Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Impact of media on individuals
Impact of media on individuals
Impact of media
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Impact of media on individuals
Emerging artist Wyatt Mills, who just finished up his solo show Phantasmagoria, has certainly displayed that he is one to watch. His work takes on a life of its own in its whirlwind of traditional technique coupled with powerful messages that are sure to beg an interpretation from every viewer. These interpretations may be similar, or they may be radically different; but the point is that his art provokes a strong emotional and thoughtful response through its movement, composition, and personal style. Phantasmagoria is Wyatt’s commentary on the over-stimulation of media. The idea behind his collection is displayed in the powerful affect the images have on their viewers. His images are over-stimulating themselves, but we are forced to face this over-stimulation and see the harm it causes in our society. When coupled with his use of hardly subliminal messages from the media, his point of the affect of over-stimulation flies through and nearly knocks its viewers on the floor.
Although his show has ended, it is apparent that he will be back with more. His paintings are a treat in person because photos do not deliver the raw impact they have on their viewers. He creates a texture through his collage like technique that is exciting to examine, and once the texture and content have processed, the actual point of each piece begins to emerge. As I said, every interpretation will be different. Sometimes his images are direct and forceful, sometimes they are subtle. Regardless, his artwork makes an impression and has a powerful driving force that will not be forgotten.
First off, thank you for taking the time to do this interview with us. Can you tell us a little bit about yourself (your childhood, when and how you started painting)?
I wa...
... middle of paper ...
... moved to NY to study Fine Art, thinking I would enjoy being a painter for a living. This led to meeting a lot of inspiring fellow artists, friends, and mentors that enlightened me of the potential of our world, art, and change. It has been a steady snowball effect and I'm always excited to see what’s next.
What would you say to an aspiring artist?
If you’re not having fun making your work, no one will have fun looking at it. Life starts at the end of your comfort zone. Paint over a painting when you’re done with it. Educate yourself, read every book about every artist that inspires you. Listen to others, but take time and thought to verify their critique before accepting their advice. Pretend like your 5 years old and make art. Pretend like your 100 years old and make art. As soon as your process becomes a chore, find a way to change that into something you enjoy.
In society we are surrounded by images, immersed in a visual world with symbols and meaning created through traditional literary devices, but augmented with the influence of graphics, words, positioning and colour. The images of Peter Goldsworthy’s novel, Maestro (1989) move within these diameters and in many ways the visions of Ivan Sen’s film Beneath Clouds (2002) linger in the same way. Both these texts explore themes of appearance versus reality and influence of setting, by evoking emotion in the responder through their distinctively visual elements.
People usually expect to see paintings and sculptures in Art Galleries. Imagine the surprise one finds when they are presented with a man stitching his face into a bizarre caricature, or connected to a machine which controls the artist’s body. These shocking pieces of performance art come under the broad umbrella that is Postmodernism. Emphasis on meaning and shock value has replaced traditional skills and aesthetic values evident in the earlier Modernist movements.
This book was also one of my first encounters with an important truth of art: that your work is powerful not because you convey a new emotion to the audience, but because you tap into an emotion the audience already feels but can't express.
Since its emergence over 30,000 years ago, one of visual art’s main purposes has been to act as an instrument of personal expression and catharsis. Through the mastery of paint, pencil, clay, and other mediums, artists can articulate and make sense of their current situation or past experiences, by portraying their complex, abstract emotions in a concrete form. The act of creation gives the artist a feeling of authority or control over these situations and emotions. Seen in the work of Michelangelo, Frida Kahlo, Jean Michel-Basquiat, and others, artists’ cathartic use of visual art is universal, giving it symbolic value in literature. In Natasha Trethewey's Native Guard, Kazuo Ishiguro’s Never Let Me Go, and Joseph Conrad’s Heart of Darkness,
She has been giving her expertise in the form of photography and the art of installation and multi-media for fourteen years now, and she doesn’t plan on giving it up anytime soon. As Skoglund began to see that the sky was the limit, along with teaching, she decided to experiment with illustration and commercial images. The advancement in these areas had been a lifelong dream. Merely overnight, Skoglund’s career blossomed and her sole purpose in all of this was to make people see and feel her brilliant expression in a way that they could easily relate to. Over the years Ms. Skoglund has created an art that seems to bash modern day reality as we know it.
Though people can look into color and composition, others can still even look into the source of the art itself. Cole goes deeper, delving into the source of the art, looking in particular into the idea of cultural appropriation and the view a person can give others. Though it is good for people to be exposed to different opinions of a group or an object, sometimes people can find it difficult to tell the difference between the reality and the art itself. Sometimes art can be so powerful that its message stays and impacts its audience to the point where the viewer’s image of the subject of the art changes entirely. Cole brings up an important question about art, however. Art has become some kind of media for spreading awareness and even wisdom at times, but in reality, “there is also the question of what the photograph is for, what role it plays within the economic circulation of images” (973). Cole might even be implying that Nussbaum’s advertisement can sometimes be the point of some media, and that sometimes the different genres of art can just be to make someone with a particular interest happy. One more point that Cole makes is that “[a]rt is always difficult, but it is especially difficult when it comes to telling other people’s stories.” (974) Truthfully, awareness and other like-concepts are difficult to keep going when a person or a group is not directly involved.
