E.P.I.C Journal #2
Evocative:
“Though the letter might as well have been sent to you; it was nothing but Mrs. Pontellier from beginning to end.” “ ‘Let me see it,’ requested the young woman, entreatingly” (Chopin, 156).
The dialogue above takes place between Edna and Mademoiselle Reisz. What is amazing is that it is Mademoiselle Reisz who hears from Robert not Edna. However, the letter from beginning to end is nothing but Edna. In my viewpoint, this letter resembles sunshine sliding into every corner of the heart of Edna as well as the readers. Since the departure of Robert, I am worried for Edna whether Robert would forget her some time later. From this dialogue, the author wanted us to know Robert was the one who is lacking bravery but absolutely not the one who is a playboy like his brother Victor. Taking this opportunity, she gave readers a hope that Robert would come back again. It also stimulates strong interest of readers to eagerly find even
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The brave soul. The soul that dares and defies’” (Chopin, 158). Mademoiselle Reisz tells Edna what an artist should possess to become successful.
From other people’s eyes, Mademoiselle Reisz is exactly an outstanding pianist but also a kind of odd and unsocial. Her words above sound like an inspiration to Edna’s amazing ideas and deep feelings to Robert. Her indifference to other people’s viewpoints also gives Edna the courage to break off the spiritual shackles. In a word, I think Mademoiselle Reisz takes the place of Adele to help Edna change her attitudes to life and emotion. Adele, Mrs. Ratignolle, regards her children and husband as her life, but she is much luckier than Edna because she doesn’t lose her happiness and herself in household life. Edna is “-a sensitive and highly organized woman” (Chopin, 163). Just as the saying goes, character decides destiny.
The relationship Edna has with Mademoiselle Reisz guides her transformation from a wife and mother to a single woman. Reisz acts as a role model for her, someone who does not conform to society’s expectations. Mademoiselle Reisz lives how she wants and accepts both positive and negative consequences of her lifestyle. From the first time Edna sees her play, she admires Mademoiselle Reisz. “The woman, by her divine art, seemed to reach Edna’s spirit and set it free” (623). The music she plays helps calm Edna’s spirit. Mademoiselle Reisz allows Edna to read the letters Robert wrote to her and she supports her in her decision to follow her heart and be with Robert. In doing so, she kindles the passionate flame Edna has for Robert. As Edna wishes t...
For Edna, the times that Reisz plays are times when she "take[s] an impress of the abiding truth" and realizes her true desires(p.34). When Edna visits her, Reisz first improvises at the instrument and then plays the Impromptu which itself has original and adventurous themes. Through music Edna realizes the importance of being self-actualized and making choices. She again feels the same as that night when "new voices awoke in her"—when through music, the way to genuine freedom was revealed to her (p.84). However, having freedom comes with responsibility, which like giving birth to art, requires special skill. For Edna, the fantasies of freedom are transformed into reality wholly only in music and possibly the inability to acquire the skill to deal with her new emotions in life explains the dramatic conclusion to the journey and exploration of the passions that begin on the island.
In order to help to get a point or idea across it is not uncommon to provide two stark contrasts to assist in conveying the point. Writers commonly use this technique in their writing especially when dealing with a story that concerns the evolution of a character. An example of such writing can be found in Kate Chopin's The Awakening. The novel deals with Edna Pontellier's "awakening" from the slumber of the stereotypical southern woman, as she discovers her own identity independent of her husband and children. In order to illustrate the woman that Edna can become in The Awakening, Chopin creates two opposing forces Adele Ratignolle and Mademoiselle Reisz for her best friends that not only contrast each other but also represent different genres of women in Creole society.
In The Awakening, Chopin sets up two characters main characters and a subsidiary female character to serve as foils to Edna. The main characters are Adele Ratignolle, "the bygone heroine of romance" (888), and Mademoiselle Reisz, the musician who devoted her life to music, rather than a man. Edna falls somewhere in between the two, but distinctly recoils with disgust from the type of life her friend Adele leads: "In short, Mrs. Pontellier was not a mother-woman." Adele Ratignolle and Mademoiselle Reisz, the two important female principle characters, provide the two different identities Edna associates with. Adele serves as the perfect "mother-woman" in The Awakening, being both married and pregnant, but Edna does not follow Adele's footsteps. For Edna, Adele appears unable to perceive herself as an individual human being. She possesses no sense of herself beyond her role as wife and mother, and therefore Adele exists only in relation to her family, not in relation to herself or the world. Edna desires individuality, and the identity of a mother-woman does not provide that. In contrast to Adele Ratignolle, Mademoiselle Reisz offers Edna an alternative to the role of being yet another mother-woman. Mademoiselle Reisz has in abundance the autonomy that Adele completely lacks. However, Reisz's life lacks love, while Adele abounds in it. Mademoiselle Reisz's loneliness makes clear that an adequate life cannot build altogether upon autonomy. Although she has a secure sense of her own individuality and autonomy, her life lacks love, friendship, or warmth. Later in the novel we are introduced to another character, her name is Mariequita. Mariequita is described as an exotic black-eyed Spanish girl, whom Edna looks upon with affectionate curiosity. Unlike the finely polished heroine, Mariequita walks on "broad and coarse" bare feet, which she does not "strive to hide". This strikes Edna with a refreshing sense of admiration. To her, the girl's soiled feet symbolize naked freedom, unconstrained by the apparel of civilization. Thus, Edna finds her rather beautiful. Mariequita is more like an unrefined version of Edna, that is, her instinctual self. At times, Mariequita ventures to express the thoughts that are secretly buried in Edna's unconscious.
