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Essay on nazi propaganda
Propaganda under Hitler
Propaganda under Hitler
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Who were the Nazis? Monsters? Psychopaths? Amoral? Or were they ordinary men that have rationalized their actions away? Gitta Sereny explores this perplexing image of Nazis and their consciences through her in person interviews of Franz Stangl, the Commandant of Treblinka, in her book Into That Darkness: An Examination of Conscience. Sereny ensures that she speaks not only to Stangl but also to his wife, his sister-in-law, men who worked with him, survivors of Sobibor and Treblinka, witnesses of events at Sobibor and Treblinka, those connected to the Euthanasia Programme in which he was involved, and those connected to his escape route after World War II (p. 16-18). Sereny works to humanize Stangl, and present him the opportunity to rationalize his role in killing hundreds of thousands of people. Though throughout the book she does not allow for Stangl’s rationalizations to …show more content…
stand without questioning through historical documents, interviews with others, and through further questioning of Stangl. Within the first chapter of the book, Sereny paints a picture of a very human Stangl while comparing that image to the one she expected based on others' descriptions. She directly juxtaposes the “quiet and courteous man” (p. 21) with the man who was described in such a way by those involved in his capture as to make him seem like this horrendous, awful monster (p. 21). Sereny further humanizes him for her readers by including the fact that he cried often while speaking of his childhood, and describing his changes in diction from formal German to the German of his childhood that he used when expressing hard truths (p. 26-27; 29). Sereny also speaks to Stangl’s ability to love and feel emotions on many occasions both at the beginning of the book but also later. He valued her opinion of him and loved her immensely according to Sereny. She states that there “is no doubt” that Stangl was completely in love with her and needed her love and approval thus showing he is capable of love (p. 40). This is reiterated when he cannot have his wife near when his wife finds out what he did at Sobibor, so he sends her away (p. 137) and when he discusses how distressed his wife is over his disconnecting from the Catholic Church (p. 37). Sereny states that following his recollection of his wife’s reaction to thinking that he was in the illegal Nazi Party he shed his first “deep tears” and from then on, any mention of his wife brought him to tears (p. 40). This initial humanization of Stangl provides the reader with a mindset conducive to reading the rest of the book without the pre-assessment of Stangl as a monster, thus allowing for better understanding of the testimony and conflict in conscious that he expresses. Following this humanization Sereny begins to develop the “process of his corruption” (p.
37) beginning with his willingness to give up his religion for him to keep his job and according to Sereny’s recounting of his belief, to stay alive. Sereny argues that this signing of a document attesting to his separation from the Catholic Church was a distinct step onto the road of corruption. It was his first choice where he compromises his moral beliefs to work under the Nazis. She argues that this was the first of many moral compromises Stangl would make (p. 37). Sereny demonstrates that he often looked outside himself for moral guidance. For example, within his time with the Austrian Police, he states that he was taught to believe that everyone was against them (p.28). Furthermore, while working at Hartheim he rationalized the T4 program by saying that since the nun and priest that he visited thought what they were doing was right, “[w]ho was [he] then, to doubt what was being done” (p. 58). This use of outside guidance for morals, Sereny argues, may have contributed to his corrupted
personality. So then how did a man capable of love, and feelings manage to explain, and rationalize his actions at Hartheim, Sobibor, and Treblinka without feeling guilty of having committed mass murder? When speaking of his time at Hartheim, Stangl states he was not involved in an operational sense indicating he did not feel responsible for the operations at Hartheim (p. 56). Sereny relays that Stangl believed the only way for him to handle what he was doing was through the compartmentalization of thinking. He states that, based off the four requirements of a crime that he was taught in police school (a subject, an object, an action, and intent), “if the ‘subject’ was the government, the ‘object’ the Jews, and the ‘action’ the gassings, then I could tell myself that the fourth element ‘intent’…was missing” (p. 164). This statement by Stangl further proves Sereny’s earlier statement of his corrupted personality. He had changed his thinking to rationalize that what he was doing at Hartheim, Sobibor, and Treblinka was not a crime. Stangl states that he had to do this for survival so that he could limit his actions to what he felt he could answer for (p. 164). He was operating on a double level of consciousness in which he focuses on smaller events rather than the bigger picture to further compartmentalize his thinking. Sereny argues that Stangl’s focus on single events rather than the whole of what was happening to cope with the situation (p. 124). One example of this focus on singular actions is Stangl’s description of a man complaining that he traded a watch for water but got no water. Stangl states that he made all the guards turn out their pockets regardless of stature because he was not “interested in what uniform a man wears [, he