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Failure and success introduction
Why success is better than failure
Failure and success introduction
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Huge Lindgren writes about his personal experience as a writer in the struggle to find success through failure and self-doubt throughout his article “Be Wrong as Fast as You Can”. Lindgren brings up many of his own experiences that led to his acceptance of his place as a magazine article writer and editor, but more importantly he brings up many startling ideas that are scarily relatable. Ultimately, Hugo Lindgren explains that the only way to succeed in life is to struggle through failure and learn from one’s mistakes.
The article begins with Lindgren detailing many of the ideas he had in his youth. Be it a clever sitcom idea or melodramatic reality show, Lindgren has thought of a twist on it that catered to his personal life experience. However, he goes on
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“Even looking back over those one-sentence descriptions of TV ideas in the first paragraph of this essay, I am humbled by how inadequately they convey the vividness they had as I conjured them” (4). Some ideas are not worth pursuing. That is exactly what Lindgren came to understand, but this is not necessarily for nought. Ideas on the whole need dreamt up and given life. Without them society as a whole would crumble and advancements would cease. More important is the understanding that everybody will fail at some point. Lindgren explains this in his memory of John Lasseter’s interview on Charlie Rose. It is mentioned that “Mistakes are an inevitable part of the creative process, so get right down to it and start making them” (4). Take note that even the founder of Pixar, one of today’s most successful animation companies has had his share of bumps in the road. Looking past self-doubt and insecurity, learning to move on from it and take the experience away, good or bad, will ultimately have an overwhelming effect on one’s life. If a person cannot look past their own mistakes they can never move on to improve on their idea or, even worse, give up on their
The Beatles, Bill Gates, Steve Jobs, professional hockey players, and solo violinists all have one thing in common. Malcolm Gladwell, author of “Outliers”, is able to effectively link these different parties together though his “10,000 Hour Rule”. Gladwell states that, “practice isn’t the thing you do once you’re good. It’s the thing that makes you good” (42). Using rhetorical devices, Gladwell effectively conveys how overall success can be spotted by historical, recurring patterns or events. Malcolm Gladwell has supported himself as a reputable author as well. Using supported statistics, easily illustrated patterns, and well known examples, Gladwell fulfills the logos appeal. Also, due to his very successful works “The Boiling Point” and “Blink”, Gladwell shows his credibility as an author. Gladwell’s main purpose is to teach his audience the pattern of success, and why some people did or did not succeed. This audience is consisted of those who want to succeed, and want to create as many possibilities to reach their goal. Their main values are gaining success for themselves. Another possible audience is a group who enjoys statistics and patterns. These patterns show that around 10,000 of practice in an activity, the person becomes very proficient in that activity. Citing the Beatles, Bill Joy, and Bill Gates as his examples, Gladwell shows that practice can make perfect. Malcolm Gladwell states that to reach a level of expertise, one must practice that activity for 10,000 hours. Using rhetorical devices, tone, and logos, Gladwell efficiently supports his claim of the 10,000 hour rule.
The popular saying “practice makes perfect” has been used for many years encouraging younger generations to strive for success in whatever area they wish to excel in. Success is something everybody in society strides for but some do not know how it is achieved. However, there are many people throughout history who are known for achieving success in many areas. Malcolm Gladwell, a best selling author and speaker, identifies these people as being outliers. Gladwell identifies the word “outlier” in his story Outliers as “a scientific term to describe things or phenomena that lie outside normal experience.” Although Malcolm Gladwell does not establish credibility for himself in his novel, his targeted audience of a younger inexperienced generation feel the need to be informed by his detailed theories about becoming successful and eventually becoming an outlier. Although the reality of becoming successful can depend on instances one can not control, Gladwell tells his readers there is a great portion they can control through his theory, the 10,000 hour rule. He does this by using well presented logical persuasive appeals and interesting rhetorical devices such as: onomatopeias, exposition, and argumentation.
Andi Anderson (Kate Hudson) is a beautiful, young, and successful writer who maintains a “How-To” section in “Composure” magazine. Her dream is to “write about things that matter, like politics and the environment, and foreign affairs- things I’m interested in.” (How To Lose A Guy In 10 Days, time stamp 02:00). She knows that the only way she will eventually be able to write about subjects she’s passionate about is to be successful in writing her superficial “How-To” section in the magazine.
In the essay “Getting Started” by Anne Lamott. The author reaches out to her students and other fellow writers who struggle to overcome the infamous writer’s block. Thought out her paper she gives us hints and tips to train and prep us for our future papers. Her tips range from training you mind to prepare for a long and often strenuous essay, learning to take information in slowly to not overwork your brain and the last one always tell the truth in your essay. She threads through her essay that writing may be hard and seems like there is no silver lining but it’s not impossible to do. When done reading this essay I widely agree with Lamott’s writing ideas and tips they can be helpful for many struggling students. As one myself I found
From a very early age, perhaps the age of six or seven, I realized that I enjoyed disputing things. As I grew older, I attempted to curb this tendency, since I thought it might negatively impact people’s views of me, but I never intended to stamp it out, as it was too integral to my nature.