In The Awakening, Kate Chopin depicts the varying definitions of women and their role through her three major female characters, Edna Pontellier, Madamoiselle Reisz and Madame Ratignolle. In the late 1800s, the role of women was strictly being caretakers for both their children and husbands. Edna Pontellier attempts to fit into society’s expectations by marrying Léonce Pontellier and raising two children, yet she struggles with feelings of oppression as she suffers through her unwanted role. Mademoiselle Reisz, a talented musician, is unmarried and childless, rejecting all of society’s ideals. Edna’s friend, Madame Ratignolle, greatly contrasts the two as she represents the model Louisiana women. However, while Edna, Madamoiselle Reisz and Madame Ratignolle each depict a different idea of woman’s role in society, none of these three women reach their full individual potential.
Seyersted, Per, and Emily Toth, eds. A Kate Chopin Miscellany. Natchitoches: Northwestern State University Press, 1979.
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
Adele Ratingnolle is a lovely woman who Edna and Robert both adore for her beauty and portrait of womanhood.... ... middle of paper ... ... She also remembers her conversations with Mademoiselle Reisz.
She pursued activities that would allow her to become more individualistic, such as painting or art. Chopin decides to have Mrs.Pontellier’s character explore art, so she can address Mrs.Pontellier’s relationship with herself and her struggle to become an expressive artist. Throughout this short period Mrs.Pontellier constantly visits an accomplished female artist, Mademoiselle Reisz, who has abandoned the suppressive ideals of her time. Mademoiselle Reisz remarks, “I do not know you well enough to say. I do not know your talent or your temperament. To be an artist includes much; one must possess many gifts-absolute gifts-which have not been acquired by one’s own effort. And, moreover, to succeed, the artist must possess the courageous soul”(Pg.63). Chopin includes this, to show how Mrs.Pontellier is becoming ambitious and developing personal goals and interests. The significance of this pursuit of creativity is to reveal the importance of becoming her true self, in order to produce her own signature art. The underlying message is that to be an artist, one must have their own style, perspectives, opinions, and self assertiveness. Mrs.Pontellier however, is stuck between being a devoted mother and wife, or an artist who defies the standards upon her. Alongside this, Chopin conveys that with the absence of her husband, she has the opportunity to reflect on who she
The irony in Robert’s desire to make Edna his wife is that Robert left to be way from Edna because she was married to Mr. Pontiellier, but now Robert is back with even deeper emotions for her. For example, Robert states, “There in Mexico I was thinking of you”, which leads to the conclusion that Robert does demonstrate deep feelings for Edna and her hand in marriage.
As the summer progresses, Mrs. Pontellier finds herself being continuously intrigued by and wanting to spend more time with Robert. The pair often walks or swims together, and the combination of time with Robert and the “voice of the sea” appear to propel her through a literal awakening, in which she recognizes her desire to become independent of the social bounds of marriage—free to do as she pleases (Chopin 571). She decides then that “She [wants] to swim far out, where no woman [has] swum befo...
...they represent concerning women’s roles in society. Adele plays to entertain her husband and friends at parties, whereas Reisz plays for the art of the craft, always striving to be more proficient and more artistic. Mademoiselle Reisz easily sees past Edna's front, welcomes Edna into her life, and helps usher in the biggest change of Edna's life. Mademoiselle Reisz and her personality serve as the catalyst for the changes that Edna makes in her life. Edna strives to be Mademoiselle Reisz concerning her element of independence, while Leonce Pontellier, Edna’s husband, would like her to be more like Adele Ratignolle, and it is Edna who is striving to find the delicate balance in the middle.
Alice Petry Hall gives readers of Kate Chopin’s works an exceptional overview of this author’s life, sharing Chopin’s understanding of fundamental issues based on critical essays, interviews, criticisms, and Chopin’s personal notes.
Chopin, Kate. Complete Novels and Stories. Ed. Sandra M. Gilbert. New York: Library of America, 2002. Print.
The fact that Edna is an artist is significant, insofar as it allows her to have a sensibility as developed as the author's. Furthermore, Edna is able to find in Mlle. Reisz, who has established herself as a musician, a role model who inspires her in her efforts at independence. Mlle. Reisz, in confiding to Edna that "You are the only one worth playing for," gives evidence of the common bond which the two of them feel as women whose sensibilities are significantly different from those of the common herd. The French heritage which Edna absorbed through her Creole upbringing allowed her, like Kate Chopin herself, to have knowledge or a way of life that represented a challenge to dominant Victorian conventions.