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More handpicked essays just for you.
Technology and its effects on humanity
Effects of technology on mankind
Effect of technology on mankind
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Modern America unfortunately consists of individuals being faithful to things that do not contribute to prolonged good feeling. In fact, the average American places more value on rapid evolution than on self awareness or personal journeys. This problematic lifestyle is the focus of Annie Dillard’s essay “Living like Weasels,” in which she address her audience of unfaithful individuals whom want to speed through the variety and not develop the time and effort for a slow expedition and reminds them that life must be evaluated and slowed to grasp the few vital things that are essential, necessary, and proper. With an array of rhetorical devices such as syntax and juxtaposition, Dillard creatively reveals her purposes: expose the audience to “live …show more content…
the moment” by acknowledging the microscopic details of the natural world around you and to expedite on a personal journey to achieve self awareness. To structure her essay, Dillard employs contrast and shift.
The shifts which occur after paragraph 2, after paragraph 7, and after paragraph serve to further her purpose by notating her journey of self awareness and appreciation of the natural world, which creates emotions of fascination and optimism in her audience. Similarly, Dillard utilizes contrast as she sets up her essay to reveal a divergent image of civilization, as they are painted to be evolving at instantaneous speeds, and the wilderness, whom leisurely takes their time to embody themselves in the native world, a juxtaposing contrast divulging the truth about modern society that most people over evaluate their dreams and wants, and do not take the time to manufacture the multitude of dreams into a reality. Within this …show more content…
structure, Dillard blends a variety of rhetorical tools to further her purpose. She employs elapsed diction such as “So I had crossed...stepped over...traced grassy fields…” to exhibit that her activities in the wilderness are timeless and frequents and are not hindered by modern society. Later, she accentuates stimulating diction using phrases such as “We live in a choice, hating necessity...live as I should.” to force the reader to acknowledge that individuals have a hard time centralizing the necessity and rather than the actions they do not commit themselves to. Her dominant diction causes the audience to grasp and induce themselves with their fatal flaw. In addition to diction, Dillard stimulates imagery to show her audience that the beauty of nature is overlooked and ignored by many in society. She refers to the specimen within the pond and the the specimen within the terrarium, a purifying image that triggers the reader into re-evaluating how and what they witness and cultivate around them. Another heightening image, the face to face encounter with Dillard and the weasel, creates emotions of awe and fascination in the reader and furthers Dillard’s purpose to take the time to broaden and reinforce self awareness. Besides diction and imagery, Dillard utilizes metaphors and similes in order to elaborate on comparisons that can be made between civilization and nature.
One alarming simile, “The man could no way...soak him off like a stubborn label.” which compares the ferocious grip of the weasel’s teeth to a stubborn label on a package, generates startling emotions of awe in the audience as the reader is demanded to re-examine the swift connections between nature and man. To amplify her claim, Dillard employs a graphic metaphor, “he was shot...a fur pendant,” which sets up a comparison between the hanging head of a weasel from its throat, revealing that the truth Dillard wishes her audience to understand is that nature can also be noticeable and vivid like their counterparts in the world of man. Thus, Dillard's essay fulfills her purpose as to exemplifying that micro details are equally noticeable and intriguing. For today's Americans who love and appreciate the small details in life Annie Dillard's essay is excellent and intriguing to ping your mind of imagination and openness. The subjects of evolution and racing to topple the next big thing is often slathered and thrown in the fast paced, selfish society of the large urban population centers where people spend more time sprinting to evolve and excel than slow down to enjoy the sights of nature and life itself. Sadly but hopefully, we must conclude that Annie Dillard shows the average modern man or woman that there is much more to
feel and see than running to create the next technological hit.
To conclude, in the poem “Changes” by D. Ginette Clarke, the use of repetition, word choice, and punctuation revealed the persona in a well-thought out and respectable manner. Clarke was very clever in the way that she had used these elements to not only reveal the persona, but also to make the poem as amazing as it is. The persona started off as a curious man, then came off as serious, only to turn out to be a demanding and vehement person; but in the end, the persona’s special characteristics were clear. Therefore, the use of repetition, word choice, and punctuation revealed and represented the persona and his curious, eager, and desperate personality.
Daniel also provides extensive imagery during this paragraph to help the reader visualize themselves and build curiosity, leaving the reader wondering what they would see and feel if they were also to climb that rock face. Overall, the paragraph contributes a powerful personal experience to Daniel’s argument to experience nature actively.
She starts by bringing a pessimistic view to photographs of nature, by describing what may or may not lie just outside the boundaries of the picture. Mockingly she leads the reader to assume that there are no real nature photos left in the world, but rather only digitaly enhanced photos of nature wit...
"Everyone is influenced by their childhood. The things I write about and illustrate come from a vast range of inputs, from the earliest impressions of a little child, others from things I saw yesterday and still others from completely out of the blue, though no doubt they owe their arrival to some stimulus, albeit unconscious. I have a great love of wildlife, inherited from my parents, which show through in my subject matter, though always with a view to the humorous—not as a reflective device but as a reflection of my own fairly happy nature.
