end there. Up until her death, throughout most of their 20 year marriage, Elka committed numerous infidelities and gave birth to six children, none of which Gimpel fathers. She was able to manipulate Gimpel into thinking he was the father despite no intimacy between
Strong feelings towards another can lead to imprudent actions. Throughout The Book Thief Liesel, Rudy, and Hans make impetuous decisions due to their strong emotions towards another. From reading this novel one can conclude that there is a very fine line between irrationality and bravery. Most of the decisions and subsequent actions made in the story could be regarded as brave but in truth many of these decisions were impetuous and ill thought out. In fact many of the characters subsequently came to this conclusion as well. The characters could have achieved more by executing logically planed actions instead of acting on the spur of the moment and jeopardizing their lives or the lives of others. It is amazing that even polar opposites emotions like love and hate result in the same irrational consequences as exemplified by Rudy, Hans and Liesel.
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
John Gardner’s Grendel brings a new perspective to the the way the story of Beowulf is told and interpreted. (Grendel’s ability to be influenced by the multiple sources around him changes his outlook on life. It also changes the reader’s ideas of who Grendel is as a character as he develops and changes in the book.) Grendel’s ability to be influenced with ease by multiple characters throughout the book shows his true adolescence and nature to follow others. These multiple characters such as the Dragon, the Shaper, and Wealtheow all are able to use their propaganda to instill into Grendel a new value or trait. Grendel’s adolescence therefore results in multiple sources of propaganda being so influential on him as a character. (is the reason why propaganda from many different sources influences him so heavily.)
The starting of the story kept me in suspense: the starting sentence, “No one can accuse Philippa and me of having married in haste” (Fox 1). This clearly brought up the theme of love and marriage. The selection of words by the narrator told that the speaker did not regret his marriage. The defensive tone of the narrator made me to think that perhaps people had criticized his marriage.
The story begins with a flash-back into Grendel’s early years. He is all alone even then, but he is too young to realize it and fills this void with imaginary friends. He talks about how he entertained himself during his early years saying “Crafty-eyed, wicked as an elderly wolf, I would scheme with or stalk my imaginary friends, projecting the self I meant to become into every dark corner of the cave and the woods above” (17). People in our world may invent imaginary friends also, sometimes for companionship, as part of play, or for other reasons. Imaginary friends can serve as an important source of companionship to some children and even adults, especially if companionship is absent for them in the social world. As an example “young children in boarding schools often develop imaginary friends to cope with extreme stress and separation from their intimate relations” (www.phycologytoday.com/z10/fl/mllr.7se.php)
Grendel, surprisingly, adapts quite well to his society despite its detestation of his existence. Grendel live is a rattlesnake-guarded cave, which allows himself to detach from his society, giving him the necessary space to cope with the troublesome thoughts among his people about Grendel. Unlike Frankenstein, Grendel tries to associate with the members of his civilization but is rejected every time he tries to do so. Every night Grendel goes to Herot to listen to the Sharper’s stories because the history interests him. He is quite intrigued and appreciative of the tales he hears, but when he comes in contact with those from Herot, they do not reciprocate the appreciation of his presence in Herot. The ones he admires so much taunt and torture him to the point they try to kill him for “intruding.” As retaliation, Grendel fights back and raids Herot every night.
It all began with a young hidalgo (a member of the minor nobility in Spain) falling in love with a beautiful but lowly girl, María. Some years ago, the young hidalgo fell in love with María. María had a casita--a little house--where the young hidalgo would visit and bring his friends. In almost every way, they shared a happy life together. Eventually, María bore him two or three children. Everything was well except that their marriage was not blessed by the church, as his parents knew nothing about the arrangement. When his parents found out about María, they would not allow him to marry her and would not accept her as his wife nor her children as their grandchildren. They went on and urged him to marry a more suitable lady to give them grandchildren; this "suitable lady" was also a member of the minor nobility in Spain, also very beautiful. At some point in time, he ga...
In the tale that Geoffrey Chaucer had wrote, The Wife of Bath’s Tale, a man was described as a Knight. This Knight wasn’t like any normal Knight, he messed up and raped a girl. This is a big mistake, giving a lot of Knights a bad name, and having those that look up to them start to be disappointed in them. Usually the punishment that is given to those that rape, or in general any other crime, is death or time in the slammer, however, the Queen says no because he is a good looking guy. Instead of death, he had find out what women most desire from men. He is given a year and a day to find out, and on the last day, when he nearly had given up all hope, he sees an old woman in a field who makes a deal with him. The old lady gives the Knight a choice: to have an old, but faithful, wife, or to have a drop-dead gorgeous woman, but to have her never to be faithful, before she tells him what the Queen wants to know. The old lady and Knight get married and she wants him to sleep with her, like husbands are supposed to do with their wives. They argue and she gives him the two choices again; to have an ugly wife, but she is faithful. The other choice is to have a drop-dead gorgeous wife, but is never faithful. With this, he learns a lesson, and sufficient punishment.
Torvald and Alymer think they’re inlove with their wives but, they are not. Alymer and Torvald love their possessions, similar to loving a car. They love the feeling and the moments they get to spend on earth mesmerizing their beautiful uniqueness, but they do not care about the wellbeing of the other person. “Women define visibility as including communication, verbal and non-verbal, show the slipperiness of the slope, and raise question of consciousness.” (Deutsch, 1889) In both relationships there was a lack of communication, intimacy, and respect. Nora and Georgianna both wanted their loved ones to show concern for them even in rough circumstances, but both men failed either because of selfness or love of science. When Torvald received the IUE from Krogstat, his immediate response was “I’m saved!” Being selfish his first thoughts are of himself rather than, his kids, and Nora. Aylmer’s attention to his wife’s birthmark over time, drove Georgianna insane to the point where she would die trying to remove a little mark on her face. Alymer started to point out that she is no longer perfect because of the birthmark. After you marry someone you accept their flaws internally and externally, and both failed to do so therefore, they lost their wives.
