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Overview of bob marley music
Overview of bob marley music
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By juxtaposing the video with the song, Rihanna’s, ‘Love the way you lie,’ is about emotions, and reveals the dreams and challenges associated with American adolescence and middle-class society; love, anger, frustration, passion, guilt and deceit. Music has become a medium for expressionists, and Rihanna has used this song most convincingly to express her own, and the expressions of the hundreds of thousands of young Americans. These qualities are elucidated by the protagonists in the video.
The Beatles made people swoon and dance to their tunes in the 60s and 70s, and it was during this time that a man by the name of Elvis Presley turned Pied Piper and had women the world over follow his music like the children of Hamelin. These personalities were so popular that they could make people stop in their tracks and take notice. So powerful was their music that even politicians tried to make use of their popularity to gain political mileage. Music has always found a way to one’s heart, and it’s no different when young African Americans began to churn out a distinct style of music that took the world by storm. Bob Marley was a great rap singer who used reggae to spread the voice of the underprivileged and economically poor to the rest of the world. Through his music, Bob Marley was able to generate a conscious need for the rich to support and help the poor. Rihanna joins this illustrious group.
The song ‘Love the way you lie' which was released in August 2010 as a single from the album of Marshall Bruce Mathers featuring Robyn Rihanna from the music album (Recovery).
If one were to just hear the song, sans the video, it is a total giveaway; Rihanna tries to suppress her emotions by saying that she was willing to fo...
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...gnifies separation or divorce. The song is a wakeup call to all Americans who find their live-in and family relationships incompatible. People should understand the importance of caring and sharing common space in the most respectful and trustworthy manner possible. Should this happen, Americans can live in harmony and peace.
The song, ‘Love the way you lie,’ runs for four minutes and is sung by Rihanna and Eminem. The song can be interpreted as a critique of the young American life-style. The fallacies of relationships are brought out meticulously and can be juxtaposed to Rihanna’s tremulous relationship she had with Chris Brown, and that culminated with physical abuse. The song is an eye-opener to those in relationships to understand the importance of sharing and caring for one another, and to provide space to the other so that trust and mutual respect develops.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
Trina’s intent was to create a song that liberated women from the double standards and stereotypical views placed upon them. Her song however can cause harm to young women that listen to take this song to heart. Instead of liberation, we are moved further down into the hole of degrading and devaluing women. Trina should’ve sent the message that these things were wrong. Instead she endorsed and encouraged them.
Objectification of women and misogyny is a common trend in song lyrics, but it is often socially accepted and further perpetuated. Finding a song in which the roles are reversed and a woman depicts a man as a sex object is incredibly difficult because when women try to break norms in the music industry, they are often criticized. In “Blah Blah Blah” by Kesha, she reverses the typical gender roles in song lyrics by objectifying men. Kesha has her own struggles within the male-dominated music industry because her producer sexually abused her and trapped her into a record deal. However, Kesha lost her court case, which illuminates gender issues within the music industry and the larger society. In 2010 when Kesha’s songs were popular, people weren’t aware of her battle with her producer. Instead, her lyrics classified her as more of a party figure and people even saw her as “trashy.” This song
The whole music video is in remembrance of the little girl Aiyana Jones and to show its audience the injustice it served in America (Alexis 5). The music video does not focus on the lyrics, but focuses on a whole different story. Although the music video is about the war between the government and drugs, the lyrics and the music video share a mutual message and that is to seek peace not only in the community, but also in our minds. Today, there have been issues on police brutality and unlawful arrests. This music video really illustrated different point of views of different people such as the victim and the policemen. Although the music video displayed a different message, the lyrics also provided a great message to people especially young women. Both music video and lyrics
In the lyrics of male R&B/Hip-Hop artists in the early 1980’s, there is a noticeable shift in the language used to portray women and then themselves. The language shift is in choosing words that are filled with love and emotion to overbearing words that aim to separate men and women by social status. During the 1980’s, many of the popular songs by male hip-hop artist tend to focus on the relationship aspect of male and female interactions. This observation is similar to Frith’s (1986) finding, where most successful pop songs centers around being “happy in love”, “frustrated in love” as well as having sex interests. The “happy in love” factor that Frith notices in pop songs is seen in early R&B/Hip-Hop music. Instead of using derogatory terms
