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Essay on ancient egyptian women
Essay on ancient egyptian women
Essay on ancient egyptian women
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Marilyn Booth considers al-Zayyāt’s The Open Door intertwining two different kinds of marginality by utilizing “female perspective at the center, within a context of family and community” and “everyday language rather than literary diction” (xvii). Centering on Layla and her personal experience, Booth suggests that “Layla’s growth is paralleled by that of the national resistance toward the British which continues to take control despite Egypt’s 1923 independence (xxiii). Likewise, Buijsse in her thesis entitled A Struggle for Independence: A Young Woman’s Coming of Age as National Allegory in Latīfa al-Zayyāt’s al-Bāb al-maftūh also found similar finding of the parallel between Layla’s struggle to gain freedom as woman and Egypt’s struggle to win freedom from the imperialism (26). …show more content…
On the contrary, Layla’s personal plight is different from, say, her cousin, Gamila, who can be perceived as the one who keeps the door closed in supporting the fundamentals along with most of female characters in the novel such as Gamila’s mother, Layla’s mother, and Dawlat Hanim. Growing up together, both Layla and Gamila share the moment of sisterhood which is not found in el-Saadawi’s Memoirs of a Woman Doctor. In addition, Layla’s peers such as Sanaa and Adila, in a way, enrich Layla’s personal life experience as they involve in her life
By her admission the women volunteers of the social welfare organizations were predominantly middle and upper-class. Deeb does not consider how women from other socio-economic groups pursue and engage in piety and modernity, and how they view “authenticated Islam.” As such Deeb’s description of an authenticated Islamic community in al-Dahiyya seems to represent the formulations provided by a privileged class of women. The absence of other socio-economic is coupled with a cursory description of the peripheries of the community. Less emphasis is placed on the inhabitants of al-Dahiyya who are marginalized and excluded from the enchanted modern. A greater study of how authenticated Islam is understood by member of other socio-economic classes and the more marginalized members of the community would have given a greater insight, not only into the development of the enchanted modern, but also the social dynamics which govern
From start to finish, one could see how much Mariam values Laila, Aziza, and their friendship. The first example is when Mariam vows to help Laila while they are in the hospital for Laila’s unborn child: “I’ll get you seen, Laila jo. I promise” (287). This simple promise is a deep portrayal of Mariam’s desire to help Laila find a doctor and deliver her baby. Additionally, one can see Mariam’s love for Laila when she protects her from Rasheed’s grip of death, “‘Rasheed.’ He looked up. Mariam swung. She hit him across the temple. The blow knocked him off Laila” (348). Rasheed was going to kill Laila, but Mariam steps in and knocks him off of her with a shovel to save her life. Mariam forms a tight-knit bond with Laila, and when Hosseini includes their relationship, one can see how Mariam values Laila enough to kill another man. The author also describes their relationship after Mariam and Laila discuss plans for leaving: “When they do, they’ll find you as guilty as me. Tariq too. I won’t have the two of you living on the run like fugitives.” … “Laila crawled to her and again put her head on Mariam’s lap. She remembered all the afternoons they’d spent together, braiding each other’s hair, Mariam listening patiently to her random thoughts and ordinary stories with an air of gratitude, with the expression of a person to whom a unique and coveted privilege had been extended” (358). The love Mariam has for
“Culture belongs to the imagination; to judge it rationally is to misunderstand its function” (Wilson 79). In “The Butterfly Mosque” by G. Willow Wilson, she acknowledges culture and explains why cultures can differ so greatly. She emphasizes why its highly inconclusive to try to find a meaning behind ones culture. As a young American Muslim women she is faced with cross cultural ironies as she tries to find her identity and where she fits in. Her conversion to Islam brings into light her internalized prejudice and the different perspectives of Westerners towards the Middle East and vice versa. In her memoir, she depicts both positive and negative aspects of both cultures and, her struggle to find a common ground between the two.
