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Realism and romanticism
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Realism and romanticism
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Born in Hartford, Kentucky, February, 1861, Charles Courtney Curran is a famed artist best known for his canvases portraying women in various settings. As a result of his the Civil War, Currans family moved to Ohio, eventually settling on the shores of Lake Erie where his Father was employed as a school principal. In 1881 suddenly gaining a new aptitude for art, Curran went to Cincinnati to participate at the McMicken school, later renamed the Fine Arts Academy of Cincinnati. Staying there for only a year, Curran decided to travel to New York to attend the National Academy of Design. Here, he created various pictures of women engaged in a diverse variety of activities along with the piece I will be critiquing, Lotus Lilies. Charles Courtney …show more content…
Curran created the exquisite painting known as Lotus Lilies.Two women clothed in elegant fitted dresses sit upon a brown wooden boat. These women are each wearing a very detailed and ornate hat. The lady to the left is dressed in a darker outfit compared to the lady to the right whom is wearing white. In the middle of the two women green umbrella held by the women to the left. Surrounding their boat is a body of water containing numerous lotus flowers. The lilies are yellow in color with white accents sitting above green lily pads.
In the background of the painting stands a few trees along with a couple shrubs. The shapes and lines incorporated into this picture are all very organic. Very few straight lines are apparent. Most colors and rendered quite lightly although there are some dark colors visible in the water and the background. When viewing this piece, my eye is first led to the woman in the white dress. This bright white has a high contrast compared to all of the creamy green and yellow shades the painting consists of. This piece of art also includes a very light shade of blue placed in the sky, a brownish blue color throughout the water, and a light brown tint in the boat. The two women in this composition are placed in the foreground while the background contains the trees and sky. All images in this picture appear to be rendered quite realistically in terms of size and presentation. It is very easy to depict what each object is representing. Repeated in this painting are numerous lotus flowers each having their own position and color based upon their placement in the painting. Although they are repeated, there is no specific pattern to where they are …show more content…
posed. Starting out with my focus on the two women, the visual rhythm of this piece the leads my eyes to the background of the pond full of lilies, next to the background full of trees, and lastly to the light blue sky.
This pattern takes the viewers eye from the most prominent and detailed images to the furthest away and least eye catching figures. All of the forms placed throughout this piece work very well together. The abundance of lilies and constant flow of varying green shades creates a sense of unity throughout the piece. Whereas the lady in the bright white dress adds a contrasting sense of variety. This delicate piece of art was painted in the year 1888. Relating to the 19th century, the realism/imitationalism art movement was at its apex. Therefore, Lotus Lilies is considered to be a realistic portrait. Revolting against the exotic subject matter and drama included in the Romantic movement, realism is an attempt to render subject matter truthfully without adding in any superficial aspects. Getting married shortly before creating this piece, the flowers which the women to the left is holding, represents the bouquet of flowers she held during their wedding. This women is Currans wife known as Grace. Grace was later the subject matter of many of Currans elegant paintings. Painting until his death, Curran never adopted a new form of art. He was dedicated to realism and therefore stuck with
it. I feel that this piece of art was highly successful. All images in this painting properly move to the vanishing point, and the composition is highly realistic. The intricate details incorporated into this piece along with the complementing colors, and the texture of the brush strokes, help me come to the conclusion that this painting is prosperous. In my World History class, we are learning about the Renaissance. During the Renaissance, people began to create artistic paintings including things that mean a lot to them. Lotus Lilies greatly relates to this in the terms that Curran included something he highly valued, his wife. Now knowing the backstory to this painting, I can not say that I can relate to it.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
Large and medium sizes of the forms dominate over small in the painting. The arrangement of the objects in this art piece is mostly centric. However, even though it is central, it is not symmetrical. The painter also touched the left edge of the burlap and the right bottom corner of it; this helps viewer’s eye to enter the painting smoothly, move around and escape from it. The asymmetry of the arrangement creates the sense of imbalance. Lam uses basic lines and shapes in the composition. Nevertheless, the painter creates wonderful light movement inside the figure with wavy shapes, which directs viewer’s eye from the top to the
