Patriotic Reflection is a watercolor painting by artist Colette Pitcher. It is currently showing at Showcase Art, which is located at 1335 8th Ave, Greeley, CO, 80634. Pitcher owns the gallery so her art work is on exhibit whenever she wants to put it out. The water color painting Patriotic Reflection usually shows in the summer months.
The subject of Pitcher’s painting is the left front end of an early 1970’s Shelby Cobra GT 500 Mustang. The lighting reveals reflections of American Flags all around the well waxed automobile. The American Flags are the focal point of this painting. Not much is more patriotic than American made muscle cars and American Flags in the distant views; very fitting of this American pieces title. Information on when and where this painting was done was not available to me. The inner artist in me would like to imagine that it was on a warm summer evening close to the fourth of July. As Pitcher’s husband was out waxing his vintage ride Colette walked by and caught a glimpse of the beautiful stars and stripes shimmering off the freshly polished car and was instantly inspired.
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Two of the best visual elements that Pitcher used in this piece were light and color to portray the reflections of not only the flag but also the house, sky, and even a little green grass.
These two elements give the piece an excellent sense of realism, it’s almost like you’re there with pitcher at that patriotic moment. Shape also plays a huge elemental role in this piece. In this painting the geometric shapes of the car draw the eye. Almost every basic shape one could think of stands out in this piece: the circular headlight and rectangular front end were two of the first things to catch my eye. These geometric shapes in combination with the underlying tone of the organic shapes of the flags and Cobra give this piece contrast as well as the light and dark elements of
color. This painting is one that not only instantly catches the American eye but also makes you feel patriotic just by looking at it. One of the first things you notice is the beautiful reds and whites standing out from our flag. One starts to realize that it’s not just the flags, but the whole painting that makes you feel an outstanding sense of patriotism. From the classic American car and the blue skies on a hot summers day to the flags glistening in the reflection you start to see that this picture is the American dream. Could this picture represent not only the American dream, but what it actually means to be an American? As Americans we live in a free country where we are blessed to have the freedom to be able to drive beautiful, fast cars and clean them in the driveways of our hard earned houses. This picture is more than just a car and a flag but a representation of how blessed we are to live in a country where we are able to have and do these things.
Another example of how art represented in the Native North America exhibit is a painting by David Paul Bradley, a Chippewa artist, titled Greasy Grass Premonition #2. It depicts a scene from the Battle of Little Bighorn, but the tombstone explains that Native Americans know it as the Battle of Greasy Grass Creek. By providing that information for the audience, the MFA is allowing them a glimpse into the minds of Native Americans and their culture instead of presenting it as another example of Western bias.
The black background contrast with the predominate colors of blue and red gives these colors intensity. The red and green are complementary colors that give the painting visual appeal. The green juxtapose above the blue and red gives the artwork color balance as well as implies a triangular shape. The triangular shape and pattern is repeated throughout the painting by; the bend of the flute player's elbow, the head and shoulders of the guitar player, the head and shoulders of the lady whose back is to the viewer, the body of the guitars and the location of the three right-most musicians
When visiting the McKissick Museum I was engrossed by the American Folk Art, ceramic Face Jugs, also known as ugly or grotesque jugs. There are gaps in the history in regards to how the face jugs were made, what they were used for, and the meaning of the face vessel pottery. However it is believed that these vessels were original, useful, creative expressions of the African slave culture of the time created as early as the seventeenth century. Few artists of face jugs have been identified and their inspirations for producing the vessels are not completely known. According to Hirst, it is believed that this art form originated in Edgefield County South Carolina, from African slaves who worked on the plantations as potters. They worked on these jugs after work and it’s believed that they were a product of the heritage and tradition from Africa and held a spiritual connection for the potters. Hirst also stated that, Dave Drake, a slave and employee of a pottery factory is the only known producer to ever be allowed to sign and put the date of manufacture on some of his face jug work.
For example, he uses texture, color and organic forms to make the landscape look as real as possible. Most of the shapes are formed by shifts in colors and line because the canvas are two-dimensional. The viewer can observe that the painting is dominated by greys, browns, ochers, and other natural colors such as green and yellow to give the scene a more nature-like look. All the components and objects painted in this piece appear to have the same texture and color as the ones found in real life, such as rocks suggesting a rough hard texture and clouds being soft, which probably means that Vernet took in consideration real landscapes and places he might have seen in real life. While using different shades of grey, and painting dark clouds, Vernet was able to convince that a storm was approaching but he also decided to add source of light coming from the upper left corner by using a golden yellow color to create a sense of warmth, which creates a nice contrast between the light and the coldness from the overall shadows that seem to dominate the artwork, creating variety; however, the repetition of colors such as greys gave the whole piece a sense of unity and they also express the shadows of a stormy day. We
I selected this picture because as soon as I walked into the Evans wing it jumped right out at me. The painting's huge size and grandeur drew my attention. I like the use of bold colors and strong details. The painting evokes an image of power with the muscled Automedon holding two giant horses.