Our awareness, our perception within nature, as Thomas states, is the contrast that segregates us from our symbols. It is the quality that separates us from our reflections, from the values and expectations that society has oppressed against itself. However, our illusions and hallucinations of nature are merely artifacts of our anthropocentric idealism. Thomas, in “Natural Man,” criticizes society for its flawed value-thinking, advocating how it “[is merely] a part of a system . . . [and] we are, in this view, neither owners nor operators; at best, [are] motile tissues specialized for receiving information” (56). We “spread like a new growth . . . touching and affecting every other kind of life, incorporating ourselves,” destroying the nature we coexist with, “[eutrophizing] the earth” (57). However, Thomas questions if “we are the invaded ones, the subjugated, [the] used?” (57). Due to our anthropocentric idealism, our illusions and hallucinations of nature, we forget that we, as organisms, are microscopically inexistent. To Thomas, “we are not made up, as we had always supposed, of successively enriched packets of our own parts,” but rather “we are shared, rented, occupied [as] the interior of our cells, driving them, providing the oxidative energy that sends us out for the improvement of each shining day, are the mitochondria” (1).
Chris McCandless does not wish to follow defined life structure that society enforces to simply be alive, instead, he chooses to take a seek a path to live a life with purpose. Such an eagerness to seek detachment from what is expected by society, is enforced by not only McCandless but also Thoreau. A primary factor resembling this, is McCandless’ view that many people “live within unhappy circumstances...yet will not change…they are conditioned to a life of security, conformity, and conservatism...damaging to the adventurous spirit(40).” The detesting tone risen through the confliction of “unhappy circumstances” and “damage,” to “safety, conformity and conservation,” emphasis his will to separate from a lifestyle lacking change. This is done
In the short story, “Carnal Knowledge,” T. Coraghessan Boyle portrays the character Jim as one man’s inner conflict between his lust for a beautiful activist, Alena, and his own convictions. Although he lacks interest in animal rights that she strongly feels passionate about, he finds himself respecting her perspective, but he doesn’t seem to be amused. Despite irony, the author shows the fantasy life that Jim lives with Alena can only come disoriented at the end because of its superficiality, irony, and the different point of view.
Over centuries, humankind has searched for the line where positive and negative influence over nature intersect. “The Rattler”, a tale of a man and a rattlesnake who cross paths in the desert, deals with this very question. The individual is at first cautious of the snake, thinking it best to leave the dangerous creature alone. But at the thought of the nearby neighbors, he takes it upon himself to kill it, and then continues on into the night. The author uses comparison, diction and personification in “The Rattler” to promote sympathy for both characters: the snake and the man.
Change is something you are probably familiar with. In “Beneath the Smooth Skin of America,” Scott R. Sanders talks about many changes in his life. The author starts the story looking throw the eyes of himself as a child. As a child he remembers that all that was in his sight was all he could see. The author’s best example of this is he says, ”Neighbors often appeared…where they came from I could not imagine” (27). As the author begins to see more by leaving the area he was around so often he starts to see more and more things. He started moving around to different places and started seeing the things that he had not see before. The author points out many things that he began to see like the stores around the town and the different colors of places. The smell of the certain area over the one smell he was used to. In his travels to the south he noticed the bathrooms signs in the south read, “Colored” and “White.” All these different changes made his world seen bigger and bigger.
In individual searches to find themselves, Frank and April Wheeler take on the roles of the people they want to be, but their acting grows out of control when they lose sense of who they are behind the curtains. Their separate quests for identity converge in their wish for a thriving marriage. Initially, they both play roles in their marriage to please the other, so that when their true identities emerge, their marriage crumbles, lacking communication and sentimentality. Modelled after golden people or manly figures, the roles Frank and April take on create friction with who they actually are. Ultimately, to “do something absolutely honest” and “true,” it must be “a thing … done alone” (Yates 327). One need only look inside his or her self to discover his or her genuine identity.
In the world of science there are many discoveries. “A discovery is like falling in love and reaching the top of a mountain after a hard climb all in one, an ecstasy not induced by drugs but by the revelation of a face of nature … and that often turns out to be more subtle and wonderful than anyone had imagined.” (Ferdinand Puretz). Most people in the world we live in lack to notice and or appreciate the gift of sight in life. By not cherishing the gift of sight and using it properly, many discoveries are left unfound. In the writing piece, Seeing, Annie Dillard speaks of nature and the small things that we all are unconsciously blind to and not appreciative of. Seeing explores the idea of what it means to truly see things in this world. Annie Dillard’s main point is that we should view the world with less of a meddling eye, so that we are able to capture things that would otherwise go unnoticed. There’s a science to how we view things in nature. Dillard attempts to persuade her reader to adopt to her way of seeing, which is more artificial rather than natural.
The external conflict of nature against man never becomes resolved, as nature ends the man and his goals. For example, the severe cold weather prevented the man fro...
In the book Fahrenheit 451 by Ray Bradbury, there are many themes, symbols, and motifs that are found throughout the novel. For my journal response, I have chosen to discuss nature as a prevalent symbol in the book. The main character, Montag, lives in a society where technology is overwhelmingly popular, and nature is regarded as an unpredictable variable that should be avoided. Technology is used to repress the citizens, but the oppression is disguised as entertainment, like the TV parlour. On the opposite end of the spectrum, nature is viewed as boring and dull, but it is a way to escape the brainwashing that technology brings. People who enjoy nature are deemed insane and are forced to go into therapy. Clarisse says “My psychiatrist wants to know why I go out and hike around in the forests and watch the birds and collect butterflies,” (Bradbury 23) which shows she is a threat to the control that the government has put upon the people by enjoying nature.
In line with the feeble and vulnerable portrait of human beings, nature is described as dangerous and uncontrollable on the one hand; beautiful on the other. The tone of the waves is "thunderous and mighty" and the gulls are looked upon as "uncanny and sinister.
Judith Wright's poem `The Killer' explores the relationship between Humans and Nature, and provides an insight into the primitive instincts which characterize both the speaker and the subject. These aspects of the poem find expression in the irony of the title and are also underlined by the various technical devices employed by the poet.