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Harlem Renaissance and the effects on music
Racism in music
Harlem Renaissance and the effects on music
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Elijah Wald wants to make sure people do not mistake the surge in popularity of Blues music in the 1920s as untainted folk music that comes directly from the people who are going through hardship and oppression. When in reality it was just produced and distributed by record companies to exploit the idea of prolonged cruel treatment of African Americans around the 1920s. The blues was adopted and exploited by professional singers and songwriters that wanted to make the genre universally accepted so they could make the most profit. Singers and songwriters changed their styles and voice to adapt to the growing popularity of blues music, “I guess I would have done anything to get recorded – it just happened to be a blues contest, so I sang the …show more content…
He doesn’t have a raspy timbre in the song but he is changing the intensity in his voice as he finishes each sentence, he trials his voice off as he is finishing each sentence. There is a myth on how in this song Johnson sells his soul to the devil and how he sounds fearful in the song because he is scared of giving his soul up. Wald believes that the lyrics of the song do not support that and is being misinterpreted from another blues singer, Tommy …show more content…
Their songs were still produced by large record companies, and even though the songs were not blatantly racist, white women singers and songwriters would have never chosen to sing or write what these women were singing about. The queens sang about prostitution, sex and other crude things just because they were African American and these are the songs that were chosen by the white record companies. Such as “Organ Grinder” by Clarence Williams, she starts off by humming a riff that sounds similar to a soft slide note on a guitar and she sings the song so eloquently especially with the polyrhythms from the piano in the background. She emphasizes the words “organ grinder” all throughout the song. It is only when one finds out what organ grinder actually means, that one suddenly realizes that she is praising her lover’s male sex organ in the entire
The Blues appeared as an African-American art form of music . The blues is a part of African-American history. The founders of the blues were the slaves who sang while working . The Blues music was influenced by urban culture, popular music and jazz. The blues began in an area called Delta in the 19th century .
Southern, Eileen. The Music of Black Americans. 2nd ed. 1971. New York: W. W. Norton & Company, 1986. 367, 404-5, 407, 430, 437. Print.
As time progressed, music had to continue to evolve to keep up with the ever-changing styles. Blues slowly began to morph into Rock and Roll to engage people of a new era. While many changes occurred in creating Rock and Roll, it continued to carry undertones of the Blues. This can be heard while comparing Son House’s, “Walking Blues” and Elvis Presley’s, “Blue Moon of Kentucky.” These two songs show many similarities, while also having their own identities.
...ce taking place within a limited audience, allowing it to grow and develop to eventually define the culture of the New Negro. The transcendent quality of the blues, featured in the poem by Langston Hughes, may be placed in opposition to McKay as there is undeniable value in shared experience. While the nature of blues music within the poem is undeniably black and meant to connect black people, the poem presents music as something that is important for expression and formulation of identity as a dynamic community. The two poems, in their depiction of the performances, propose different solutions to the black condition of isolation. While McKay suggests that the strength to counter oppression and alienation is present in the hidden capacity of the individual, Hughes presents a man who is kept alive through struggle and persistence fueled through a communal tradition.
In dealing with these issues, historians have neglected to examine the social implication of “race music” on a white audience, specifically teenagers. Historians most often explain the origins of the music as something of a legend; Afro-American music and culture is praised, and white American society is indebted to the cultural enrichment it has received from it. Afro-American music saved white society from being boring.[2] The social realities of the United States during that decade make this birth story seem hypocritical and condescending. The 1950s did not produce harmony between the black and white populations of the United States; racial tensions were enormous.
In the 1920s, it was the birth of Jazz and the Blues. More importantly, black musicians/artists were becoming recognized during this decade, more before than the 1910s, due to this new genre of music. Since these artists were becoming recognized, three songs really catches the eye of this decade and represents the overall historic event of the 1920s; “social changes and profound cultural conflicts.”
“The Blues are the roots; everything else is the fruits”-Willie Dixon. The blues has deep roots in American history, particularly African-American history. How can something so simple become a massive tree whose roots transcended through different genres? According to Biography.com, W.C. Handy, “the father of the Blues,” brought the Blues to the mainstream in1912 with the hit “Memphis Blues.” After the public heard the twelve note structure with the deep bass lines, the tree began to bear fruit. The Blues tree produced pioneers in all forms of music, from the haunting sound of Robert Johnson to the “King of the Juke Box” Louis Jordan. After all, where would other forms of music be if the “Carter Family” did not hook up with Lesley Riddle, Jelly “Roll” Morton did not get the message, and the “King” did not have the Blues?
