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Effect of war on families essay
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World always seems to be darker and gloomier through the eyes of a writer. Susceptible to externals, a writer goes beyond the exterior boundaries and takes only one more step into circumstances to interpret them to what they really are in nature for a reader. What we merely see white is provable to be absolute black and what is black to our understanding may in fact be a morally white happy ending. Duong Thu Huongs’ Novel without a Name is another attempt to open the same window to the same view, by a pair of different hands. She makes another effort to illustrate what has been lost in Vietnam during the years of war. To transfer the message of war to her readers, she creates a variety of characters and events during the course of the story. …show more content…
Otherwise this part gives the reader an opportunity to know the effects of war on women by being drafted and raped. She loses the support of her own family. She also cannot even think of being with her lover anymore since he cannot live with a woman who carries another guy’s baby. The village communist party’s pretended morality is the main purpose of illustrating such a scene. Hoa is the future of many more Vietnamese girls. She is the voice of those who did not volunteer to experience the most dreadful moment of a girl’s life (139-143-144.) This is not a story and this sort of brutality did exist in Vietnam at the time of war. American soldiers as an instance used to go to Vietnamese villages at nights with the purpose of kidnapping a girl. They dragged her then to their troop and raped her. The last one was supposed to shoot her on her head. Jacqueline E.Lawson explains in her article; “She is a Pretty Woman... for a gook: The Misogyny of the Vietnam War” that for “young American males intent on asserting their superiority, their potency, their manhood, raping a woman in a combat zone is something a man “has” to do, “needs” to do, and “has the right” to do (Karen Stuhldrher 1.) The question is then whether we can find justice somewhere in war or not; the answer is clear-cut. An example of being raped and killed has been brought on by the writer at the very beginning of the novel, where Quan and other soldiers find the corpses of six young northern Vietnamese girls (Duong Thu Huong 2.) The reader finds out that these were probably volunteers from the north and starts thinking what kind of reward is this to a person who volunteers to help? Being tortured, raped, and
Dien Cai Dau by Yusef Komunyakaa is a collection of poems based on Komunyakaa’s personal experiences of the Vietnam War. He describes his experiences and observations in a way that isn’t as gritty and raw as some veterans, but still shows the horrors of war and the struggle to survive. What makes Komunyakaa’s work different is the emotion he uses when talking about the war. He tells it like it is and puts the reader in the soldiers’ shoes, allowing them to camouflage themselves and skulk around the jungles of Vietnam from the very first lines of “Camouflaging the Chimera.” Komunyakaa’s title Dien Cai Dau means “crazy” in Vietnamese and is an appropriate title based on the mind set of this veteran soldier. Two common themes I have found in Komunyakaa’s
In this chapter, O’Brien contrasts the lost innocence of a young Vietnamese girl who dances in grief for her slaughtered family with that of scarred, traumatized soldiers, using unique rhetorical devices
during the war. This novel is able to portray the overwhelming effects and power war has
From the contrast of the slums of Hanoi and the breathtaking beauty of a natural vista, Huong has revealed the impact of this disparity on her protagonist. The author utilises the connection between the land and the villagers of Que’s birthplace to emphasise the steadiness and support the landscape gives, in times of upheaval, illuminating that it is possible to recover from disaster. Despite Huong’s criticism of Vietnam, she emphasises the resilience of the people of Vietnam and the ability for beauty and hope to flourish through oppression.
Hayslip, Le Ly, and Jay Wurts. When Heaven and Earth Changed Places: A Vietnamese Woman's Journey from War to Peace. New York: Plume, 1990. Print.
Like Elroy, “[Vietnam] was the t... ... middle of paper ... ... eauty, law into anarchy, civility into savagery… the only certainty is overwhelming ambiguity” (78). According to story truth Mary Anne gave into darkness and became cold, but story truth does not matter.
In the age of industrialization when rural life gradually was destroyed, the author as a girl who spent most of her life in countryside could not help writing about it and what she focuses on in her story - femininity and masculinity, which themselves contain the symbolic meanings - come as no surprise.
