Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Imagery in poem
Imagery and personification poems
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Imagery in poem
In “Every Traveler Has One Vermont Poem,” Audre Lorde juxtaposes humans and nature through personification, tone, and the title to argue that while nature provides an escape from human racism, that very same racism limits marginalized groups’ access to nature. By personifying nature, Lorde establishes that nature’s indifference to human presence thus makes it immune to human cultural maladies like racism. From the beginning of the poem, the narrator describes natural elements as “hid[ing] a longing or confession,” thus marking it as a safe refuge where she can trust her secrets (Lorde line 2). Similarly, describing how “tree mosses point the way home” describe nature as a guide to home, a place of serenity, safety, and comfort (Lorde line 5). This personification all works to convey that nature provides an escape for the narrator, contrasting with the harshness attributed to human racism later on in the poem. The most significant aspect of personification, however, lies where she describes “sneeze-weed and ox-eye daisies/not caring I am a …show more content…
The mention of the “one” Vermont poem is especially significant, as it implies that all of their poems are essentially the same, suggesting a uniformity of experiences among travelers, that the vast majority of travelers experience the same tranquility. Yet, the speaker’s experiences with nature are uniquely different, as her experience is tainted by racism that is inescapable even in the beauty of Vermont nature. Thus, because of her position in society, she isn’t allowed the same access to nature as every other traveler, making it impossible for her to write that “one Vermont poem” while still staying true to her
Countee Cullen was man who struggled to be called a “poet” instead of a “Negro poet.” His life during the Harlem Renaissance was filled with inequality and prejudice. These facts have lead many analysts to perceive his poem “Any Human to Another” as a cry for racial equality. However, Cullen’s manipulation of structure, imagery, and symbols in the poem reveals that his true theme is that all humans are individually unique but must live together in harmony and equality, caring for and helping each other.
From the lone hiker on the Appalachian Trail to the environmental lobby groups in Washington D.C., nature evokes strong feelings in each and every one of us. We often struggle with and are ultimately shaped by our relationship with nature. The relationship we forge with nature reflects our fundamental beliefs about ourselves and the world around us. The works of timeless authors, including Henry David Thoreau and Annie Dillard, are centered around their relationship to nature.
Richard Wilbur's recent poem 'Mayflies' reminds us that the American Romantic tradition that Robert Frost most famously brought into the 20th century has made it safely into the 21st. Like many of Frost's short lyric poems, 'Mayflies' describes one person's encounter with an ordinary but easily overlooked piece of nature'in this case, a cloud of mayflies spotted in a 'sombre forest'(l.1) rising over 'unseen pools'(l.2),'made surprisingly attractive and meaningful by the speaker's special scrutiny of it. The ultimate attraction of Wilbur's mayflies would appear to be the meaning he finds in them. This seems to be an unremittingly positive poem, even as it glimpses the dark subjects of human isolation and mortality, perhaps especially as it glimpses these subjects. In this way the poem may recall that most persistent criticism of Wilbur's work, that it is too optimistic, too safe. The poet-critic Randall Jarrell, though an early admirer of Wilbur, once wrote that 'he obsessively sees, and shows, the bright underside of every dark thing'?something Frost was never accused of (Jarrell 332). Yet, when we examine the poem closely, and in particular the series of comparisons by which Wilbur elevates his mayflies into the realm of beauty and truth, the poem concedes something less ?bright? or felicitous about what it finally calls its 'joyful . . . task' of poetic perception and representation (l.23).
Throughout the Romanticism period, human’s connection with nature was explored as writers strove to find the benefits that humans receive through such interactions. Without such relationships, these authors found that certain aspects of life were missing or completely different. For example, certain authors found death a very frightening idea, but through the incorporation of man’s relationship with the natural world, readers find the immense utility that nature can potentially provide. Whether it’d be as solace, in the case of death, or as a place where one can find oneself in their own truest form, nature will nevertheless be a place where they themselves were derived from. Nature is where all humans originated,
Connie Fife is a Saskatchewan, Cree poet who writes using her unique perspective, telling of her personal experiences and upbringing. This perspective is revealed to her audience through the poems “This is not a Metaphor”, “I Have Become so Many Mountains”, and “She Who Remembers” all of which present a direct relationship to her traditional background and culture (Rosen-Garten, Goldrick-Jones 1010). To show the relationship of her experiences through her poetry, Fife uses the form of dramatic monologue, as well as modern language and literal writing to display themes about racism presenting her traditional viewpoint to her audience.
Wordsworth’s famous and simple poem, “I wandered lonely as a cloud,” expresses the Romantic Age’s appreciation for the beauty and truth that can be found in a setting as ordinary as a field of daffodils. With this final stanza, Wordsworth writes of the mind’s ability to carry those memories of nature’s beauty into any setting, whether city or country. His belief in the power of the imagination and the effect it can have on nature, and vice a versa, is evident in most of his work. This small portion of his writing helps to illuminate a major theme of the Romantic poets, and can even be seen in contemporary writings of today. One such work is Cold Mountain by Charles Frazier. This story follows two characters, Inman and Ada, who barely know each other and are forced apart by the Civil War. As Ada waits in North Carolina Appalachia for Inman to return home from three years of battle, Inman decides to abandon the war effort and journey across the Southern states to reach his beloved.