Blues music emerged as an African American music genre derived from spiritual and work songs at the end of the 19th century and became increasingly popular across cultures in America. The Blues is the parent to modern day genre’s like jazz, rhythm and blue and even rock and roll, it uses a call-and-response pattern. While Blues songs frequently expressed individual emotions and problems, such as lost love, they were also used to express despair at social injustice. Even though Blues singing was started by men, it became increasing popular among women, creating one of the first feminist movements. Ma Rainey, a pioneer in women’s
Blues are known to be sorrow songs created by slave workers from the South (New Orleans). Although most songs in the genre blues are sorrow, blues was created by slaves to ease their suffering. Slaves found
The 1920s is an era in American history largely synonymous with the jazz age. It’s depiction in the 21st century is that of a celebration of black culture and its rise into popularity in a world where the greats were accepted for their talent instead of discriminated against based on the color of their skin. This, however, is unrealistic and does not fairly acknowledge the trials, tribulations, and resistance faced by black jazz musicians of the time. While the 1920s was a lively era in our nation that sparked great change politically, socially, and economically, it also notably brought new ideas of music to pop culture through a rise of jazz across all demographics. This rise brought black culture to the forefront of our nation and helped
The book, The Spirituals and the Blues, by James H. Cone, illustrates how the slave spirituals and the blues reflected the struggle for black survival under the harsh reality of slavery and segregation. The spirituals are historical songs which speak out about the rupture of black lives in a religious sense, telling us about people in a land of bondage, and what they did to stay united and somehow fight back. The blues are somewhat different from in the spirituals in that they depict the secular aspect of black life during times of oppression and the capacity to survive. James H. Cone’s portrayal of how the spirituals and the blues aided blacks through times of hardship and adversity has very few flaws and informs the reader greatly about the importance of music in the lives of African-Americans. The author aims to both examine the spirituals and blues as cultural expressions of black people and to reflect on both the theological and sociological implications of these songs.
The beginning of racism in the music industry began only 13 years after the creation of the phonograph by Thomas Edison in 1877. Recorded sound was still pretty new at the time, but it didn’t take long for record companies to form: Berliner, Edison, and Columbia, all of which functioned under the plan that the artist didn’t matter, but the song did. Under this plan, companies skipped over the talent from stage and focused on finding anyone who could carry a turn and had good diction. By the 1890’s, they “had established a cadre of profession white recorders” that “could reproduce works of African American performers with “authentic” dialect”. This group of white singers were grouped together and made to sound like black artists
The Roots of Blues Music Blues is a very important type of music. Most music that you hear today has some form of blues in it. If it wasn't for the blues there wouldn't be any rock and roll, country, rap, pop, or jazz . Blues is also important for African American culture. African Americans were also the people who started the blues.
Blues, a genre of music originated by African Americans around the end of the 19th century. This genre used many musical aspects from African-American work songs, African musical traditions and folk music. In order to determine what characteristically is deemed a ‘blues song’, stylistic components of blues as well as mood or emotion are the main corresponding influential factors to illustrate the blues musical genre. Blues form is also characterised by call-and response, meaningful lyrics of hurt or sorrow and a specific chord progression known as the 12-bar blues. Solomon Burke’s live performance of “If you need me”, a song originally written by Wilson Pickett and popularised by Solomon Burke, has definitively captivated the blues musical
Various authors have varyingly explored the origins of the blues, as a genre, possibly because of its influence in modern-day music world. In fact, the blues significantly influence today’s music scene and it is common to find other music genres borrowing from the blues in terms of style, tunes, as well as other features. Nevertheless, the blues have emerged as a widespread genre since its inception in the United States in the early 19th century. It is believed to belong to the popular (commonly referred to as pop music) style of music. In addition, it is associated with African-American culture. This paper looks into the work of two authors (R. Palmer and W. Barlow) by comparing and contrasting their views about the origin of the blues as