Throughout the years many people have put their feelings about the United States Justice system into poems or songs. We have heard various artist refer to the system as being very corrupt and about public officials abusing their power. In 2002, Lauryn Hill released the MTV Unplugged 2.0 album. On this album, there were twenty-one songs. One of the songs was called “The Mystery of Iniquity”. This song featured many verses that reflect the corruption in the American legal system. This song also reveals many significant facts about America’s justice system. Finally, in this song she instructs people to wake up and realize that everything the government tells us is not the truth. Lauryn Hill has never been shy when expressing her beliefs in her songs. Lauryn Hill was first with the Fugees when America first heard her unique voice. As a singer and rapper, she has always been very
As it opens with imagery reminiscent of the aftermath of Hurricane Katrina in New Orleans, an event that devastated the black communities in the areas affected. The delayed assistance in New Orleans by the U.S. government stirred some controversy that led many to question how much America really cares about its black communities. Nonetheless, Beyoncé’s video is full of imagery that is associated with black culture, including historical references to black communities in the south. But what is really important about “Formation” are the lyrics. With lyrics like “My daddy Alabama, Momma Louisiana, You mix that negro with that Creole make a Texas Bama” and “I like my baby hair with baby hair and afros, I like my negro nose with Jackson Five nostrils,” Beyoncé is undoubtedly declaring her pride for her blackness as well as defending her child Blue Ivy who has always been scrutinized for the way her hair looked. Thus, this song is obviously geared toward the Black community which is obvious due to the lyrics and the imagery in the music video. To put it plainly, this song is a proclamation of Black pride and shouldn’t be thought of in any other way. However, after performing it at the Super Bowl people of other ethnicities became aware of the song and became offended by her performance as well as the lyrics. Controversy arose as people pointed out her backup dancers were dressed similarly to the Black Panther
This song implies that individual’s are violating the norms and values of society. They start the song with a verse that expresses this concern. “What’s wrong with the world, mama/ People livin’ like they ain’t got no mamas…” (lines 1-2). This makes one aware of the disobedience of values that are held in the family. Values are “standard[s] of judgment by which people decide on desirable goals and outcomes.” (Newman, 32) Another verse in this song that illustrates how society is defying norms and values is when they sing: “People killin', people dyin'/ Children hurt and you hear them cryin/ Can you practice what you preach/ And would you turn the other cheek…” (lines 50-53). These lines utter that society has failed to act in a sane and coherent way that society once viewed as correct. The actions affirm that individuals are not living up to society’s norms. Norms are similar to “rules of conduct” and suggest how an individual “should” act. (Newman, 34) In the song they question the acts that would be taken that violate certain norms. Another example of the infringement of society’s norms and values is expressed when the s...
It is believed to be one of her best pop songs. This song is considered a pop song because it is written in the form of verses, bridges and choruses and it ends with an outro. The first verse of the song starts with “Share my life, take me for what I am”, which is shown specifically at the time 0:23. It ends with “Just all that you are and everything that you do”, which is shown at 0:53-0:58. The verse is followed with a bridge, which begins with “I don’t really need to look, very much further”, specifically at 1:00, and then follows it and it ends with “I can’t run from myself, there’s nowhere to hide” which is from 1:15 to 1:20. The song’s structure continues with a chorus, which starts off with “Don’t make me close one more door” which is at 1:21, and then it follows and ends with “If I don’t have you, you, you, you, you” which is at 1:51 to 1:56. It carries on with one more verse and one more bridge, and it ends with an outro, which begins with “Don’t you dare walk away from me” which is at 4:12 and ends with “If I don’t have you, oh you” which is at 4:27. The exact times for each verse, chorus, bridge or outro is all shown in the table below. In addition, the song is considered a pop song because it’s time duration is within the average time for a pop song, which is 3 to 5 minutes, and the song is about 4:50 minutes. Moreover, it is appropriate for different people from different places and it
“Like a Virgin” was full of innuendos and inter-textual meanings and the video further expands the controversy of the song. In Rikky Rooksby’s 2004 “The Complete Guide to the Music of Madonna” the singer had commented in regard to the lyrics by saying that “she liked innuendo and irony” and the ways
“Wrecking Ball” is pop ballad sung by the American recoding artist Miley Cyrus. Once known and adored by many as “Hannah Montana”, Cyrus shed her childish shell and adopted a sexualized and edgy persona for her fourth album, Bangerz, which “Wrecking Ball” is the album’s second single. The song starts with a quiet and minimalist synthesized keyboard instrumentation which is immediately met with the anguished vocals of Cyrus. Even in the first 30 seconds where only 26 words were sung, the topic of the song is quite evident: a failing relationship. Cyrus starts by crooning “We clawed, we chained our hearts in vain, we jumped never asking why, we kissed, I fell under your spell. A love no one could deny” which could be interpreted as two lovers fought to be together and succeeded in doing so but it was ultimately useless as denoted by “we chained our hearts in vain”. As the song progresses the minimalist keyboard continues creating an open environment in which Cyrus’ emotive vocals can shine. When the refrain is introduced Cyrus’ vocals and the keyboard instrumentation briefly disappear and when they reemerge they are joined with booming percussion that hits sharply, then slowly dissipates. Cyrus’ vocal delivery also changes from the softer, anguished sound to a powerful, almost vindictive roar which quickly returns to the soft delivery with a quiver as Cyrus sings “Yeah, you, yo...