It revolves around the issues of gender oppression, sexual assault, and importance of social status. Alifa Rifaat manages to express her opinions towards these themes by writing about a typical Egyptian marriage. She puts in focus the strong influence that a patriarchal society has. She also manages to prove how important social status is in society. The uses of literally elements such as theme and irony help express this view. It shows that in a typical Egyptian society women are commonly oppressed by all males in society
Both el Saadawi and Al-Shaykh both show how perception and expression are both affected within the confines of politics, social opportunities, and male privilege depicted in their stories. Whether the reader is a follower of the feminist movement or not, it is very clear and easy to see that these women are not being treated with the respect that any human being deserves. The misogynistic stranglehold on society, especially in this part of the world, is excessive and avoidable in today’s world but it is very likely that the traditional, conservative ways of the past will continue to control and inhibit women from being able to be fully treated as equals for many years to come, perhaps even after this generation has
One of the most famous contemporary ethnographic studies of women and gender within Islam is Erika Friedl’s Women of Deh Koh, in which her main concern seems to be providing he...
Stone, Harry. "Araby" and the Writings of James Joyce. N.p.: n.p., n.d. EBSCO. Web. .
The Sand Child is a novel written about a man born a girl discovering through their sex and gender the differences held within the social norms of men and women. Ahmed, the main character and conflict, in the novel guide the reader through a story of self-discovery on the social status spectrum. In Tahar Jelloun’s novel women play an active role in accepting and portraying themselves as lower in social standards, through this the idea that gender is an individual’s compliance with typical social norms takes form.
You will realize the nationalists’ dream. You will learn foreign languages, have a passport, devour books, and speak like a religious authority. At the very least, you will certainly be better off than your mother.” Reading this masterpiece we can easily see the Middle East women’s dreams for education and freedom, things that we the women from the West taking as granted.
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
8. Nawal El-Saadawi, "The Hidden Face of Eve, Women in the Arab World," translated and edited by Sherif Hettata, Zed Press, London, 1980, pg.33
In “Araby”, author James Joyce presents a male adolescent who becomes infatuated with an idealized version of a schoolgirl, and explores the consequences which result from the disillusionment of his dreams. While living with his uncle and aunt, the main character acts a joyous presence in an otherwise depressing neighborhood. In Katherine Mansfield’s, The Garden Party, Mansfield’s depicts a young woman, Laura Sherridan, as she struggles through confusion, enlightenment, and the complication of class distinctions on her path to adulthood. Both James Joyce and Katherine Mansfield expertly use the literary elements of characterization to illustrate the journey of self-discovery while both main characters recognize that reality is not what they previously conceptualized it as.
Medieval philosophy is the synthesis of philosophy and religion, or revelation. In Ibn Tufayl’s Hayy Ibn Yaqzan, Hayy is a perfect example of how reason and revelation are used to determine the ways of the world. While trying to determine if the world was created or eternal, Hayy reasons that he cannot resolve this question. Reason cannot prove that the universe was created or eternal. However, he determines that no matter what the origin of the world, “the world must have a non-corporeal Cause” (Tufayl, 2009, pg. 131). Hayy supports this conclusion by first stating that if the world was created in time, then a creator that is not created must be the Cause. Next, he supports his conclusion by stating if the world is eternal, then the universe must have an infinite force that causes the motion of the universe. Lastly, Hayy supports his conclusion by establishing characteristics of the first Cause that is behind either the creation or infinite motion of the universe. These characteristics include a non-physical body, eternal being, infinite perfection, knowledge, and goodness. In this paper, I will first discuss Hayy’s conclusion of why there must be a first Cause if the world was created. I will then discuss Hayy’s conclusion of why there must be a first Cause if the world is eternal. Lastly, I will discuss Hayy’s conclusion of the characteristics that this first Cause must contain.
Perhaps the main reason I liked this book was the unfaltering courage of the author in the face of such torture as hurts one even to read, let alone have to experience first-hand. Where men give in, this woman perseveres, and, eventually, emerges a stronger person, if that is even possible. The book’s main appeal is emotional, although sound logical arguments are also used. This book is also interesting as it shows us another face of Nasir – the so-called “champion of Arab nationalism” – who is also the enemy of pan-Islamism. The book is also proof of history repeating itself in modern-day Egypt.