Earth was once a very different place. Before the human population grew to billions and began to travel distances beyond belief, wild animals and ancient forests governed the land. Peter Miller wrote an article, titled “Before New York” for National Geographic, that investigated how Eric Sanderson’s studies uncovered how Manhattan looked and operated as Henry Hudson sailed into New York Harbor for the first time. It may be hard to imagine Manhattan as anything other than a huge, busy, concrete jungle, home of countless skyscrapers, but it used to be diverse in wildlife. "If the island had stayed the way it was back then, it could have become a national park like Yosemite or Yellowstone," said Sanderson, an ecologist at the Wildlife Conservation …show more content…
Sanderson told Miller, "I 'd like every New Yorker to know that they live in a place that had this fabulous ecology. That New York isn 't just a place of fabulous art, music, culture, and communications, but also a place of amazing natural potential--even if you have to look a little harder here" (6). The audience does not have to focus on New York’s natural potential, it could be anywhere. This allows the audience to relate by using their own imaginations. Miller uses phenomenal imagery to compliment his writing. A photo of a beaver and elk naturally spending their time beside a creek, long before the same spot transformed into Times Square, shocks the audience into realizing that this chaotic metropolitan was once a peaceful home to …show more content…
Miller becomes credible on the subject of discussion by using Sanderson as an expert. Miller explains that Sanderson is an ecologist at the Bronx Zoo early in the article. Doing so builds a good reputation and establishes trust for both speakers. In 2007, a beaver appeared on a riverbank near the Bronx Zoo. Sanderson was very surprised when he found out, and told Miller, “There hasn 't been a beaver in New York City in more than 200 years" (Miller 1). Miller explains that beavers were hunted and soon vanished. The return of the beaver to Manhattan excited Sanderson who had been working on a project to show what the island looked like before the city boomed. Telling the series of events that led to the disappearance and return of the beaver from Manhattan makes an emotional connection to the audience. Miller writes, “If people today could picture what a natural wonder Hudson had looked upon, Sanderson figured, maybe they 'd fight harder to preserve other wild places” (2). This statement encourages the audience to think of a similar location that they would like to preserve. Sanderson said, "I wanted people to fall in love with New York 's original landscape. I wanted to show how great nature can be when it 's working, with all its parts, in a place that people normally don 't think of as having any nature at all" (Miller 2). The audience can relate to the article by Miller’s use of
In September 1954, he moved out of Northwood in Long Island onto the Northern State Parkway to see his new house in the countryside. He specifically said that Long Island had been one of the most beautiful places in the United States, and his house was one small reason it would not remain that way much longer. His new house lacked in exterior grandeur, but it made up for comfort inside and costs in all together $25,000. Kunstler got his first glimpse of what real American towns were like when he was sent away to a boys’ camp in Lebanon, New Hampshire. He visited his hometown Northwood when he became a teenager and saw how it has entered into a coma with so little for one to do there. Northwood had no public gathering places, so teens were stuck in their little holes who smoked pot and imitated rock and roll. For the teenagers there, the waiting transforming moment was when one became a licensed driver, as I can say the same about my town. Kunstler went to a state college in a small town, Brockport in western New York State. The college was the only thing that kept the town alive with healthy conditions where it was scaled to people, not cars. He ends the chapter by pointing out that this book is an attempt to discover how and why landscape of scary places, the geography of nowhere, has simply ceased to be a credible human habitat happened and what we might do about
Several works we have read thus far have criticized the prosperity of American suburbia. Jack Kerouac's The Dharma Bums, Philip Roth's Goodbye, Columbus, and an excerpt from Lawrence Ferlinghetti's poem "A Coney Island of the Mind" all pass judgement on the denizens of the middle-class and the materialism in which they surround themselves. However, each work does not make the same analysis, as the stories are told from different viewpoints.
Cronon, William “The Trouble with Wilderness; or, Getting Back to the Wrong Nature” ed., Uncommon Ground: Rethinking the Human Place in Nature, New York: W. W. Norton & Co., 1995, 69-90
In the nonfiction novel The Devil in the White City, Erik Larson uses imagery, tone, and figurative language to portray the dreamlike qualities of Chicago and the beauty that lies within this city. Larson’s use of imagery causes the reader to picture the beautiful landscape of the fairgrounds before the fair becomes, which might make the reader wish they were apart of this scenery. Larson emphasizes people will see things they “have never seen before”. Like a “broad body of water extending into the horizon” (55) , making the reader feel as if
of the city as we read, but Whitehead’s ultimate goal is to depict the effect that a
the idea of the wild and its importance and necessity of human interaction with the wild.
