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Effects of modern technology on relationships
The effect of technology on relationships
Effects of modern technology on relationships
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Escapism is a natural response to isolation and loss. Humans are able to escape from the horrific reality of broken relationships through music, movies, books, all which transport them to an alternate universe where they can control all variable of their existence. In the short story, “A Temporary Matter”, characters Shoba and Shukumar are trapped in a broken marriage. Neither of them are content with their lives, leading them to imagine a world where their mistakes do not exist. To create this world, they play a game in the darkness of their house, with the hopes that maybe their relationship will mend. In the short story, “Sexy”, Miranda attempts to escape the reality of her single life through taking on the role of a mistress. However, this …show more content…
When the power is off, the house becomes dark, which they hide beneath, concealing their pain from one another. The darkness allowed them to become vulnerable by playing a game where they take turns confessing mistakes to each other. Shukumar hoped this would help to rekindle their relationship. He said, “The following day Shukumar thought for hours about what to say to her” (18). Shukumar imagined a world where the ways they disappointed or hurt each other would disappear, but as he would find out later it was too late, as Sobha has been planning to leave him all along. Since Shukumar and Shoba did not communicate the purpose of the game, Shukumar believed this would mend their relationship while Shoba believed it would give her the confidence and reassurance to leave her husband. However, the game did not go as Shoba planned, as it reintroduced a minimal amount of intimacy in their lives which only made it harder for Shoba to let go of Shukumar. In the end, they knew it was right for the both of them to separate. Shukumar explains, “They wept together, for the things they now knew” (22). Both Shukumar and Shoba understand it is for the best to separate as they have grown apart and communication has been sparse. For Shoba, the future she …show more content…
He finds the intimacy he was looking for in Miranda, a single woman who is seeking affection. Through this affair, Miranda develops feelings towards Dev, causing her to imagine a life together. Miranda pictures, “ herself in the cocktail dress, and Dev in one of his suits, kissing her hand across the table” (93). Miranda and Dev’s forbidden love is actually lust, which is lost in the translation of the word “sexy”. The difference between lust and love is that love is a feeling of affection, while lust is a sexual attraction. When Dev calls Miranda “sexy” she reads into the word as if it were saying “I love you.” However, Dev believes the word sexy means “beautiful” and does not see a future with Miranda. The miscommunication between Dev and Miranda cause Miranda to fill the loneliness she felt as a single woman with ideas of what their life could be, but Dev does not envision the same future. It is not until Rhonin, a young boy Miranda is babysitting, explains the true meaning “sexy” to Miranda, that she realizes future is not possible. Rhonin defines “sexy” as, “loving someone you don’t know” (107). Miranda and Dev do not know each other. All they know is their affair. Dev became lost in the idea of a younger woman and Miranda became lost in the idea of filling her void of compassion. Miranda understands that although she would
"They turn casually to look at you, distracted, and get a mild distracted surprise, you're gone. Their blank look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.(pg.263)" In Minot's story Lust you are play by play given the sequential events of a fifteen year old girls sex life. As portrayed by her thoughts after sex in this passage the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the likeness of a list. Whether it's a list of things to do on the weekend or perhaps items of groceries which need to be picked up, her lust for each one of the boys in the story is about as well thought out and meaningful as each item which has carelessly and spontaneously been thrown on to a sheet of paper as is done in making a list. This symbolistic writing style is used to show how meaningless these relationships were but the deeper meaning of why she acted the way she did is revealed throughout the story. Minot cleverly displayed these catalysts in between the listings of her relationships.
In the short stories, “Paul’s Case” by Willa Carter and “Araby” by James Joyce, both the protagonists are infatuated with the idea of escaping the conventional routines in their daily lives. Their main goal is to obtain a more romantic, extravagant, glamourized life. For Paul, his dream of a glamorized life lies in distant New York. For the unnamed protagonist in “Araby”, he hopes to find his in Araby with the neighbor girl who he barely knows. They believe that by achieving this escape, they’ll find the pleasure and satisfaction they’ve been hoping for. Both the protagonists dream to find a romance in a world hostile to romance by escaping the reality that they live in.
... other," and "[make] mad passionate love wherever they happened to end up" (242). Unlike the first wedding, Tita too is infected with the powerful enchantment of the food. "For the first time in their lives, Tita and Pedro made love freely" (243). The novel ends with both Pedro and Tita, overcome with pleasure and emotion, dying in each other arms.
This poem dramatizes the conflict between love and lust, particularly as this conflict relates to what the speaker seems to say about last night. In the poem “Last Night” by Sharon Olds, the narrator uses symbolism and sexual innuendo to reflect on her lust for her partner from the night before. The narrator refers to her night by stating, “Love? It was more like dragonflies in the sun, 100 degrees at noon.” (2, 3) She describes it as being not as great as she imagined it to be and not being love, but lust. Olds uses lust, sex and symbolism as the themes in the story about “Last night”.
