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Henry Rider Haggard’s piece titled “About Fiction” exemplifies the major concerns of writing in the 19th century, mainly the production of unsatisfactory literature due to the lack of realism. This evaluation will focus on his view, argument, major ideas and political engagement.
Haggard use of language throughout is critical towards fiction written in styles that are not English Fiction, even referring to readers of sub-par literature as “like a diseased ostrich.”(pg173)Through using pictorial phrases as such, he creates emotive responses in the reader which strengthen his point of view towards the lack of quality in literature. He uses inclusive language to alley himself with the intended reader- who he suggests is the educated English male-, by referring to “our fellow-countrymen who, we are told” focus on politics rather than literature(pg172).
Haggard’s view of literature is shown through his writing, as he believes that schools of writing other than English Fiction are “unreal namby-pamby nonsense with which the market is flooded.” (pg177) By stating that the American
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The takeover of America is referred to critically, as “America has scarcely produced a writer of first class,” (pg175) comparing English literature to American. This is representative of the fall of the English Empire, as the takeover of America monopolises the English, as “most of the books patronized by this enormous population are stolen from the English authors.” Haggard also seems to idealise the English idea of purity, as he spurns the Naturalistic fiction which presents “sexual passion [as] the most powerful lever with which to stir the mind of men.”(pg176) This also relates to the idea of liberalism, as Haggard suggests that “what is wanted in English fiction is a higher ideal and more freedom.”
It has long been contested that works of great Literature have certain qualities and that they belong to an exclusive canon of works. Value is placed upon them for a number of reasons, including their reflection of cultural or social movements, the special meaning they possess, and even their use of specific narrative elements. Up until recently, scholars and intellectuals would never dream of examining works of lower caliber with any hopes of discovering value or merit. A new movement within intellectual circles, however, has shifted focus onto so-called low-brow novels like Chester Himes’ If He Hollers Let Him Go and God’s Little Acre by Erskine Caldwell. Surprisingly enough, the works of Himes and Caldwell can be held up to the same tests as more canonical works through their appeal to ideological remnants of Romanticism and the Enlightenment, their use of literary devices to create meaning, and the narratives’ use of these devises to enhance the elements of enjoyment and pleasure in reading.
Heritage of American Literature. Ed. James E. Miller. 2 ed. Austin: Harcourt Brace Jovanovich, 1991.1274.print.
Perkins, Geroge, and Barbara Perkins. The American Tradition in Literature. 12th ed. Vol. 2. New York: McGraw Hill, 2009. Print
Updike, John. “A&P.” Literature Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw, 2013. 141-145. Print.
Studies in American Fiction 17 (1989): 33-50.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
“American Crisis.” The American Tradition in Literature, 12th ed. New York: McGraw Hill 2009. Print
(Elliot, ix). Brown’s goal in writing novels was to develop a literary style that was clearly “’American’”
Kelly, John. ENGLISH 2308E: American Literature Notes. London, ON: University of Western. Fall 2014. Lecture Notes.
Schreier, Benjamin. "Twentieth Century Literature." Desire's Second Act: "Race" and "The Great Gatsb'ys": Cynical Americanism 53.2 (2007): 153-181. JSTOR. Web. 16 Apr 2014.
Baym, Nina, and Robert S. Levine, eds. The Norton Anthology: American Literature. 8th ed. New York: W.W. Norton & Company, Inc., 2012. Print.
...ne Franklin, Philip F. Gura, and The Norton Anthology of American Literature. New York: Norton, 2007. Print.
In addition, authors frequently lack originality and simply take the reader on all-too-familiar voyages into politics, morals, or religion. Successful writers are those who risk and go on to write about topics that many times others have been less willing to address. The product of these extraordinary efforts is compositions richly enhanced by human feelings and real problems that we encounter and relate to our everyday lives…thought-provoking discussions about religion, philosophy, or politics. These pioneering authors are not afraid to write about evil, the perverse aspects of man, or even sexuality… Their true voices have risen from behind the words taking shape in the minds of the readers. Few have done this, but in the 19th Century two remarkable Americans produced compositions of unequal quality. Their styles and the way they approach the reader are different from t...
Kelly, John. ENGLISH 2308E: American Literature Notes. London, ON: University of Western. Fall 2013. Lecture Notes.
via, Prentice Hall Literature: The American Experience. Upper Saddle River, N. J.: Pearson, 2010. 1126-233. Print.