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How do sonnets share similarities and differences
How does social structure affect lives
Nature of sonnet
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Breath in Poetry: In search of self-pleasure
Gwendolyn Brooks’ “First Fight. Then Fiddle” is a sonnet with ten syllables in every line, rhymes as abba in Shakepearean’s. As an old form of poetry that follows the structure and rhyme, “First Fight. Then Fiddle” mimic a rhythmic melody in semantic stanzas. And “First Fight. The Fiddle” rhymes better than Sylvia Plath’s “Lady Lazarus” which requires deeper exploration in dimension. Although, different style in the writing, they share some common ideas. Both poems talk about death and survival and about the darkness of evil that lurks inside the snatched lives. In “First Fight. Then Fiddle”, Brooks addresses that life can be intimidating with many turns, enjoyment of it can be captivating. Brooks
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The intimate encounter with death brings her depth of erroneous to the sanity realm. On the contrary of “First Fight, The Fiddle” where life is celebrated and cherished, despite all calamities transpired in life. No matter how hard the life could get, to any individual, any race, any society, life will prevail as always. Even in the most violent times, when hope has strayed, the will to survive …show more content…
Then Fiddle” which comes in more structure. Nonetheless, “Lady Lazarus” is written in three-line stanzas. Although, a poem usually contrives metaphorical form, a poem also can be understood in its narration. The art of reading these poems depends on how they are asserted by the readers. “First Fight. The Fiddle” is more like a song, just like the meaning of most words in the poem that relate to music, and “Lady Lazarus” is supposedly a voice of the uprising. “Lady Lazarus” is meant to be read aloud. To heighten the aural effect, the speaker’s, voice modulates across varying levels of rhetorical intensity.” (Rosenblatt). Both poems bring pleasure on how they resonate and on how they are interpreted. The depth of pleasure from reading a poem emerges through the meaning, the beat, the harmony of word structure, the rhyme, or the history or a message behind every poem that the poet tries to recount. Poetry ignites the emotion of its reader and sometimes arouses its reader. (Norton
To Live is both controversial and impactful in a cultural sense and the character development respectively. The author thoughtfully addresses the motif death throughout the novel and demonstrates how the motif affects the protagonist, Fugui’s character development. The moment when Long Er is executed in his presence changes his character and allows him to realize how fortunate he is to be alive, changes his outlook in life, and impacts the way he sees life at the end of the novel in contrast to the beginning of the novel.
The article "“Whoever We Are, Loss Finds us and Defines Us”, by Anna Quindlen, invokes the necessary emotions needed to understand an agree with the notions stated about death and grief. Yes, Anna Quindlen succeeded in proving her position by her use of emotion, credibility as an accomplished writer, experiences with death and grief and her writing style. Some people live with grief for the rest of their lives, such as Anna Quindlen and some of her examples, while others can overcome the fight. Effectively using all three elements in this article, Quindlen started her engine, shifted this article into gear and ultimately won the race.
“The way [one] expresses both the agony of life and the possibility of conquering it through is the sheer toughness of the spirit. They fall short of
First To Fight begins with Krulak engaged in a conversation with a Gunnery Sergeant who was asked how the Marine Corps got the reputation of having one of the world’s greatest fighting formations. The GySgt replies “Well lieutenant they started telling everybody how great they were and pretty soon they started believing it”. The story goes on to talk about how there nearly wasn’t a Marine Corps.
Gwendolyn Brooks' "First fight. Then Fiddle." initially seems to argue for the necessity of brutal war in order to create a space for the pursuit of beautiful art. The poem is more complex, however, because it also implies both that war cannot protect art and that art should not justify war. Yet if Brooks seems, paradoxically, to argue against art within a work of art, she does so in order create an artwork that by its very recognition of art's costs would justify itself.
... seeing and feeling it’s renewed sense of spring due to all the work she has done, she was not renewed, there she lies died and reader’s find the child basking in her last act of domestication. “Look, Mommy is sleeping, said the boy. She’s tired from doing all out things again. He dawdled in a stream of the last sun for that day and watched his father roll tenderly back her eyelids, lay his ear softly to her breast, test the delicate bones of her wrist. The father put down his face into her fresh-washed hair” (Meyer 43). They both choose death for the life style that they could no longer endure. They both could not look forward to another day leading the life they did not desire and felt that they could not change. The duration of their lifestyles was so pain-staking long and routine they could only seek the option death for their ultimate change of lifestyle.
In the story “The Death of the Moth,” Virginia Woolf illustrates the universal struggle between life and death. She portrays in passing the valiance of the struggle, of the fight of life against death, but she determines as well the futility of this struggle. Virginia Woolf’s purpose in writing was to depict the patheticness of life in the face of death. Woolf’s conclusion, “death is stronger than I am,” provides the focus of her argument. Throughout the piece, she has built up her case, lead to reader emotional states its concept of the power of death. The piece would begi...
