Receiving a 6.8/10 from critic reviews, Bridesmaids successfully won 24 awards and was nominated for a total of 66, including 2 Oscar Awards, as stated by IMDb. It was written by Kristen Wiig and Annie Mumolo and released to the public on May 13, 2011 (IMDb). Being an all female cast, under the production of Apatow and directed by Paul Feig, Bridesmaids was labeled as a raunchy comedy/romance, whereas, a movie such as The Hangover with a similar story line played by all guys was not considered raunchy, instead, it was common in Hollywood Films.
Annie (Kristen Wiig) and Lillian (Maya Rudolph) have been best friends forever. With Annie’s life being a complete mess, she is constantly struggling with guys and left feeling lonely. When Lillian
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According to The Hollywood Reporter staff, Bridesmaids made $26.2 million opening weekend, far exceeding the expectations of the anticipated $15-17 million prediction (“Bridesmaids’ Producer Judd”). Apatow believes gender should not matter. He states, “I don’t see comedy in genders. I see it more as, something’s funny or it’s not (“Bridesmaids’ Producer Judd”).” This is also why he believes this film is well to both men and women. Apatow explains that it is a challenge to tell men this movie is also for them, but as soon as they find out it is funny, they’re in. The same source continues to explain how Apatow felt pressured for Bridesmaids to do well, because if he did not succeed, studio executives would use the female cast as a result to its failure, causing them to refrain from female-led movies. Luckily, the opposite lesson was learned. Bridesmaids attracted a neglected crowd of moviegoers who would prefer to see more films such as this one. Apatow hopes the success brought by Bridesmaids will put an end to the gender stereotype of female roles in movies. Apatow brings attention to the fact that no one ever considers the opinion of women when it comes to films. No one asks the question, “will women come to watch this movie?” They just assume that they will because they have no other option (“Bridesmaids’ Producer …show more content…
The Hangover and Bridesmaids have a similar story line. In The Hangover, Doug and his three friends go on a bachelor party to Las Vegas just two days before Doug’s wedding. After a long, crazy night in Vegas, the groomsmen wake up in a trashed hotel room without any recollection of what happened that night and Doug is nowhere to be found. The three groomsmen must retrace their steps in order to find Doug and get him back to Los Angeles in time to walk down the aisle. Throughout The Hangover, there is profanity, sexual references, and use of drugs and alcohol. Being an all male cast, this was typical and the audience does not think twice of it. Since Bridesmaids is an all female cast, the use of profanity, sexual references, and alcohol is unheard of for women in films. Wedding Crashers and I Love You, Man are also male driven movies with a similar plot that are accepted by society. Bridesmaids brings to attention that women may also be just as vulgar as
" Hollywood producers influenced by the backlash trend in the media, created a series of movies that pitted the angry career woman against the domestic maternal "Good woman"."
My Big Fat Greek Wedding is a film made in 2004 directed by Joel Zwick that evidently portrays several sociological concepts throughout the film. This film highly demonstrates the sociological topics of gender and culture all through the movie. The roles of gender, gender stratification as well as gender stereotyping are exemplified during the film. As for culture, the film displays subculture, counterculture, ethnocentrism, cultural relativism and cultural diffusion. My Big Fat Greek Wedding focuses on a single 30-year-old Greek woman, Toula Portokalos, who works at her family’s restaurant. Toula’s life takes a turn when she unexpectedly falls in love with a man who is not Greek. The film revolves around Toula’s family as well as her boyfriend,
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Why did I get married is a drama/comedy type film that was directed and written by Tyler Perry. Some critics believe this movie did not fulfil the goal it was trying to reach. One critics believe the movie deserve much higher rating then it received. “Like other reviewers of this movie, I can't believe the low ratings that some people gave it” (Akeyla n.pg). Tyler Perry is known for his stage plays rather than his movies. One say Perry use the same message in most of his hit films such as Diary of a Mad Black Woman and Why Did I Get Married? etc. “In films such as Why Did I Get Married? and Diary of a Mad Black Woman, his type of storytelling marries the sentimental gloop of Garry Marshall (Pretty Woman, Valentine's Day) to the soap operatics of Aaron "Dynasty" Spelling, and always with the same message – that a black woman struggling through adversity will triumph in the end” (Elan n.pg).