While Grendel may possess a brute strength, his lack of wit and logic is what ultimately leads to his downfall and demise. In Beowulf, the actions and character that of Beowulf, or an Epic Hero, define the perfect Anglo-Saxon warrior. Epic heroes are indicated by a variety of traits, including that they, “must look like a hero, they must be noble, famous, strong, courageous, humble, prideful, thick-skinned, self-sacrificing, faithful, focused, be a leader, and have a tragic flaw” (Jones 3). Unfortunately, aside from the ‘tragic flaw’ and ‘strong’ categories, Grendel’s character is antithetical to all characteristics of an Epic Hero. This makes him quite the villain, and a generally despicable character. “Suddenly then, / the God-cursed brute creating havoc: / greedy and grim, he grabbed thirty men”
{1} Grendel, it seems, actually didn’t have too much exposure to humans before the start of the poem. He “hunted the moors” (17), likely subsisting on animals he had killed. The reasons why he started killing humans aren’t entirely clear; he had “growled in pain, impatient / As day after day the music rang / Loud in that hall” (2-4). He could also come across as merely curious, as he was “wondering what the warriors would do in that hall” (31-32). This raises a noteworthy attribute of Grendel – though he is often animalistic, he frequently is described as thinking, wondering, or otherwise displaying a human-like nature. The humans think of him not as a raging beast, but as a calculating criminal. But how calculated were these crimes? Grendel doesn’t seem to have planned his war on Herot, especially not that first night. The statements “[Grendel’s] Thoughts were as quick as his greed of his claws” (35) and “delighted with his night’s slaughter” (40) give the
Grendel exhibits human feelings and characteristics in many ways. Although Grendel is a monster “forced into isolation by his bestial appearance and limited imagination” (Butts) he yearns to be a part of society; he craves companionship while he is isolated. With his “ear pressed tight against the timbers [of Hart]” (43), he watches and listens to the humans and what goes on in Hart, the meadhall of King Hrothgar, to feel like he is a part of civilization. He also has feelings in relation to specific humans. Just like the citizens of Denmark, he is extremely affected by the Shaper and his songs that are “aswim in ringing phrases, magnificent, golden, all of them, incredibly, lies” (43). Grendel is profoundly “moved by the power of the Shaper’s poetry” (Butts). Queen Wealtheow shows Grendel the feminine, sweet, and kind side of life. “She had secret wells of joy that overflowed to them all” and her peaceful effect on those around her is a main cause of Grendel’s almost obsessive fascination with her and in turn, drives Grendel to feelings of rage. Grendel’s humanlike feelings show that his personality is similar to that of a human, helping those who read his story to relate to him.
In his epic poem, Paradise Lost, John Milton addresses the role of woman and man within the institution of marriage. More specifically, he explores why such a bond is considered sacred within the context of his Protestant religion. The book of Genesis offers two guidelines for an ideal marriage, both exemplified in the relationship between Adam and Eve. The first account states, “Therefore shall a man leave his father and his mother, and shall cleave unto his wife: and they shall be one flesh” (Gen. 2.24). A contextual reading gives the reader the impression that God encourages man and wife to pursue a spiritually enriched relationship, in which they share such intimate feelings that they seem to become a single person. The second account translates the word of God, “Be fruitful and multiply” (Gen. 1.28). This statement asserts that procreation is an important aspect of an ideal marriage. Milton’s own account of Genesis within Paradise Lost, supports the first account, but does not discount the latter. Adam and Eve are the original parents of mankind, and do procreate within the Garden of Eden. However, Milton chooses to focus much more on the bond shared between them, instead of the results of their sexual relationship. Adam and Eve maintain a partnership that involves deep friendship and understanding for one other. Connecting with one another allows them to maintain a structured relationship without any confusion as to each role within the relationship. Concentrating on the bond between one another allows them this clarity, much like, in Protestant religion, a strong devotional relationship to God allows clarity within one’s life. In emphasizing the importance of t...
Paul’s infatuation with Agnes seems to have caught his mother by complete surprise. Their seven years in the village seemed to only strengthen her belief that Paul was a great man worthy of the praise and admiration that others bestowed upon him. It seemed the perfect fit for both of them “for they were so happy in the little village that seemed to her the most beautiful in all the world, because her Paul was its saviour and its king” (Deledda 31). If not for the mother’s need to protect Paul, his affair with Agnes may have continued on longer. Her devotion to her son and to God could not go on silenced however. Paul’s feelings of guilt forced him to see his error and to quite seeing Agnes in order to serve only God. “He was a priest, he believed in God, he had wedded the church, and was vowed to chastity” (Deledda 57). His love toward Agnes did not dissipate however and he sought to find ways to forget about her.
In anguish of learning the truth of betrayal by the closest presence in his life, Elka, Gimpel finally falls for the temptation of the Spirit of Evil. Just in the nick of time, Elka appears before him in a dream state. “‘You fool!’ She said. ‘You fool! Because I was false is everything false too?’ I sensed that everything hung in the balance. A false step now and I’d lose Eternal Life. But God gave me His help.” (Singer, page 403) With his God’s help, Elka returns to Gimpel whom Gimpel depended on for strength in life, in death, her apparition made