The interpretations of what comes after death may vary greatly across literature, but one component remains constant: there will always be movement. In her collection Native Guard, Natasha Trethewey discusses the significance, permanence and meaning of death often. The topic is intimate and personal in her life, and inescapable in the general human experience. Part I of Native Guard hosts many of the most personal poems in the collection, and those very closely related to the death of Trethewey’s mother, and the exit of her mother’s presence from her life. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance
The hope to survive is shown through the author’s use of figurative language. For example, Gerda listening to her parents’ conversation about her father leaving on the train the next morning brings her strength. Her parents’ love and courage sustains Gerda through the happy
It is unquestionably true that the real individuality, the real human nature can be revealed in extreme situations, when the human life is at stake. This work represents an attempt to show that each individual has an opportunity to change his/her life completely, to make it really humanistic and do something good even if it is the last thing he/she can do in his/her life. A Lesson Before Dying suggest the audience to reevaluate its views on life and realize that everything may be changed. At the same time, it is never late to change the life for better and reveal positive traits of character or even commit some heroic or humanistic acts even if it threatens to end the entire life of the individual.
When Lizzie’s stressed father denies her request to play outside, her metaphorical death is revealed. It is not a real death where her heart stops beating, yet, but her respect for men is the victim and the vulture is ready to feed off of it. The Guilty Party’s recurring theme of innocence then betrayal are depicted after Lizzie’s “death”, which contribute to the idea that all decisions have an affect on future decisions.
“Death, the end of life: the time when someone or something dies” (Merriam-Webster, 2014). The definition of death is quite simple, the end of life is inescapable. I chose to write about death and impermanence because it is something we all must inevitably face. People often deal with death in a number of different ways. Although it is something that we must eventually face, it can be hard to come to terms with because the idea can be hard to grasp. Some of us fear it, others are able to accept it, either way we all must eventually face it. In this essay I will look at two different literary works about death and impermanence and compare and contrast the different elements of the point of view, theme, setting, and symbolism. The comparison of these particular works will offer a deeper look into words written by the authors and the feelings that they experiencing at that particular time.
Death, to the surrounding people, can often be seen as a horrible and depressing time in one’s life, while the same result may occur in the person going through the time period. One must remember, though, that no matter how the person has lived throughout their life, everyone must die eventually, for it is the circle of life. The playwright, Everyman, notes of the importance of having devotion and loyalty in Jesus Christ, for that is the only way to Heaven. Also, the play and The Sandbox greatly illustrate how a person near death is feeling and his emotions, while also describing the sympathy of others around him and their experiences.
The speaker’s language towards the woman’s death in “The Last Night that she lived” portrays a yearning attitude that leads to disappointment; which reiterates human discontent with the imperfections of life. The description of woman’s death creates an image of tranquility that causes the speaker to aspire towards death. Her death compares to a reed floating in water without any struggle. The simile paradoxically juxtaposes nature and death because nature’s connotation living things, while death refers to dead things, but death becomes a part of nature. She consents to death, so she quietly dies while those around her refuse to accept her imminent death. The speaker’s description of death sounds like a peaceful experience, like going to sleep, but for eternity. These lines describe her tranquil death, “We waited while She passed—It was a narrow time—Too jostled were Our Souls to speak. At length the notice came. She mentioned, and forgot—Then lightly as a Reed Bent to the water, struggled scarce- Consented, and was dead-“ .Alliteration in “We waited”, emphasizes their impatience of the arrival of her death because of their curiosity about death. The woman’s suffering will be over soon. This is exhibited through the employment of dashes figuratively that form a narrow sentence to show the narrowing time remaining in her life, which creates suspense for the speaker, and also foreshadows that she dies quickly. The line also includes a pun because “notice” refers to the information of her death, and also announcement, which parallels to the soul’s inability to speak. “She mentioned, and forgot—“, refers to her attempt to announce her farewell to everyone, which connects to the previous line’s announcement. The dashes fig...
Death is a natural and inevitable part of life. Everyone will experience death, whether it is of a loved one or oneself. In W.H. Auden’s poem “Funeral Blues” (1003), he describes such a catastrophic event and the drastic effect that it has on his life. It is interesting how people choose to accept this permanent and expected event, death. Similarly, Emily Dickinson has written many poems about death, such as “The last Night that She lived” (843), which describes a family waiting for a woman or girl to die and the dreary and depressed mood that exists within the household. Mourning is considered a perfectly healthy reaction when someone who is deeply loved and cared about passes on, and this is illustrated in “The Memory of Elena” (1070-71) by Carolyn Forche. She writes about the events following a funeral and also flashes back to the actual moment that a wife has watched her husband die. W.H Auden’s “Funeral Blues,” Carolyn Forche’s “The Memory of Elena,” and Emily Dickinson’s “The last Night that She lived” are all poems which share death as their subject matter, but differ in the fact that they discuss death in a unique style with a variety of literary devices to make them more effective.