Sixteen Candles, The Breakfast Club and Pretty in Pink have more in common than Molly Ringwald. Stereotypes, different economic backgrounds, and feminism all have some part in these 80’s teen films. The themes are all the same, rich vs poor, popular or unpopular and changing yourself to fit into the ‘norm’.
Bridesmaid is a movie about the competition between the maid of honor Annie and Helen another bridesmaid, over who is the bride Lillian’s best friend. The film reflects how class, gender and sexuality intersect in the real life. As the Rolling stone critics the film “ dudes always fear movies that might shrivel their sexual standing when women prioritize. Man up and see Bridesmaid. You just might learn something.”
The movie Bridesmaids has been my favorite movie since the first time I viewed it, with just the perfect amount of humor and real-life difficulties to satisfy. After I started learning about interpersonal communication I realized how many of my personal relationships use the concepts we have discussed as well as how I have used the concepts while becoming who I am now.
movies are about men’s lives, and the few movies about women’s lives, at their core, still
Just as the miller’s daughter hides herself behind a cask when the bridegroom and his band enter, Mary sneaks behind a barrel, watching as Mr. Fox drags another maiden in. Notably, both Grimm and Jacobs use the verb “dragging” to describe the bridegroom’s treatment of the maiden. In keeping with the class shift from Grimm’s text, Mr. Fox uses a more extravagant weapon (a sword instead of an axe) to remove the maiden’s hand. This hand has a diamond ring, not a gold one, symbolically strengthening the link between death and marriage. Once again like the miller’s daughter, the hand lands on Mary’s lap, and she carries it with her when she escapes. Then, she sets a trap for her bridegroom at a public pre-wedding breakfast. When he urges her to
The attitude towards women has changed dramatically since 1990, the year that this film came out; you will however, find a few men who still have the attitude that women were put on this earth for their enjoyment. In the early nineties, women were hyper-sexualized and viewed as pawns in a game. MTV showed music videos with scantily clad women, which were seen as extremely scandalous at the time. The nineties was also an era of growth, liberalization and sexual discoveries that carried over from the eighties.... ...
In addition, the intended audience is identical twins and can also be related to brother and sister siblings. Furthermore, there are two types of humor that are portrayed throughout the film, Slapstick and sophomoric humor. Moreover, the plot of the movie was not bad; however, the cheap jokes and themes portrayed such as the role of female character being offended and dishonored, various stereotypes were seen throughout the film, and inequality to gender role made the film more offensive and distasteful instead of humorous and fun. This being said, Jack and Jill is a film not worth time or money and I would not recommend
Overall, I think that this film is beneficial for how how women are portrayed in film, and the film industry in general.. It’s funny, portrays women in a positive light, and shows that women are contenders with men when it comes to comedy. It reinforces that women are indeed as funny as men, and shows they can have a role a male developed, dominated field. While Bridesmaids certainly isn’t the ideal example of ridding patriarchy, it definitely is a step in the right direction.
It was a beautiful Saturday morning on January 6. The winter air was crisp and the view was amazing. The soft salty scent from the ocean filled the air. Off the balcony on the second story of the Long Beach Yacht Club I could see the light swells of the Pacific Ocean. The small crashing of waves added to the peaceful instrumental background sounds as the ceremony was about to begin. January 6, my wedding date, was a day that changed the rest of my life.
...on how they have overcome this demeaning concept, it is still present in many of the films created today. Laura Mulvey, a feminist of the Second Wave, observed the evolution of female representations in films. She concludes that films still display dominant ideologies that prevent social equality between men and women. Mulvey came up with three common themes that mainstream films continuously promote within their films. These three common themes reinforce that women are always going to be seen as nothing more but objects. They do not serve any symbolic purposes except to help advance the story by motivating the objectives of the male characters. As evident, Happy Endings is one particular film that embodies all of these traits and as a result, the female characters are perceived as sexual objects in both the perspectives of the male character(s) and the spectators.
...f women & individuality, the sense of fashion, and the passion in a sexual act distinct it from being sexually objectifying. Similarly, this type of film also needs a higher cognitive skill that could reason and reflect upon the tricky features in the entire picture.