was] only interested in what is inside a man… what’s right is right” (p. 169). Sereny also points this focus out when discussing Stangl’s reaction to the testimony of Stan Szmajzner, a survivor of Sobibor, in which he is accused of shooting directly into the crowd. Sereny argues that Stangl felt betrayed by this testimony as he never carried a gun, only a riding crop (p. 119; 123). She further states that the fact that these people later died anyway seemed irrelevant to him despite their deaths still being under his control still (p. 124). Another method of coping Sereny describes is based off discussions with Stangl and his wife in which she gathered information leading her to believe that he often manipulated his memory of events to rationalize his actions and avoid the resulting guilt (p. 134). This is exemplified in his recounting of an interaction with a prisoner named Blau. The prisoner comes to him, Stangl recounts and asks him to let his father have a last meal and be shot rather than go to the gas chambers. Stangl presents and speaks of this event like he did the prisoner a favour by saying yes to this request but cannot relate what happened to Blau and his wife (p. 207-208). Moreover, Sereny states that anytime she asked what happened to any of the individual prisoners that he spoke of he responded “in the same tone of detachment, with the same politely aloof expression in his face” that he did not know what happened to them (p. 204). This method of coping, and rationalization allows him to feel as if he was making a change for the better in the camps although he made the camps more effective for killings. Throughout the book Sereny offers many differing opinions, and statements that draw Stangl’s rationalizations into question. One of the main ways that she draws his rationalizations into question is through her pushing him to think more deeply about what happened, and what he said. For example, when speaking of his offer to help Globocnik ensure that all valuables from Treblinka went through his office instead of straight to Berlin Sereny pushes him on whether this is volunteering to do a job. When Stangl answers that he was just assuring Globocnik that he “would be carrying out this assignment as a police officer under [Globocnik’s] command” (p. 163), Sereny pushes him to confront the fact that earlier in their interviews he called the killings a crime (p. 163-164). Through this interaction you see Stangl’s rationalization of what he was doing, and his role in the Final Solution. Likewise, Sereny relays to her readers when she believes that Stangl was being evasive, rationalizing his role in the situation, or fabricating some of the story. After Stangl’s statement that he did not think about why one of the nurses from his time at Hartheim were at Sobibor, Sereny states that she knew that his story was “at least partly rationalization and partly evasion” (p. 109). This statement indicates that she was aware of when Stangl was not being entirely truthful. Though she did not press him to think about his statements more later in the book Sereny relays an interaction in which she pushes Stangl to think of how the prisoners were feeling. When discussing the discomfort that Stangl encountered with the sandflies at Sobibor he continually tries to rationalize his lack of regard for their circumstances before eventually changing the topic (p. 118). These pressings for more information, and a more insightful thought process from him provide integral opportunities where Sereny forces both Stangl and the reader to question his rationalization of his role in the mass killings taking place at Hartheim, Sobibor, and Treblinka. Sereny also uses others’ testimony, and his actions to draw his rationalizations into question. The strongest example of this is Szmajzner’s description of Stangl. After Stangl claims that he was outraged by the idea of killing Jews as he was a police officer (p. 110) Sereny relays that Szmajzner stated that Stangl was notable for “his arrogance [a]nd his obvious pleasure in his work and his situation… [h]e had a perpetual smile on his face” (p. 131). This also calls Stangl’s later claim that he was “a prisoner” (p. 134) a few pages later into question. This rationalization is also called into question when Stangl states that being Commandant was “his profession; [he] enjoyed it. It fulfilled [him]” before later adding that he was in fact ambitious (p. 200). This is not to argue that Sereny presents professional ethos and ambition in a bad light, but she does use these statements to call Stangl’s dislike of his job into question. Furthermore, Sereny calls Stangl’s belief that he made life for prisoners better into question using other people’s testimony. One major example of this is from Franz Suchomel’s, who worked at Treblinka with Stangl, testimony, as well as his own testimony. Sereny relays that Suchomel stated that though Stangl did improve things at Treblinka, he did not do all that he could have. Suchomel states that Stangl could have gotten rid of the whipping posts and humiliating ‘sport’ and ‘races’ that took place at the camp (p. 202). This statement followed Stangl’s statement that he could not stop the whippings because it “was the system…it worked, it was irreversible” (p. 202). Sereny calls this into question by stating, directly following this claim, that Suchomel remembers Stangl stating that an order had come from Hitler that prisoners were not to be beaten or tortured which he immediately followed up with stating this order was impossible, so officers should just hide their whips when there are visits from Berlin (p. 202). In presenting these conflicting testimonies to whether Stangl could have changed the policy on whipping, and humiliation at Treblinka.
