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How someones family shapes their identity
Family influence on identity
Family and identity influence
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Most Minnesotans remember loving Minnesota one month, then the next month absolutely hating it. During the summer and fall months many people love the Land of Ten Thousand Lakes, the beautiful colors, and the Great Minnesota Get Together; the State Fair. A few months later when Minnesota’s long, cold, and icy winter sets in, Minnesotans start to feel differently about their state. When things start to melt and the sun comes back out, many people start to love the state again. Just like Minnesota seasons, many things can have both a positive and a negative side. In Michael Dorris’ novel, A Yellow Raft in Blue Water, the color yellow is frequently repeated to positively represent security and contentment as well as negatively represent escape …show more content…
and cowardice. One very apparent use of the color yellow is the yellow raft in Bearpaw Lake.
The yellow raft represents many things but it very importantly positively represents security for Rayona. Before Rayona swims to the raft her life has been very chaotic and uncontrolled. Rayona swims through the cold water to the raft and lays herself out in the sun."I pull myself over the side and lie on the sun-warmed dry boards, panting and soaking up the heat. The silence is wide as the sky” (Dorris 59). The raft seems to enlarge her life which has been a lot of racism and chaos in the past. Initially, she feels content and secure on the raft. When father tom arrives, the feeling of content that Rayona was experiencing leaves her immediately. Father Tom experiences a cramp and Rayona saves him. They lie close and father Tom advances onto Rayona, violating her sense of security and her feeling of content that …show more content…
she Peterson 1 experienced when all her thoughts of her crazy life left her. The raft initially provided a sense of security and a feeling of content before Father Tom violated both of these. The yellow raft also represents a negative escape for Rayona. She first sees this escape when she sees Ellen DeMarco diving off the raft into the water. Rayona takes escapes in an illusion in where she imagines herself with the perfect life that Ellen has. Rayona wishes she could do everything and be exactly like Ellen at that point. Rayona compares herself to Ellen and falls much below Ellen. While watching every perfect move of Ellen, Rayona says, "I'm afraid to see anything more, to see something wrong, something out of place, something to ruin the picture....In that moment she's everything I'm not but ought to be" (Dorris ). This shows that the raft symbolizes a figurative escape for Rayona where she can imagine herself in Ellen’s perfect life. Rayona continues to use Ellen on the yellow raft as an escape from her complicated life until she finds out the truth about Ellen. The security that the color yellow represents is later broken when Rayona has to face up to all the lies she has created about her life.
Rayona tries to deny who she is by saying, "I'm stopped, halfway down the trail, with my eyes fixed on the empty yellow raft floating in the blue waters of Bearpaw Lake. Somewhere in my mind I've decided that if I stare at it hard enough it will launch me out of my present troubles" (Dorris 104). Rayona eventually spills her story to Evelyn, who just happens to be wearing a yellow blouse. Rayona’s security of having a perfect life back at home is broken, but she is knocked out of the illusion of the perfection of Ellen with the yellow raft. Rayona thinks Evelyn will reject her once she tells her the truth, running her job, but in fact, telling the story actually makes it real for Rayona. She is able to gain control of her real life and feel more content with what is really going on. Evelyn in her yellow blouse positively dispels the negative illusion of Rayona’s perfect life which began with the yellow
raft. Peterson 1 The color yellow is also apparent in Christine’s section of the novel. At first for Christine, the color yellow is negatively associated with cowardice which leads to failure. When Christine was young, she faced a challenge of crossing a yellow stone bridge and is unable to cross alone. Lee, her brother comes in and helps her cross. Christine becomes dependent on others, “I had crossed the bridge, but not on my own, and we both realized it” (Dorris 148). Faced with her own cowardice, Christine becomes a totally different person. She becomes reckless and abandoning. Later in Christine's section, she regained herself and has created a reasonable family environment for Rayona. Christine is heading home after acknowledging the mistakes that she's made and the hurt that she's caused the people whom she cares for. She puts on yellow tinted sunglasses and says “When I put them on, they turned the world yellow as an old photograph” (Dorris 239). The world as an old photograph is comforting to Christine and represents how she has found her place in the world and is feeling content with her life. This yellow represents content and security, but not the same contentment and security as Rayona felt with her figurative escape. For Christine, this contentment and security is very real.
Not many know about Dragging Canoe and the battle he fought during the American Revolutionary War. The Native American’s role in the Revolutionary War was very important, but not well known. As a result, the Revolutionary War can come across as one-sided. Dragging Canoe fought for the Native American’s existence in the colonies. First, he was strongly opposed to Henderson’s Purchase or also called the Transylvania Purchase. Secondly, Dragging Canoe’s raid at “Battle of the Bluffs” became an issue for the colonists. And lastly, there was negotiating done between the British and Colonists would somehow effect Dragging Canoe, his warriors, and the future for the Native Americans.
