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Essays about modernism literary movement
The modernist movement
The modernist movement
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The literature of the twentieth century has witnessed a regular development of new genres and new ideas to be reflected in the works. The approach to the creative depiction of crucial social problems that was developed in this period shows a range of new topics as well as new motives to be covered by the writers. Modernist literature does not only offer new literature in terms of forms but also in terms of its meanings. The modernist writers challenge the view of the world that has been for so long cultivated in the literature. Instead of romanticism or realism, the modern literature is filled with abstractions and hidden meanings, with irony and even sarcastic depiction of the society in general and every individual in particular. The modernist …show more content…
As for Ionesco, “man is lost; all his actions become senseless, absurd, useless” (Esslin 331). The life of a modern person seems to be empty, and people’s actions do not create anything. It seems that the only thing that those people do is look in retrospective, mention the regrets and griefs while making no single attempt to change their way of existence. With regard to this, Jean-Paul Sartre wrote that “man is the being by whom Nothingness comes into world” (Sartre 59). This has become the prominent aspect of human identity throughout the modernist period. The writers are concerned about the absence of goal or aspirations. Nevertheless, this absence does not signify the lack of meaning but rather is only the presence of powers that cannot be felt by people anymore. On the contrary, in “Bliss”, something is present, there is some inner feeling of blessing but the woman “didn't know how to express it - what to do with it” (Mansfield). Respectively, one of the issues connected with the depiction of identity in this situation is the problem of searching for reality. An individual tends to be not able to correspond to the reality, and they create their own. For example, the Old Man in Ionesco’s drama had a message to communicate to the world but “has never been understood” (Ionesco 19). His way of expression was not comprehensible to the others; thus, he was waiting for Orator to come and explain everything. Similar was with Manfield’s Bertha. She felt the blessing, still she had no idea what to do about it and how to express it. Thus, the reality for both characters was in their inability to conform to it as well as to bring their selves into the reality. Their ideas and feelings seemed to be their reality. However, it was impossible for them to get into the reality of
It is funny and yet tragic to see that no matter where an individual’s geographical location is or for the most part when in history the duration of their lifetime occurred, that they still can share with other tormented individuals the same pain, as a result of the same malignancies plaguing humanity for what seems to have been from the beginning. Emily Dickinson’s poetry, Gustave Flaubert’s Madame Bovary, and Lu Xun’s “Diary of a Madman” all exhibit disgust for their societies, what is particularly interesting however, is that the subject of their complaints are almost identical in nature. This demonstrates how literature really does reflect the attitudes and tribulations the society and or culture endures from which it was written. The grievances that they feel to be of such importance as to base their literary works on are that of traditionalism and, the carnivorous nature of society. Different societies will inevitably produce different restrictive and consuming faces to these problems.
Books are more than simple stories, they have a message to send, whether it be in a direct or indirect way. Books can also tell us about the author’s life, beliefs, inner ambitions and fears; Moreover, they often project the writer’s vision about their environment, reflecting their society in which they lived. Writers like F. Scott Fitzgerald and Ernesto Guevara were capable, not only of portraying the society in which they are immerse, but also to convey them in an exquisite social critique. Such literary pieces of art do not criticize in a direct way, nor to specific people or events. They, however, present the vision of the author’s concern with social issues of injustice, misguided values and loss of direction.
“Often fear of one evil leads us into a worse”(Despreaux). Nicolas Boileau-Despreaux is saying that fear consumes oneself and often times results in a worse fate. William Golding shares a similar viewpoint in his novel Lord of the Flies. A group of boys devastatingly land on a deserted island. Ralph and his friend Piggy form a group. Slowly, they become increasingly fearful. Then a boy named Jack rebels and forms his own tribe with a few boys such as Roger and Bill. Many things such as their environment, personalities and their own minds contribute to their change. Eventually, many of the boys revert to their inherently evil nature and become savage and only two boys remain civilized. The boys deal with many trials, including each other, and true colors show. In the end they are being rescued, but too much is lost. Their innocence is forever lost along with the lives Simon, a peaceful boy, and an intelligent boy, Piggy. Throughout the novel, Golding uses symbolism and characterization to show that savagery and evil are a direct effect of fear.
Search for Innocence in American Modernism. American Literature from its very beginning has been centered around the theme of innocence. The Puritans wrote about abandoning the corruption of Europe to find innocence in a new world. The Romantics saw innocence and power in nature and often wrote of escaping from civilization to return to nature. After the Civil War, however, the innocence of the nation was challenged.
The characters of a modernist narrative reflected a new way of thinking. A summery no longer highlighted meaning, it was ambiguous. The ambiguity portrayed unmanageable futures. The Modernis...