People no longer know how to make up ideas independently. An example of how their society has become so unintelligent is when Mildred explains to Montag how her favorite television show works. She tells him, ‘“When it comes time for the missing lines, they all look at me out of the three walls and I say the lines.”’ (20). This television show that Mildred, and many other people in their society adore, is much like the popular twenty-first century nickelodeon cartoon, Dora the Explorer, which is aimed for toddlers. In their society the television shows come with a script and they have to say a line when it is their turn; the characters will just wait until you respond to proceed (20). This is a very strong example of how people in this society are choosing to spend their free time doing things that are not productive. Instead of reading a book or learning a new language, these people will rather sit in their parlors and waste time, because they are so unaccustomed to thinking and contemplating things. Since no one wants to question things, and think critically, their society cannot possibly be able to
A bad book, so-called, has just as much to teach us as a good book. It is often a far better teacher than any work that is uniformly artful, where excellence disguises the nuts and bolts of craft. A bad book also teaches us something a better book cannot: humility. Not the humility of resignation — that of admitting that we will never be very good at what we do, no matter how earnestly we try. Such humility can easily morph into the indulgent self-flagellation that either demands the commiseration of friends or brings our vocation to a standstill, where thereafter we are those people who petulantly claim we “could have been
I am in the process of writing my first novel in hopes to get it published after I graduate high school. Many students, and teachers unfortunately, have shot down my dreams of doing so but I have persevered with this aspiration of mine. I’ve found the people who think I can accomplish this are those who know for a fact I will continue with this dream.
The many evils that exist within television’s culture were not foreseen back when televisions were first put onto the market. Yet, Postman discovers this very unforgiveable that the world did not prepare itself to deal with the ways that television inherently changes our ways of communication. For example, people who lived during the year 1905, could not really predict that the invention of a car would not make it seem like only a luxurious invention, but also that the invention of the car would strongly affect the way we make decisions.
In the past three months I feel like I have accomplished a great deal. As the semester comes to an end I find myself reflecting not only how I have survived the first semester but also what I have learned. The most important thing I have learned so far is how to become a better writer. I did not think it could really happen to me. I did not think I could handle all the work. I did not think I could actually become a better writer. Some how after all the hours of writing, and putting effort into the papers that I wrote this semester, I became a better writer. I did this because I concentrated on two very important areas, with the attitude of, if I could just become better in those then I would become a better writer. With help from an awesome teacher and a reliable tutor I have become a better writer by improving my skills in the areas of procrastination and content.
and Other Greats : Lessons from the All-star Writer's Workshop. New York: McGraw-Hill, 2006. Print.
Max Perkins once wrote to Thomas Wolfe that "[t]here could be nothing so important as a book can be." Perkins lived and died believing this, as A. Scott Berg attests with his book, Max Perkins: Editor of Genius. Berg's book begins by describing a rainy evening in mid-Manhattan where a class of budding editors and publishers awaits the infamous Maxwell Perkins for a discussion on editing. Here Berg reveals Perkins as "unlikely for his profession: he was a terrible speller, his punctuation was idiosyncratic," and he was an awfully slow reader by his own admission (4). But none came near Perkins's "record for finding gifted authors and getting them into print"(4). Perkins defines editing to the enthusiastic class, not as being a great speller or grammarian, but as knowing "what to publish, how to get it, and what to do to help it achieve the largest readership"(4). This introduction leads the reader into a long flashback of Perkins's life as an editor, the risks he took with books by new talents and the undying support he gave artists, proving Perkins to be "America's greatest editor."
In chapter four of Goin's book he explains how to preserve through tough situations when your on your journey to be a successful writer. When it gets tough you have to take a step back and realize why you first stared writing. Often people start writing because they simply love the process and opportunity, but along the way the get lost in the obligation, money, and fame, Goins explained. When things are tough and you have lost way many people give up, but a select few hold on. Goin's states, "It's the difference between someone who creates something memorable and meaningful and someone who just
Vogler, Christopher. The Writer’s Journey: Mythic Structure for Writers. 3rd Ed. Studio City: Michael Wiese Productions, 2007.
In “When We Dead Awaken: Writing as Re-Vision,” Adrienne Rich discusses her view on the role of a woman writer by using examples of her own personal experience. As I look at my life, I can begin to understand how my own personal experiences can reflect the situation of many young women. I am tormented by which role I am supposed to play in today’s society. Am I to become the traditional mother and housewife? Should I flaunt my sexuality and become the female that the media is constantly portraying? Maybe I should be myself and follow my dreams to become an independent career woman, if that is even what I want. Young women in modern society are searching for the right answers to these questions and are basing these answers on their family, friends, and the media.