Each day we walk outside and we see something beautiful. It is called Nature. Outside it holds so much more than we can see. We love the world around us and it is up to us to see it. The world shows us all that it can hold. The problem is we look at the world and see simple things. We see things that have no meaning, but are just objects. However, everything in Nature can have a hidden meaning. “Vivid pictures of landscape, but in them the Yankee point of view through which nature is seen is as vital to the meaning as the things portrayed.” (Lynen) Nature has meaning behind each part of nature. The problem of nature is each person has a different interpretation. One thing that might seem beautiful and wonderful to me is complete terrible or scary to another. We base our meaning off our own experiences. People who have been trapped alone in the forest are usually scared of going back into a forest by their own. We base what we know and how we feel off of past experiences. Robert Frost wrote the poems, Acquainted with the Night and Stopping by Woods on a Snowy Evening which describes nature that has three main hidden meanings: things hidden in the stars, mountains hold amazing features and pure white is a beautiful and wonderful thing.
“Poetry is when an emotion has found its thought and the thought has found words,” Robert Frost once said. As is made fairly obvious by this quote, Frost was an adroit thinker. It seems like he spent much of his life thinking about the little things. He often pondered the meaning and symbolism of things he found in nature. Many readers find Robert Frost’s poems to be straightforward, yet his work contains deeper layers of complexity beneath the surface. His poems are not what they seem to be at first glance. These deeper layers of complexity can be clearly seen in his poems “The Road Not Taken”, “Fire and Ice”, and “Birches”.
“The integrity of impression made by manifold natural objects… in the tranquil landscape, and especially in the distant line of the horizon, man beholds somewhat as beautiful as his own nature” (Emerson). Rather than providing a technical, concrete definition of nature, Ralph Waldo Emerson brings a fresh take to how nature is defined. In fact, other authors and individuals have shaped their own definition of nature: what they believe it possesses in addition to what it encompasses. This theme has been widely discussed, with a peak in the nineteenth century. Ralph Waldo Emerson and Henry David Thoreau are responsible for the fixation of nature in literature, and Christopher McCandless plus Cheryl Strayed are answerable for bringing that fixation into a more recent time period. Nature was and is a prevalent theme in literature and society; however, every individual views it differently. While Emerson, Thoreau, McCandless, and Strayed all took similar approaches in interacting with nature, they differ in their belief of what nature offers individuals.
So, the poor, colored and those of different nationalities are denied chances to succeed in keeping the traditional values. Both poems address the widespread societal issue of racism that is so prevalent in America. Hughes and Alexie seem to agree that judgment of others is the disgrace of our nation. If the color of a man's skin did not have such a great value in our society, maybe then America could be everyone's. Not just the rich white men but the immigrants, the Africans, the Indians and the poor.
In the first stanza, the poet seems to be offering a conventional romanticized view of Nature:
Robert Frost wrote poetry about nature and it is that nature that he used as symbols for life lessons. Many critics have been fascinated by the way that Frost could get so many meanings of life out of nature itself. Frost‘s poetry appeals to almost everyone because of his uncanny ability to tie in with many things that one is too familiar with and for many, that is life in itself. “Perhaps that is what keeps Robert Frost so alive today, even people who have never set foot in Vermont, in writing about New England, Frost is writing about everywhere” (294).
Wordsworth and Hopkins both present the reader with a poem conveying the theme of nature. Nature in its variety be it from something as simple as streaked or multicolored skies, long fields and valleys, to things more complex like animals, are all gifts we take for granted. Some never realize the truth of what they are missing by keeping themselves indoors fixating on the loneliness and vacancy of their lives and not on what beauty currently surrounds them. Others tend to relate themselves more to the fact that these lovely gifts are from God and should be praised because of the way his gifts have uplifted our human spirit. Each writer gives us their own ideals as how to find and appreciate nature’s true gifts.
In “The Negro Speaks of Rivers”, the river stands as a symbol of endlessness, geographical awareness, and the epitome of the human soul. Hughes uses the literary elements of repetition and simile to paint the river as a symbol of timelessness. This is evident in the first two lines of the poem. Hughes introduces this timeless symbol, stating, “I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins” (Hughes 1-2). These opening lines of the poem identifies that the rivers Hughes is speaking about are older than the existence of human life. This indicates the rivers’ qualities of knowledge, permanence, and the ability to endure all. Humans associate “age” with these traits and the longevity of a river makes it a force to be reckoned with. The use of a simile in the line of the poem is to prompt the audience that this is truly a contrast between that ancient wisdom, strength, and determination of the river and the same qualities that characterize a human being. The imagery portrayed in the poem of blood flowing through human veins like a river flows ...
I can picture him seeing life and feeling it in every flower, ant, and piece of grass that crosses his path. The emotion he feels is strongly suggested in this line "To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears." Not only is this showing the kind of fulfillment he receives from nature, but also the power that nature possesses in his mind.... ... middle of paper ... ...