As a teen, Rayona is in a confusing period of life. The gradual breakdown of her family life places an addition burden on her conscience. Without others for support, Rayona must find a way to handle her hardships. At first, she attempts to avoid these obstacles in her life, by lying, and by not voicing her opinions. Though when confronting them, she learns to feel better about herself and to understand others.
Nature has a powerful way of portraying good vs. bad, which parallels to the same concept intertwined with human nature. In the story “Greasy Lake” by T. Coraghessan Boyle, the author portrays this through the use of a lake by demonstrating its significance and relationship to the characters. At one time, the Greasy Lake was something of beauty and cleanliness, but then came to be the exact opposite. Through his writing, Boyle demonstrates how the setting can be a direct reflection of the characters and the experiences they encounter.
This passage defines the character of the narrators’ father as an intelligent man who wants a better life for his children, as well as establishes the narrators’ mothers’ stubbornness and strong opposition to change as key elements of the plot.
Ethan Frome is the story of a family caught in a deep-rooted domestic struggle. Ethan Frome is married to his first love Zeena, who becomes chronically ill over their long marriage. Due to his wife’s condition, they took the services of Zeena’s cousin, Mattie Silver. Mattie seems to be everything that Zeena is not, youthful, energetic, and healthy. Over time Ethan believes that he loves Mattie and wants to leave his wife for her. He struggles with his obligations toward Zeena and his growing love for Mattie. After Zeena discovers their feelings toward each other, she tries to send Mattie away. In an effort to stay together, Ethan and Mattie try to kill themselves by crashing into the elm that they talked about so many times. Instead, Mattie becomes severely injured and paralyzed. The woman that was everything that Zeena was not became the exactly the same as her. In Ethan Frome, the author communicates meanings in this story through various symbols. One of the most significant symbols used in this story is the very setting itself.
First, as Ethan watches Mattie dance, her red scarf flying behind her symbolizing youth and energy, a bright spot in Ethan’s dark and miserable life. This is a direct contrast to the perception of Ethan’s dull and dreary wife, Zeena. The description of Ethan watching while Mattie dances is an example of imagery using color to symbolize. “He had been straining for a glimpse of the dark head under the cherry-coloured scarf…. the scarf flew off her head and stood out behind her shoulders, and Frome, at each turn, caught sight of her laughing panting lips, the cloud of dark hair about her forehead, and the dark eyes which seemed the only fixed points in a maze of flying lines.” Descriptions such as this instantly gives the reader the feeling that Ethan is infatuated with Mattie. Even Mattie’s last name is a color. Her last name, “Silver”, seems to be a symbol of brightness and energy, compared to the descriptions of Ethan’s wife Zeena, which gives the feeling that she is unattractive and sickly. Zeena is described as having "grayish tinged" skin, false teeth, and having a "puckered throat." Even though Ethan is the one longing to be unfaithful to his wife, the descriptions of Zeena cause the reader to be sympathetic toward Ethan, while portraying Zeena as the villain. The imagery also provides information on the mood and atmosphere. The dreary, cold and stark landscape symbolizing how sad and discontent Ethan feels in his
Every cold Alberta winter, or dry summer, makes me long for the East Coast. When I grow tired of the brown dirty hills of Alberta, I can close my eyes and picture being back in New Brunswick, bright green meadows and clear rivers. I miss how the fog creeps into your yard in the early mornings, the bittersweet smell of the sea that never could be washed out, I miss the feeling of home. As a child, my family and I would road trip, traveling East to the sea. I remember how the vastness of Alberta would change into the golden prairies of Saskatchewan, then shift into the forested hills of Ontario, and finally the calm rocky shores of New Brunswick. I remember the house we lived in, white paint peeling off the sides of the house, a Canadian and Arcadian flag flying on the porch (put there by my historian of a cousin), floral green wallpaper clashing with antique, mismatched furniture. That house has been in my family for generations, each of our stories have been told, beautiful new memories have been made there. I miss it so much. I miss the beach side bonfires, sparks drifting so far away they became stars, the rainy marketplace days, coming home and smelling like fish. The Alberta cold makes my heartache, I want to go home. My home is a comfortable old cabin, where I grew to not be scared of a
This vacation spot White describes through memories of his boyhood days always seemed to be so wonderful no matter what had gone wrong. White recalls the time when "[his] father rolled over in a canoe" and another time when "[they] all got ringworm" but none of this mattered in the long run, after all, this was the best place on earth. To White the mountain lake is seen as "constant and trustworthy", and on the trip back there with his own son, White wondered if "time would have marred" the appearance of the lake. Thoughts of the time spent there summer after summer continued to revisit White throughout the trip and everything from thunderstorms to the stillness of the water
In “Every Traveler Has One Vermont Poem,” Audre Lorde juxtaposes humans and nature through personification, tone, and the title to argue that while nature provides an escape from human racism, that very same racism limits marginalized groups’ access to nature.