The texture of the paint is smooth and flows very nicely the paintings composition is primarily bundled into the bottom right half of the image. The wings and legs of the animals as well as and table help form an invisible sloping line across the painting.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
In the early 16th century the Netherlands experienced what was called “tulip mania” this was the beginning of the nations love for flora and foliage (Taylor 13). The result of this impressive flower invasion was a society that took a historical turn from which the results still remain today. Flower merchants, botanists and floral still life artists, were occupations that were an accurate reflection of the Netherlands demands (Brown). An interesting example of a life that was effected by, and devoted to the archiving of the flower craze was Rachel Ruysch (1664-1750) the 17th century Dutch flower painter. Rachel Ruyschs’ career straddled the 17th and 18th century, and her stunningly accurate floral pieces reflect the maturing, yet evolving art of floral still life painting (“Rachel Ruysch: Bibliography”). Ruyschs’ Still Life with Flowers on a Marble Tabletop (1716) is an excellent example of a painting that appropriately represents the genre of art that was created solely through specific societal events.
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
The two focal figures are illustrated with complementary colors, the woman 's dress being orange, and the man’s pants being blue. Benton uses these colors to bring life into the painting. The background is made up mostly of earthy colors like, greens, browns, and greys and a light blue for the sky. Benton seems to add white to every color he uses, which gives the painting an opaque look. The deepest hues found in this painting are the blue one the man’s pants and the orange on the woman’s dress, everything else around them looks washed out and Benton does this to emphasize his focal points
The texture of the canvas works very well with the subject matter portrayed in the painting. The grassy hill side and the leaves of the trees are especially complimented by the canvas. It makes the leaves feel like they are slightly moving, this combined with the lack of detail itself the leaves. This is contrasted nicely with the very detailed renderings of the trunks and branches of the trees, the conscious decision to put so much effort into the tree itself and then to use obvious brushwork in the leaves makes the trees much more firm and immovable in the landscape. The brushstrokes are very clean and precise on the trees in the background.
... study for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem actually real. The spatial quality is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective centre is on the right, despite the fact that the composition is laid in rows parallel to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orange dress and her mother are on the same level, that is, actually at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal eye level would actually be on different horizontal lines; first at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a modern lifelike painting rather than an academic history painting.
The background of the painting is dark with hues of browns and reds. Light enters the painting from the left and can be seen on the tiled floor. The lighting helps to create the diagonal composition as it moves across the lower half of the painting. The contrast of light also creates space between the man and the woman fainting; symbolizing a disconnect between the two figures. The use of space is also interesting, Ahsauerus is alone and is enclosed in a corner, while Esther is being held by two other woman who are physically very close to her, not allowing any space between their clothes, suggesting a nurturing characteristic that is often stereotyped among
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
Through his “choreographed” letters, Massoudy gives physical form to emotions and ideas. For example, in his work “I love a flower that is slow to blossom,” (See Figure 2) he shapes the word “flower” with curves that resemble petals. The word “flower” is repeatedly written in green ink to form a leaf, or a garden speckled with red and yellow flowers. The quote written out in a straight line evokes the image of a stem.
The most prominent color in this painting is blue; it is used in the walls, the doors the articles of clothing hanging on the wall hook and some of the items resting on the nightstand. The other prominent color is green, used on parts of floorboards, the window, a part of one of the doorframes, parts of the hanging paintings and the empty vase on the nightstand. Brown is the only ...
The Mona Lisa (Fig. 01) is a 16th century oil painting by Leonardo da Vinci. The subject who is commonly believed to be Lisa Gherardini, the wife of a wealthy Florence businessman, is seated in a relaxed three-quarter pose with her hands gently placed one on top of the other.