It all seemed a little overwhelming. How I ended up there still seems like a dream even today. Back in early 2001, while working in an art museum library in Nashville, Tennessee, I heard about the internships at the National Gallery of Art. They have quite the reputation in the art world. I bemused myself by daydreaming of one day being an intern there. At the time I heard about them I most certainly wasn't a good candidate. I only had the one art museum gig under my belt and I still really lacked direction in my career ambitions. But fast forward to 2002. I was no longer working at the art museum library (the position was eliminated due to budget cuts) and I was no longer living in Nashville (I moved to Tucson to attend SIRLS). There's probably nothing else like losing your job to really make you figure out what you want to do with your life. I realized several things: I wanted to continue working in an information provision setting, and I wanted to work with visual collections, specifically photographs. Because of those goals, I chose to immediately find my way in at the Center for Creative Photography as soon as I arrived on campus in Tucson. I started out as a volunteer and would go on to do an internship there. This critical experience was exactly what I needed to boost my resume to the level of D.C. intern candidate. So . . . six full months before June 9, 2003, I applied for an internship at the National Gallery of Art.
The first time I began to draw, I drew stick figures and malformed animals and people. As I continued to grow and experience new things, I also improved in my art. From fifth grade to my senior year in high school, I realized a major difference in the way I drew, and also in what it meant to me. For me, drawing represented the growth I went through in life. Through the tough times, happy memories, and crushing defeats, these all accumulated and created my personality and
Throughout history, technological development has increased society’s need to observe one’s self within both media, and a real life setting. Nam June Paik’s “TV Buddha”, pictured below, (1974) is an example of how technology garners the attention of an individual to their self, facilitated through many forms of media, in this scenario, television. This work translates the artists intended reaction into the audience’s incidental reaction, as well as the way in which the artwork transmits its message. Contextually, the work was created in a time where new and emerging technologies were beginning, and the installation depicts a statue of Buddha, set before a camera that is designed to project his own image onto a TV screen in front of it. This gives the impression that he is silently contemplating his own image, as it infinitely appears on the TV screen, due to the presence of the camera (The Solomon R. Guggenheim Foundation, http://www.guggenheim.org/new-york/collections/collection-online/artists/bios/422/Nam%20June%20Paik). In a cultural aspect, the Buddha is revered as a being who “embodies flawless purity and selflessness” (Bogoda, R, http://www.accesstoinsight.org/lib/authors/bogoda/bl139.html), a direct
His concern with the diversity of facial expression and with the expressiveness of body language is a conscious means of breaking taboos against what is ugly, absurd or instinctual. Sagazan’s performance explores extreme emotional states provoking more questions than answers. The contemporary “primitivism” movement in design and art examines objects that will become ritualized, layered with another spirit or energy - embedding them with a soul. Primitivism is, ins...
When you love to do something, you want to do it every day, all the time, till you get sick of it. Even then that excitement and devotion to do it is still there. That is how I feel about art. I have a great passion for it. It is a form where I can express myself in a way words can’t.
The novel Image world demonstrates how people adopted spectacles then preferred spectacles in many prospective. Life has become a fancy presentation with manipulations and illusions, just in order to keep people interested and hypnotically responsive. One of the ways Image World proves this point is through theme, which is the central idea revealed through a literature work. In the novel Image world, Michael Posner describes popular places in the world like: Broadway, Cannes, Pairs, Milan, New York, London, Las Vegas, even theme parks in everyday life are all surround by spectacles and illusions. It’s all built and designed in a common ground of spectacle. Those places are sublime, but it is also part of fraudulence and people enjoin it. Michael Posner proves a fact ...
I began to focus on my artwork, and I never settled for “good enough.” I constantly learned from other inspiring artists, like Kehinde Wiley, and continued to grow as an artist myself. My proudest piece is a painting I named “Love and Growth” to promote interracial relationships. However, I will not grow too comfortable with the artist I am becoming, instead, I will continue to improve. In college, I will not “go through the motions” or take getting my degree for granted, but I will get the most out of the opportunities I am presented with.
I think about art often. My father is an artist as well as my sister. I grew up surrounded by art either in paintings, dance, or art performances I attended at my sister’s high school, the arts academy. My desire to create art must have a root in my childhood, where I was constantly involved in beautiful creations of the human
In other words, the passageway provided by art is very wide because there is no single interpretation that is presumed to be right. Artists can provide the intent of their work, but everyone 's meaning and significance will be totally different based on their own personal experience with the art. In sum, people encounter art differently, and what they receive from it and the effect it has on them is what 's important about experiencing art. For instance, there are many artists who have illustrated the significance of experiencing art rather than simply looking at it, by enduring and starting movements, or specifically emphasizing it in their work. I will demonstrate and explain two examples of works of art from two different contemporary art movements in order to enlighten the importance of experiencing art. First, I will discuss a form of artwork from a performance art movement, which was done by a woman named Lynda Benglis, who is famously known for her outrageous photographic advertisement of herself, posed nude except with sunglasses, with an oversized dildo she published in the November issue of Artforum magazine done in 1974 (Important Art by Lynda Benglis, 1974). Benglis, experiencing her own art was important because she was able to input herself in her own work of art to implement the significance of feminist roles in the art industry, and to highlight the