In the novella Novel Without a Name, by Duong Thu Huong, the novel is told from the North Vietnamese viewpoint. Already, there is a contrast between the content of this novel, than perhaps, the content of a textbook. Novel Without a Name uses the rhetorical strategy of appeal to emotion. A central theme that revolves throughout the novel is the act of defiance against oppression, whereas a textbook would be devoid of this. A textbook, such as In Search of Southeast Asia on Vietnam, will focus on statistics and is strictly informational; it does not favor one side or another. Further evidence of this is in the context of each source. If one were to take a look in In Search of Southeast Asia, one would see dates strewn about the pages of the textbook. The textbook focuses on the chronology of history and conveys no emotion; rather it just states the facts.
As a young teen, she huddled in a bomb shelter during intense artillery shelling of her hamlet, escaping out a rear exit just as US Marines shouted for the “mama-sans” and “baby-sans” (women and children) to come out the front. She got as far as the nearby river before she heard gunfire. Returning the next day, she encountered a scene that was seared into her brain. “I saw dead people piled up in the hamlet. I saw my mom’s body and my younger siblings,” told Ho Thi Van. She lost eight family members in that 1968 massacre. In all, according to the local survivors, thirty-seven people, including twenty-one children were killed by the Marines. She then joins the guerrillas and fought the Americans and their South Vietnamese allies until she was grievously wounded, losing an eye in battle in
In the book The Things They Carried, by Tim O'Brien gender stereotypes of women who fought in the Vietnam War are represented through some of the short stories. One short story in particular is "Sweetheart of the Song Tra Bong" which describes a woman who participated in the Vietnam War and went beyond some of her gender roles that were placed on her. In this war women had certain roles they had to fulfill with many of them being non-traditional ones. This paper will discuss the concept of Cultural Studies in literature about the Vietnam War.
Duong’s novel depicts a Vietnam caught up from the 1950’s through the 1980’s in turmoil and chaos. Many of the ‘land owning class’ were forced to flee their homeland or were sentenced to forced labour camps, this is shown in the novel through the characters Aunt Tam and her brother Ton, both dispossessed of their property. Through Paradise of the Blind Duong is able to personalise the struggles of the working class during these times of political change and criticise the Vietnamese government, “Their fate hung from a thread; and just as an overripe fruit hangs from a branch, they could fall at any moment.” The comparison made between one’s fate and an overripe fruit that could fall at any moment depicts the power that the government had over the people and the many injustices that can occur. Despite doing no wrong, their social class is enough for them to be considered the enemy. This mirrors the lives of the Untouchables in The God of Small Things, namely Velutha whose future is determined by his social status. Duong adopts many differing literary techniques to criticise the actions of the Vietnamese government during the 1950s, “You say our dances are decadent. But haven’t you done some dancing yourself? Invisible dances, infinitely more decadent than ours.” Here Duong compares western style dance and music to the fraudulent actions of
This whole story is based around the horrors and actions which take place during war, and we therefore get involved in the scenery of war and become very familiar of what the characters must feel.
Within his writing, Nam Le achieves autonomy by expressing authentic traits through the presence of the novel’s characters. In Le’s novel The Boat, the author introduces key behaviors and personas within the first story of the narrative. Though he could approach culture from a Vietnamese perspective, the writer offers a transnational impression throughout the story. By including various characters in numerous roles, Nam Le appropriately applies and articulates the title of his first story, “Love and Honor and Pity and Pride and Compassion and Sacrifice,” which focuses on the ideas of lineage, identity, and inspiration.
We can see the picture of oppressed women. She is seduces by Félix Tholomyès (her bourgeois boyfriend), this is as an experiment for her. Then, she became pregnant and she must find a way to supporting herself and her illegitimate child in a society that rejected unmarried mothers
In the book Train to Pakistan, author Khushwant Singh recalls the brutal and unfortunate times when Muslims were being forced out of Mano Majra. They, along with the Hindu and Sikh population, were living in relative peace. But when there had to be change, chaos ensued. There were several key individuals that shared the total responsibility of the expulsion of Muslims from Mano Majra; Even though some had purer motives than others, they all took stock in the unfortunate process.