In Kurt Vonnegut’s essay “1983: New York,” Vonnegut makes the bold statement of comparing those with addictions, namely alcoholics and gamblers, to those who are “addicted” to the practice of war preparation. He claims that both preparers of war and gamblers alike, “are ravenous for situations that will cause their bodies to release exciting chemicals into their bloodstreams” (297). Even though this may be true, it can be argued that the chemicals released in the body of a war preparer come from something entirely different than an addiction. These people fascinated with the art of war are born with this fixation, unlike those with an addiction, who are able to cure their disease.
William Faulkner overwhelms his audience with the visual perceptions that the characters experience, making the reader feel utterly attached to nature and using imagery how a human out of despair can make accusations. "If I jump off the porch I will be where the fish was, and it all cut up into a not-fish now. I can hear the bed and her face and them and I can...
One - The power relations between Covey and Douglass are inherently dissimilar to those between the typical black and typical white of the time period. As Douglass writes, “Mr. Covey was a poor man, a farm-renter. He rented the place upon which he lived, as also the hands with which he tilled it” (Norton Anthology of African American Literature, 420). Because “the enslavement of the Negro determined the position of the poor whites in the old South,” a white without any slaves or land to his name was more akin to an enslaved black than to a wealthy plantation owner in terms of social standing. This status, added to the fact that “the poor whites understood that slavery was responsible for their hopeless economic condition,” contributed to a
“The Miller’s Tale” perfectly incorporates all of the necessary components that make up a winning tale. In Chaucer’s, The Canterbury Tales, “The Miller’s Tale” fully satisfies every rule required by the Host, in a humorous and intriguing way. He uses the misfortune of the characters to grasp the reader’s attention, and keep him or her interested throughout the story. In the tale, Chaucer includes the idea of religious corruption happening in England during the fourteenth-century. He takes this negative idea and manipulates it into comedic relief by making both Nicholas and Absalom clerks. The actions of those characters, who were supposed to be revered due to their religious position, proves Chaucer’s negative view of the Catholic Church in England at that time. Through Chaucer’s incorporation of fourteenth-century religious corruption,
Colson Whitehead ponders the essence of New York in his collection of essays titled, The Colossus of New York. Throughout the entire collection of essaysWhitehead inquires about what New York stands for based on the journey’s of its inhabitants and visitors. By establishing a sense of authenticity and creating an intimate relationship between him and the reader, Whitehead effectively provides his readers with a genuine account of New York. This genuineness found in Whitehad’s writing has not been met without criticism. Wyatt Mason’s critique of Whitehead’s essays reiterates throughout the review that Whitehead’s account go New York isn’t unique to New York and that the essayist isn’t particularly attentive to detail. While I agree with the
For my Literature Circle assignment I read the novel entitled The Catcher in the Rye, written by J.D. Salinger.Taking place in the 1950's, The Catcher in the Rye is one of the most popular American books of all time, though, its hero is not really a hero at all. Main character Holden Caufield, is a 17 year old, disproved and misunderstood, classic "screw-up", who does poorly in school, loses his team's equipment, and takes an impulsive trip to New York. Distraught by the death of his 11 year old brother Allie, Holden wanders around his birthplace of New York, reconnecting with old friends and making new enemies. The main conflict of this novel is Holden transitioning into an adult and trying to cope with his brother’s death. One main theme displayed all throughout this novel would be depression. For the duration of this novel, Holden spends his time alone, and even if he is in the company of other people, you hear his thoughts of being depressed. Most of this depression is derived from his brother’s death, but there are many other things accountable for his mental issues. Although much of this novel was just Holden’s opinions and thoughts, I found this novel to be very interesting and thought provoking.
commenting on events; he also plays a part in the play as a lawyer and
Upon arrival into the jungle of vast buildings, the first thing noticed is the mobbed streets filled with taxi cabs and cars going to and fro in numerous directions, with the scent of exhaust surfing through the air. As you progress deeper into the inner city and exit your vehicle, the aroma of the many restaurants passes through your nostrils and gives you a craving for a ?NY Hot Dog? sold by the street venders on the corner calling out your name. As you continue your journey you are passed by the ongoing flow of pedestrians talking on their cell phones and drinking a Starbucks while enjoying the city. The constant commotion of conversing voices rage up and down the streets as someone calls for a fast taxi. A mixed sound of various music styles all band together to form one wild tune.
A View From The Bridge Essay-Arthur Miller “A View From The Bridge” is a story with many themes and aspects such as love, The American Dream, Justice, Law and Family Honour. The story “A View From The Bridge” is about an Italian American community living in Red Hook, New York. The Italian American community in Red Hook are mainly all immigrants living in the country unlawfully. I will briefly describe the play. Alfieri, an Italian-American lawyer in his fifties, enters the stage and sits in his office.