The visual elements in this painting are shape, color and light. The shapes and contours of the mother and child are life like.
The work that I have chosen to talk about was “The Old Stagecoach by Eastman Johnson.” This work would be considered a painting. The images that are shown in the painting are a old stagecoach as the name of the painting suggest. The stagecoach does not have any wheel and so it just sits on the ground. There are also a bunch of children that are portrayed playing inside and on top of the stagecoach. The colors that are used in this painting are all realistic, this is very important because it portrays what a warm summer day would like on a farm. There are a lot of different colors such as bright green grass and bright colors for the clothes that the children are wearing. There a quite a few principles are elements that are used in the painting. One of the first principles that I noticed was the emphasis of the stagecoach. It appears in the center of the image and is definitely the main focus of the image. The children in the image are definitely important to the painting to show how much the they enjoy the stagecoach. There is also a good use of variety in the colors used for what each child is wearing which also brings interest to the painting.
In terms of colours, the white colour dominates in this painting. It signifies purity, freedom and change. In the past the rulers have dominated over the people but now the prevailing power is in the hands of the peasants. The large green leaves, echoing the horse`s mane in the painting symbolise the revival of the human mind and notify of the arriving change in people`s lives.
Romance by Thomas Hart Benton is made with mediums of tempera and oil varnish glazes on gesso panel on board and is 45 1/4 inches by 33 1/4 inches. In this essay, I am going to discuss Benton’s use of composition, color, and texture to create a tranquil mood. When I first looked at this painting I pictured it taking place during the civil rights era, because of the clothing that the people in this painting are wearing. To me, this painting tells the story of a man and a woman taking a casual walk at the end of a work day. The man looks as if he just got out of work and decided to take off his shoes, roll up his sleeves and the bottom of his jeans, and unbutton the top button of his shirt and take a walk with his wife through the grass to talk
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
...ed to the Red Cross, the stars of film, theater and music who are using their influences to raise money for recovery, and the small hands of schoolchildren collecting anything they think might help the kids who’ve lost their moms or dads (Pg. 2). Although some of these suggestions are not tangible items, they definitely give me a sense of patriotism, and make me feel good about what is going on in our country today. These people and objects truly, in my opinion, represent patriotism. If we were somehow able to take these objects and ideas and put them into an icon of patriotism I know I would solute it, but until then, I will keep these peoples actions in my mind as what I believe to be true patriotism.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
One diamond, four plates, nine players, a sweaty uniform, cleats, a bat, and a ball are the only things I’ve dreamt of since my first baseball practice when I was three years old. I remember the way it felt to smack the ball off of the tee and have everyone in the stands cheer and scream for me as I ran for first base as fast as I could and never wanting to leave the field even after it had gotten dark outside and all the field lights had been shut off. Baseball has been all I’ve ever wanted to do with my life from the very beginning. I can’t imagine doing anything other than eating, sleeping, and breathing the game of baseball. So when people ask me, “What are your plans after high school?” all I’ve ever known myself to say back was, “I’m not sure but it 'll have something to do with baseball.” With this being said, I have decided to be a baseball coach so I can pass down the knowledge I have for the game I love so much to people younger than me that love it just the same as I have and still do.
A Ride to Liberty – The Fugitive Slaves was painted by Eastman Johnson in 1862. Johnson was accompanying Union General George McClellan to Manassas, Virginia from Washington D. C. This painting is a representation of a true event that Johnson witnessed near the Manassas, Virginia, battlefield on March 2, 1862. It is known that the account was seen by Eastman Johnson because he inscribed the back of one of the three paintings of this event. The painting with the inscription is currently at the Virginia Museum of Fine Arts. The inscription reads “A veritable incident in the civil war seen by myself at Centerville on this morning of McClellan’s advance towards Manassas March 2, 1862 Eastman Johnson”. The Brooklyn Museum has one of the other of these paintings that only has Eastman Johnson’s initials on the back. The location of the third painting is unknown.
The three most dominant elements are form, space, and value. The reason for this is that the inanimate or still objects in the artwork are dominantly three dimensional with illusions of depth and volume, as well as, colors or shades with light values and dark values. The three most dominant principles of design are emphasis, contrast, and balance. The reason for is this is that the artwork displays a contrast and difference towards the values and colors to direct focus and interest onto the work of art. The artwork dominantly consists of these elements and principles to emphasize the relationship and true nature between the insects, brittle leaves, fruits among the inanimate pillar draped in blue cloth.