Six million Jews died during World War II by the Nazi army under Hitler who wanted to exterminate all Jews. In Night, Elie Wiesel, the author, recalls his horrifying journey through Auschwitz in the concentration camp. This memoir is based off of Elie’s first-hand experience in the camp as a fifteen year old boy from Sighet survives and lives to tell his story. The theme of this memoir is man's inhumanity to man. The cruel events that occurred to Elie and others during the Holocaust turned families and others against each other as they struggled to survive Hitler's and the Nazi Army’s inhumane treatment.
The atrocities of war can take an “ordinary man” and turn him into a ruthless killer under the right circumstances. This is exactly what Browning argues happened to the “ordinary Germans” of Reserve Police Battalion 101 during the mass murders and deportations during the Final Solution in Poland. Browning argues that a superiority complex was instilled in the German soldiers because of the mass publications of Nazi propaganda and the ideological education provided to German soldiers, both of which were rooted in hatred, racism, and anti-Semitism. Browning provides proof of Nazi propaganda and first-hand witness accounts of commanders disobeying orders and excusing reservists from duties to convince the reader that many of the men contributing to the mass
In Elie Wiesel’s Night, he recounts his horrifying experiences as a Jewish boy under Nazi control. His words are strong and his message clear. Wiesel uses themes such as hunger and death to vividly display his days during World War II. Wiesel’s main purpose is to describe to the reader the horrifying scenes and feelings he suffered through as a repressed Jew. His tone and diction are powerful for this subject and envelope the reader. Young readers today find the actions of Nazis almost unimaginable. This book more than sufficiently portrays the era in the words of a victim himself.
Elie Wiesel’s memoir Night, is an account about his experience through concentration camps and death marches during WWII. In 1944, fifteen year old Wiesel was one of the many Jews forced onto cattle cars and sent to death and labor camps. Their personal rights were taken from them, as they were treated like animals. Millions of men, women, children, Jews, homosexuals, Gypsies, disabled people, and Slavic people had to face the horrors the Nazi’s had planned for them. Many people witnessed and lived through beatings, murders, and humiliations. Throughout the memoir, Wiesel demonstrates how oppression and dehumanization can affect one’s identity by describing the actions of the Nazis and how it changed the Jewish
Since the publication of, Night by Eliezer Wiesel, the holocaust has been deemed one of the darkest times in humanity, from the eradication of Jewish people to killing of innocents. Wiesel was one of the Jewish people to be in the holocaust and from his experience he gave us a memoir that manages to capture the dark side of human nature in the holocaust. He demonstrates the dark side of human nature through the cruelty the guards treat the Jews and how the Jews became cold hearted to each other. Wiesel uses foreshadowing and imagery, and metaphors to describe these events.
Many themes exist in Night, Elie Wiesel’s nightmarish story of his Holocaust experience. From normal life in a small town to physical abuse in concentration camps, Night chronicles the journey of Wiesel’s teenage years. Neither Wiesel nor any of the Jews in Sighet could have imagined the horrors that would befall them as their lived changed under the Nazi regime. The Jews all lived peaceful, civilized lives before German occupation. Eliezer Wiesel was concerned with mysticism and his father was “more involved with the welfare of others than with that of his own kin” (4). This would change in the coming weeks, as Jews are segregated, sent to camps, and both physically and emotionally abused. These changes and abuse would dehumanize men and cause them to revert to basic instincts. Wiesel and his peers devolve from civilized human beings to savage animals during the course of Night.
The chaos and destruction that the Nazi’s are causing are not changing the lives of only Jews, but also the lives of citizens in other countries. Between Night by Elie Wiesel and The Hiding Place by Corrie ten Boom, comradeship, faith, strength, and people of visions are crucial to the survival of principle characters. Ironically, in both stories there is a foreseen future, that both seemed to be ignored.
When the author of Night, Elie Wiesel, arrives at Auschwitz, the Jewish people around him, the Germans, and himself have yet to lose their humanity. Throughout the Holocaust, which is an infamous genocide that imprisoned many Jewish people at concentration camps, it is clear that the horrors that took place here have internally affected all who were involved by slowly dehumanizing them. To be dehumanized means to lose the qualities of a human, and that is exactly what happened to both the Germans and the Jewish prisoners. Wiesel has lived on from this atrocious event to establish the dehumanization of all those involved through his use of animal imagery in his memoir Night to advance the theme that violence dehumanizes both the perpetrator and the victim.