The underlying message was shown using these methods as well as by expressing it through the language in the lyrics. Examples include Doug E. Fresh saying, “This is all about, no doubt, to stop violence.” (Self Destruction) which very clearly states the important message that was being portrayed. Another example is when Ms. Melodie says, “The violence in rap must cease and seckle.” (Self Destruction) This lyric points out the violent culture that exists in the rap community and how it can be detrimental to society. Many modern hip-hop and rap songs with messages get dismissed either due to the harsh language or because many people do not want to hear the harsh realities of the African American struggle. Another unique aspect of this song that appeals to the audience is the point of focus. “Self Destruction” focuses on an internal view of the issues and relies on self-examination in order to solve these issues. This aspect makes the song unique because it does not lay blame on others. Instead of pleading for help from others, the songwriters decide to take the approach of rebuilding their own communities from the inside. This aspect really makes the song stand out amongst many other similar songs. This song truly is able to appeal to the reader in a fresh and interesting way by using logical, ethical, and emotional
In today’s world, celebrities are often misunderstood, especially singer/songwriter Robin Rihanna Fenty, referred to as Rihanna. Rihanna’s sexual behaviors in her videos have been talked about in negative ways for some time now, but what [eople do not understand is that it is all for fame. Celebrities will do anything to keep their career going strong. If one really took the time out to take a deep look at Rihanna, they will notice how humble she really is. After going through the abusive relationship with Chris Brown, Rihanna has struggled with gaining that strong confidence with who she is. Her critics believe that she is still trying to discover herself and figure out who she really is as a person. Rihanna is often given two choices, to do what she is being asked to do, or throw her career out the window. She either gives the crowd the sexual acts they want or let her career die down. In the song “S&M,” Rihanna was really exposing herself to the crowd, as well as “Good Girl, Gone Bad.” She is basically telling the crowd that this is the person she is, but is it really? For my original piece I will be creating a journal, expressing the feelings Rihanna felt as she overcomes her struggles. Rihanna’s sexual behaviors in her videos are really all for fame and therefore, are easily misunderstood.
It has been played in many other countries and is listed in many major hit charts in those countries. It became one of her best-selling singles. Beyoncé has been singing about women’s independence since she was in the hit group “Destiny’s Child”. Many of her songs support women’s lifestyle and keep cheering up girls with her powerful and expressive vocals (Armstrong). In addition to her songs and lyrics, her beautiful appearance fascinates many female audiences and influences from teenagers to grown-ups as if she was a role model. A negative side of the video is that the video gives the impression that men are always to be blamed and women are always “victims” of the relationships, which is not
“He don't smack that ass and pull your hair like that” is a rather vulgar and demeaning statement, yet it is freely sung in Blurred Lines by Robin Thicke, a song that was in the top ten on the Billboard list of the most popular R&B/Hip-Hop songs in 2013. Because hip-hop is a very large part of the African American culture, and many speakers of African American English (AAE) are portrayed through these songs, women are often highly influenced by the objectification of their bodies in hip-hop songs. Since the emergence of the hip-hop genre in popular culture in the 1960s and 70s, women’s bodies have been sexually objectified through this music. Although the impact of the sexualization of women’s bodies in hip-hop songs is still very prevalent, the effect of this in recent years has decreased because of a learned linguistic way to navigate the misogynistic words that diminish the humanity of women.