T. Coraghessan Boyle published “Greasy Lake.” in 1985 along with several other short stories. T.C. Boyle writes about a group of young teenage boys who are trying to see what kind of trouble they can find on a cool summer night. Little did these young rapscallions know trouble would find them sooner than expected. By analyzing the language and tone of “Greasy Lake” we not only create an image of this eerie lake, but a better understanding of the authors’ attitude towards the story.
In the beginning we find the family and its surrogate son, Homer, enjoying the fruits of the summer. Homer wakes to find Mrs. Thyme sitting alone, “looking out across the flat blue stillness of the lake”(48). This gives us a sense of the calm, eternal feeling the lake presents and of Mrs. Thyme’s appreciation of it. Later, Fred and Homer wildly drive the motor boat around the lake, exerting their boyish enthusiasm. The lake is unaffected by the raucous fun and Homer is pleased to return to shore and his thoughts of Sandra. Our protagonist observes the object of his affection, as she interacts with the lake, lazily resting in the sun. The lake provides the constant, that which has always been and will always be. As in summers past, the preacher gives his annual sermon about the end of summer and a prayer that they shall all meet again. Afterward, Homer and Fred take a final turn around the lake only to see a girl who reminds Homer of Sandra. “And there was something in the way that she raised her arm which, when added to the distant impression of her fullness, beauty, youth, filled him with longing as their boat moved inexorably past…and she disappeared behind a crop of trees.
When Hansberry was a child she did not like summer at all. When she thought of summer she thought of a hot room, too-grainy texture of sand, and really cold waters. Hansberry writes, “For the longest kind of time I simply thought that summer was a mistake” (208). Hansberry was not fond of summer, some nights the went to the park and slept on the grass because it was hot. Then one summer when she was seven or eight her mother took her to see her grandmother. She loved seeing her grandmother and she saw that she loved summer. Every summer that she spent with
Although, for her, she has nothing more to focus on she trusts her imagination to pass the time. Over time she becomes more and more obsessed with the yellow wallpaper, which leaves her in shock. “The wallpaper becomes a projection screen of the narrator growing fright.” (Berman, p.47) This means that the narrator goes to herself on the wall. The isolated woman in the yellow paper is her own reflection. Something that the narrator still does not realize, she only feels the need to release the woman trapped in the wall. She refers to her room as a prison continuously. As she begins to feel isolated she projects her feelings on the yellow wallpaper, but the idea that the room is her prison goes from figurative to reality as insulation deepens her need to escape in some way. “Every time the narrator speaks, she is interrupted and contradicted until she begins to interrupt and contradict herself.” (Berman, p.55) She has her own plan for recovery. But unfortunately, her husband does not listen. For him, the only
In a desperate attempt to discover his true identity, the narrator decides to go back to Wisconsin. He was finally breaking free from captivity. The narrator was filling excitement and joy on his journey back home. He remembers every town and every stop. Additionally, he admires the natural beauty that fills the scenery. In contrast to the “beauty of captivity” (320), he felt on campus, this felt like freedom. No doubt, that the narrator is more in touch with nature and his Native American roots than the white civilized culture. Nevertheless, as he gets closer to home he feels afraid of not being accepted, he says “… afraid of being looked on as a stranger by my own people” (323). He felt like he would have to prove himself all over again, only this time it was to his own people. The closer the narrator got to his home, the happier he was feeling. “Everything seems to say, “Be happy! You are home now—you are free” (323). Although he felt as though he had found his true identity, he questioned it once more on the way to the lodge. The narrator thought, “If I am white I will not believe that story; if I am Indian, I will know that there is an old woman under the ice” (323). The moment he believed, there was a woman under the ice; He realized he had found his true identity, it was Native American. At that moment nothing but that night mattered, “[he], try hard to forget school and white people, and be one of these—my people.” (323). He
Colorado was viewed as a place to visit and live in because of the climate, scenery, and promise of good health to its people (Abbott, Leonard, Noel, 2013, pp. 227). Tourism in Colorado has evolved immensely and has helped form Colorado into what it is today. Before anyone could realize Colorado’s potential as being an iconic tourist place, in the 1860s, journalist began to view Colorado differently. They began to notice Colorado’s scenery and they slowly recognized Colorado’s potential for evolution and development through tourists and travelers (Abbott, Leonard, Noel, 2013, pp. 223). Many people sought good health while they were sick and since the journalists really started to see the value of Colorado, they really made its climate stand out and become more appealing to those who were sick, mentioning the great benefits the climate would have on poor health. One-third of the state’s population consisted of people that were once sick (Abbott, Leonard, Noel, 2013, pp.229).