The Modernist Fiction period took place during the 1920’s and revolutionized the American way of life in literature, economically, and socially. There was a national vision of upward mobility during this time that represented the American Dream. The upward mobility was seen through the consumerism and materialism that dominated this decade economically. Popular novels of this time reflected the mass consumerism in the lives of those wrote them. During the American Modernist Fiction period, Americans became increasingly materialistic throughout the roaring twenties; therefore, the American Dream was to obtain upper class status through the possession of material goods, which was reflected in many of this period’s works.
Starting from the late 19th to early 20th century, modernist writing has become widely spread as a way for people to express ideas and feelings that are written in a more isolationist form. The modernist literary movement was driven by the desire to transform writing from the classic views of the time period and begin to express the newly developed emotions that were going on at the time. Both The Guest by Albert Camus and The Metamorphosis by Franz Kafka, are two modernist texts that strongly exhibit the feelings of emotional isolation and alienation throughout each book. In each story, the protagonist undergoes a sense of desolation, and although both characters experience the same sense of remoteness, each are isolated in different ways.
Modernism can be defined through the literary works of early independent 20th century writers. Modernism is exp...
In the modernism there was no focus on the plot events, instead the writers focused on characters' consciousness. Ambiguity and complexity were valued at that time. Modernists often work towards open endings and used the narrative gaps. In the early modernism the technique of Stream of Consciousness was widely used to know more about the human sense. Modernism was influenced by naturalism and realism. Its social content is characteristically avant-grade (Drabble 682). Moreover, the 20th century is one of the most important periods in English drama. New ideas, terms and styles have been introduced as a result of the atmosphere. Writers on that time expressed their anger and scorn as a result of the wars and the revolutions. There were many social changes at that time and the playwrights started to tackle that in their plays (Innes
One attribute of Modernist writing is Experimentation. This called for using new techniques and disregarding the old. Previous writing was often even considered "stereotyped and inadequate" (Holcombe and Torres). Modern writers thrived on originality and honesty to themselves and their tenets. They wrote of things that had never been advanced before and their subjects were far from those of the past eras. It could be observed that the Modernist writing completely contradicted its predecessors. The past was rejected with vigor and...
In the 1950s, authors tended to follow common themes, these themes were summed up in an art called postmodernism. Postmodernism took place after the Cold War, themes changed drastically, and boundaries were broken down. Postmodern authors defined themselves by “avoiding traditional closure of themes or situations” (Postmodernism). Postmodernism tends to play with the mind, and give a new meaning to things, “Postmodern art often makes it a point of demonstrating in an obvious way the instability of meaning (Clayton)”. What makes postmodernism most unique is its unpredictable nature and “think o...
The three texts that will be discussed all possess the themes of both tradition and modernity, and although they are mainly used antagonistically, there seems to be a common conclusion that both are needed to work together to create balance. From the novel Things Fall Apart, which can take readers on a journey from traditional culture to an acceptance of defeat, “The Destination” which compares two different cultures, to the poem “Gooboora, the Silent Pool” which makes readers feel the author’s pain of a dying culture, all of these stories have the ability to make readers understand the need of both traditionalism and modernism.
Modernists portray a dull, gloomy and pessimistic picture of culture in America during this time period. This despair is often caused by an apparent boredom and the people’s feeling of uncertainty, of changes to come. Modernism uncovered has an anti-traditionalist theme instilled in it, because of the inevitability that changes will occur. “Modern” itself possesses the qualities, such as being simple and spontaneous along with an indefinite time frame to allow people’s acceptance of unknown. In many ways, this movement is difficult to define, but it can be generally applied to the work o...
A Modern novel, Jewel in the Crown, by Paul Scott, depicts the latter stages of imperialism's erosion and explores it through the lives of individuals and their relationships as symbolic of larger societal conflicts and political events. Jewel was written well into the 20th Century and employs thematic concepts and literary forms characteristic of Modernism, as well as being significant in its literary-historical context of the decline of British Imperialism/post- colonialism in India.
The 20th Century stands out not merely as an age of growth or refinement, but one of absolute transcendent recreation. This new era, presenting the world with radical new ideas and invention, ushered in shocking changes and previously unheard of notions and theory over the views of man. This new phase of humanity brought about the conception and birth of Modernism. Joseph Conrad in particular rushed forward to slam a door on the Victorian Age and end the century of optimism, reproving the human race's ideologies on virtue and purity with the more skeptical realities of the bleakness of real human nature and the power of unfortunate circumstance. Conrad's novel Lord Jim cleaved into the supporting pillars raised by previous Victorian value and set a foundation for his notions of High Modernism; his characters and their reactions to irresolute situations, and even the situations themselves, present the absence of the divine and holy to take the skeptical stance that men, imperfect as they are, face an existential existence.