The resistance of the Holocaust has claimed worldwide fame at a certain point in history, but the evidence that the evil-doers themselves left crush everything that verifies the fantasy of the Holocaust. For an example, in Poland, the total Jewish population of over thirty-three hundred thousand suddenly plummeted to three hundred thousand. Ten percent of the population survived the Holocaust in Poland. Almost every country that the Nazis have conquered has the same percent of survival as Poland. In Elie Wiesel Wiesel’s memoir Night, the activities in the concentration camps, the suffering of Jews, and the disbelief of the inhumane actions of the Nazis result in making people resist the truth.
Many different responses have occurred to readers after their perusal of this novel. Those that doubt the stories of the holocaust’s reality see Night as lies and propaganda designed to further the myth of the holocaust. Yet, for those people believing in the reality, the feelings proffered by the book are quite different. Many feel outrage at the extent of human maliciousness towards other humans. Others experience pity for the loss of family, friends, and self that is felt by the Holocaust victims.
Eliezer Wiesel loses his faith in god, family and humanity through the experiences he has from the Nazi concentration camp.
The events which have become to be known as The Holocaust have caused much debate and dispute among historians. Central to this varied dispute is the intentions and motives of the perpetrators, with a wide range of theories as to why such horrific events took place. The publication of Jonah Goldhagen’s controversial but bestselling book “Hitler’s Willing Executioners: Ordinary Germans and the Holocaust” in many ways saw the reigniting of the debate and a flurry of scholarly and public interest. Central to Goldhagen’s disputed argument is the presentation of the perpetrators of the Holocaust as ordinary Germans who largely, willingly took part in the atrocities because of deeply held and violently strong anti-Semitic beliefs. This in many ways challenged earlier works like Christopher Browning’s “Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland” which arguably gives a more complex explanation for the motives of the perpetrators placing the emphasis on circumstance and pressure to conform. These differing opinions on why the perpetrators did what they did during the Holocaust have led to them being presented in very different ways by each historian. To contrast this I have chosen to focus on the portrayal of one event both books focus on in detail; the mass shooting of around 1,500 Jews that took place in Jozefow, Poland on July 13th 1942 (Browning:2001:225). This example clearly highlights the way each historian presents the perpetrators in different ways through; the use of language, imagery, stylistic devices and quotations, as a way of backing up their own argument. To do this I will focus on how various aspects of the massacre are portrayed and the way in which this affects the presentation of the per...
Throughout its entirety, Joseph Conrad’s Heart of Darkness utilizes many contrasts and paradoxes in an attempt to teach readers about the complexities of both human nature and the world. Some are more easily distinguishable, such as the comparison between civilized and uncivilized people, and some are more difficult to identify, like the usage of vagueness and clarity to contrast each other. One of the most prominent inversions contradicts the typical views of light and dark. While typically light is imagined to expose the truth and darkness to conceal it, Conrad creates a paradox in which darkness displays the truth and light blinds us from it.
The child’s game had ended. After I nearly ran Kurtz over, we stood facing each other. He was unsteady on his feet, swaying like the trees that surrounded us. What stood before me was a ghost. Each layer of him had been carved away by the jungle, until nothing remained. Despite this, his strength still exceeded that of my own. With the tribal fires burning so close, one shout from him would unleash his natives on me. But in that same realization, I felt my own strength kindle inside me. I could just as easily muffle his command and overtake him. The scene flashed past my eyes as though I was remembering not imagining. The stick that lay two feet from me was beating down on the ghost, as my bloodied hand strangled his cries. My mind abruptly reeled backwards as I realized what unspeakable dark thoughts I had let in. Kurtz seemed to understand where my mind had wandered; it was as though the jungle’s wind has whispered my internal struggles to him. His face twisted into a smile. He seemed to gloat and enjoy standing by to watch my soul begin to destroy itself.
Without personal access to authors, readers are left to themselves to interpret literature. This can become challenging with more difficult texts, such as Joseph Conrad’s novella Heart of Darkness. Fortunately, literary audiences are not abandoned to flounder in pieces such as this; active readers may look through many different lenses to see possible meanings in a work. For example, Conrad’s Heart of Darkness may be deciphered with a post-colonial, feminist, or archetypal mindset, or analyzed with Freudian psycho-analytic theory. The latter two would effectively reveal the greater roles of Kurtz and Marlow as the id and the ego, respectively, and offer the opportunity to draw a conclusion about the work as a whole.