Ellen Foster’s use of escapism reverberates as the theme of Kaye Gibbons’ novel. Her imagination, determination, tenacity and innocence allow her to escape, to break away from all of the unfathomable cruelty surrounding her. Without her unique and clever use of escapism, the heroine of Ellen Foster would have been easily overwhelmed.
Starting as a journalist that does what she is told Julia breaks escapes the boundaries of her marriage: by no longer doing as Bertrand tells her to do, and no longer falls victim to his appearance by having sex after they fight. By doing this she feels free to to overcome society's rules, as many people are telling her to stop after she has written her article of the Vel d’Hiv, and starts to look for
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
Shakespeare uses symbolism in this scene to help create meaning and emotions from the audience, in the form of archetypes. The symbol of Miranda’s virginity, symbolizes Miranda’s purity and innocence. Miranda
William Faulkner's “A Rose for Emily” and Charlotte Perkins Gilman's “The Yellow Wallpaper” are two short stories which incorporate many similarities, both stories are about the emotional and psychological experiences of two women living in a reclusive environment. The women presented in both of the stories experience moments of insanity, loneliness, feelings of being controlled by others, and of loss of psychological self-control. In both of the stories, each of the women experience similar situations, in a complete different environment, and while one is practically force to refrain for outside stimulation, the other voluntarily avoids them.
Escapism has been used as a theme in literature ever since The Epic of Gilgamesh, and it comes in many forms such as mental and physical. People use escapism to help them cope with the many struggles they encounter in life. Escapism, while although comforting and stress reducing, is ultimately useless, and it will only make one's problems worse. The Great Gatsby, and the Glass menagerie strongly illustrate the theme of escapism. The two works show that escapism is a highly destructive form of coping with issues, that only worsens one's predicament and metaphorically digs them a deeper hole, as demonstrated by the characters found in the two works, along with their actions and flaws, as well as escape symbolism. In many cases, escapism will lead to a characters downfall, which is precisely what occurs with Jay Gatsby in The Great Gatsby.
In the essay “Reunion with Boredom”, Simic allocates about “a quiet place to sit and think”. Simic conveys that it is now very difficult to find a place in which there are no distractions. However, when living in a place filled with technology and many other implements that can distract you, I’ve managed to discover a place where I am separated from all of this; my room.
Since Shakespeare’s play was written in the early 17th century, before woman took complete creditability, the character Miranda is presented as a woman who is ignorant of the cruelty in the world, a traditional 17th century woman. In other words, ignorance is bliss for her as she needs her father (Prospero), a man, to protect her from when Caliban, a slave, tries to forcefully possess her; “thou didst seek to violate/ The honor of my child” (626). As men consider women to be temptresses, the character Miranda has not even had sexual relations with her lover, Ferdinand; “thou dost break her virgin-knot before all ...
Examine Synge's Treatment of the Theme of Escapism in, The Playboy of the Western World Ireland, during the nineteenth century was ruled by the British, which created resentment with the Irish people feeling they were oppressed by the British authorities. These bitter feelings were not helped by the British government's laissez-faire policy, especially as Ireland was in a period of depression- only Northern Ireland (Ulster) had industrialised, the rest of Ireland was still agriculturally based and mainly rural (except for large cities such as Dublin) This was highlighted after the potato famine which saw Ireland lose a quarter of its population through death and emigration. In the West of Ireland, in the remote village where the play is set, the villagers lead simple, farming-based lives which are boring and monotonous.
In the short story “Eveline “ by James Joyce, Eveline, the protagonist is given the opportunity to escape from her hard unendurable life at home and live a life of true happiness at Buenos Ayres with Frank, her lover. Throughout the story, Eveline is faced with a few good memories of her past from her childhood and her mother, but she also faces the horrible flashbacks of her mother’s illness and her father’s violence. In the end, she does not leave with Frank, Eveline’s indecisiveness and the burden of her family’s duties makes her stay.
When talking about pleasure there needs to be a distinction between the quality and the quantity. While having many different kinds of pleasures can be considered a good thing, one is more likely to favor quality over quantity. With this distinction in mind, one is more able to quantify their pleasures as higher or lesser pleasures by ascertaining the quality of them. This facilitates the ability to achieve the fundamental moral value that is happiness. In his book Utilitarianism, John Stuart Mill offers a defining of utility as pleasure or the absence of pain in addition to the Utility Principle, where “Actions are right in proportion as they tend to promote happiness; wrong as they tend to produce the reverse of happiness” (Mill 7). Through this principle, Mill emphasizes that it is not enough to show that happiness is an end in itself. Mill’s hedonistic view is one in support of the claim that every human action is motivated by or ought to be motivated by the pursuit of pleasure.